Hadley Caliman at Jazz Alley this Sunday, July 18
Come support this Seattle legend at this rare Jazz Alley appearance.
Celebrating Hadley Caliman with Thomas Marriott
July 18 – Jazz Alley
2033 6th Avenue
7:30pm, $12.00
Click here to make a reservation for this show or call 206-441-9729.
The Pacific Jazz Institute at Dimitriou’s Jazz Alley presents saxophonist Hadley Caliman with trumpeter Thomas Marriott. Joining them will be Bill Anschell (piano), Phil Sparks (bass) and Matt Jorgensen (drums). Show time is 7:30pm, doors will open at 6:00pm.
Tenor saxophonist Hadley Caliman is part of the living history of jazz music in America. From Dexter Gordon to Freddie Hubbard to Santana to Phoebe Snow through to his recent critically-acclaimed “Gratitude,” Hadley Caliman’s 78 years has been filled with the kind of personal achievement that all creative artists strive for. His influence on the sound of modern jazz music can be heard on many of his albums as a leader. On “Straight Ahead,” Hadley Caliman visits some of his favorite tunes including his old friend Harold Land’s “Rapture,” the Lee Morgan classic “Totem Pole,” and with his own original “Cigar Eddie,” he provides a spirited opening to another classic recording. Featuring his working Seattle band with trumpeter Thomas Marriott, pianist Eric Verlinde, Phil Sparks on bass, and Matt Jorgensen on drums, “Straight Ahead” is another clear example of a living legend in top form.
Interview and photo by Steve Korn
Drummers! For the second year in a row, we are very excited to be hosting a Dream Cymbal Tasting here at Donn Bennett Drum Studio in Bellevue.
This is a marathon album, despite running for only 45 minutes; a dense, fast meteorite on an edgy sky, brief enough to be indulged in all its frowning intensity. Throughout, Speak build huge constructs of volumes and dynamics. The music never sits still; it’s a snake that twists and turns in the juxtaposition of noise and quietness, light and darkness. Yet the band is tremendously cohesive, shifting as one from heavy improvisational territories down to eloquent writing with a message of unresolved tension. There isn’t a recognisable soloist; the structure is always at the core, with each musician skilfully contributing to the edifice. Indefatigable, Luke Bergman on bass and Chris Icasiano on drums are as much centre stage as Vu’s reverb-laden trumpet or Andrew Swanson’s muscular saxophone.
Fred Anderson, a tenor saxophonist who tied the bebop innovations of Charlie Parker to the explorations of later avant-garde musicians and who owned the Velvet Lounge, a South Side Chicago club known for fostering the careers of emerging players, died on Thursday. He was 81.