Thursday Jazz

SEATTLE ART MUSEUM: Tom Varner Tentet

JAZZ ALLEY: Diane Schuur

TRIPLE DOOR MUSICQUARIUM: The Jason Parker/Josh Rawlings Duo (5:30pm)

TULA’S JAZZ CLUB: John Hansen/Bert Gulhaugen Vocal Showcase

NEW ORLEANS: The Ham Carson Quintet

EGAN’S BALLARD JAM HOUSE:
7pm – Cocoa Martini, with Karen Shivers, Kimberly Reason and Mercedes Nicole ($15 cover)
9:30pm – Kevin McCarthy Quartet, with Al Lindbom (guitar), Paul Gillespie (sax/flute), Larry Bergman (drums) and Kevin McCarthy (bass)

VERTIGO LOUNGE: Gayle Cloud
989 112th SE, Bellevue

ASTEROID CAFE: Tim Kennedy Jam Session

THAIKU: Jon Alberts, Jeff Johnson, Tad Britton

WHISKEY BAR: Ronnie Pierce

Earshot Art of Jazz at SAM: Tom Varner Tentet

SAM Art of Jazz Concert Series:
Tom Varner Tentet:  world premiere of Tom Varner’s “heaven and hell,” a new work for tentet.
Thursday, April 10, 2008, 5:30 p.m., Seattle Art Museum
1st Ave and Union St.  Free with museum admission.  All ages. www.seattleartmuseum.org

Tom Varner is a composer and jazz French hornist with 11 CD’s out as a leader, and he plays on over 70 others. After 26 years in NYC, he moved with his family to Seattle in fall 2005. About his new work, Tom Varner tells SJS:

Finally, my tentet piece that I’ve been working on and obsessing about for over 5 years now, will be premiered at 5:30 p.m., Thursday April 10, as part of the Earshot monthly series at the Seattle Art Museum. The work was begun in earnest at a wonderful three-week stay at the MacDowell Arts Colony in winter 2003, and I’ve been working on it ever since.  (I was in the same snow-covered cabin where Leonard Bernstein worked on his “Mass,” as well as fellow composers Meredith Monk, Fred Hersch, Bobby Previte, and Aaron Copland).

The title of this 13-part cd-length piece is “heaven and hell” –as in the “heaven” of being in the moment with my two kids, especially enjoying my time with them here in Seattle, and the “hell”  of our planet’s last 6½ years—especially the hell of parents (and kids) of soldiers, whether in Iraq or elsewhere. The older we get, life seems have more and more of that “combo platter,” and this piece is a kind of musical reflection on that duality. The piece is also a look back the “extreme emotional state juxtaposition” of being NY’ers on 9/11/01, while preparing to go to Hanoi in nine days to adopt our beautiful son, Jack. (In the end, it all worked out, and we adopted our daughter Hope in ’04, and having moved to Seattle in ’05, here we are, a Seattle family now.) Read More

Wednesday Jazz

BENEFIT FOR ANDREW D’ANGELO
Chapel Performance Space at Good Shepherd Center

4649 Sunnyside Ave N (Wallingford), Seattle, 7:30pm
Performances by: Bill Frisell, Wayne Horvitz, Eyvind Kang, Robin Holcomb, and Cuong Vu

JAZZ ALLEY: Sophie Milman

TULA’S JAZZ CLUB: Rochelle House Quartet

NEW ORLEANS: The Legend Band w/ Clarence Acox

EGAN’S BALLARD JAM HOUSE:
6pm – Cheryl McLin (vocals) with Andy Shaw (piano)
8pm – Vocal Jam hosted by Carrie Wicks with Paul Sawyer (guitar) and Chuck Kistler (bass)

BELLEVUE ARTS MUSEUM: Jovino Santos Neto
510 Bellevue Way NE, Bellevue, WA, 5:00pm

Benefit for Andrew D’Angelo

Wednesday, April 9, 7:30 pm
Benefit for Andrew D’Angelo

Performing: Bill Frisell, Wayne Horvitz, Eyvind Kang, Robin Holcomb, Cuong Vu and many others

Chapel Performance Space at Good Shepherd Center
4649 Sunnyside Avenue (Wallingford), Seattle
Suggested Donation: $15-$25 per person

Reservations available through Earshot Jazz (206) 547-6763 and online

All proceeds benefit Andrew D’Angelo

Please note: If you are unable to attend the performance and would still like to make a donation, please visit Andrew’s website by clicking here.

Tuesday Jazz

JAZZ ALLEY: Sophie Milman

TRIPLE DOOR: The BCC Vocal Jazz Ensemble Celebration

TULA’S JAZZ CLUB: Emerald City Jazz Orchestra

NEW ORLEANS: Holotradband

EGAN’S BALLARD JAM HOUSE:
7pm – Nate Omdal Nonet
9pm – Free Jazz Jam, hosted by the Trio Concept, with Chris Icasiano (drums), Luke Bergman (bass), and Neil Welch (saxophones)

SHERMAN CLAY BELLEVUE: New Stories
1000 Bellevue Way N.E., Bellevue, WA 98004, (425) 454-0633

OWL ‘N THISTLE: Jam Session

New Stories performing this Tuesday

It is a rare and special occasion when New Stories performs in the Northwest. Made up of Marc Seales on piano, Doug Miller on bass and John Bishop on drums, the group will perform Tuesday night at the Eastside Jazz Series at the Bellevue Sherman Clay store.

TUESDAY, APRIL 8
NEW STORIES AT SHERMAN-CLAY
7:30 – 9:30pm

1000 Bellevue Way N.E.,
Bellevue, WA 98004
(425) 454-0633

Tom Varner’s “heaven and hell” premier at SAM

From Paul de Barros’ Friday column in The Seattle Times:

Musician-composer Tom Varner’s “heaven and hell”: life’s highs and lows set to music
by Paul de Barros
Seattle Times Jazz Critic

“Heaven and Hell,” a major new work by French horn player Tom Varner, premieres Thursday as part of the Earshot Art of Jazz series at the Seattle Art Museum.

The title, said Varner in a phone interview, refers to the “hell” of having experienced Sept. 11 while living in New York, and the “heaven” of becoming a father, in particular when he and his wife flew to Vietnam nine days after Sept. 11 to adopt their son.

Easily the most highly regarded jazz French horn player in the world, Varner moved to Seattle two years ago and has been a wonderful addition to the scene.

“The older we get, we know life is more of a combo platter of heavens and hells we live through,” he said.

Varner started writing “Heaven and Hell” in 2003, during a three-week residency at the prestigious MacDowell Arts Colony.

“I sat there where Leonard Bernstein worked on his mass,” said the effusive Varner. “It was just a few cabins away from where [Aaron] Copland worked on “Appalachian Spring.”

The new, 13-movement piece is written for tentet — five reeds, three brass, bass and drums (no piano) — the largest ensemble he has written for and also his most ambitiously through-composed work.

In addition to Varner, the lineup features Jesse Canterbury, clarinet; Saul Cline, soprano sax; Mark Taylor, alto sax; Eric Barber, tenor sax; Jim DeJoie, baritone sax; Russ Johnson, trumpet (from New York); Chris Stover, trombone; Phil Sparks, bass; and Byron Vannoy, drums.

SAM Art of Jazz Concert Series:
The world premiere of Tom Varner’s “Heaven and Hell,” a new work for tentet
Thursday, April 10, 2008, 5:30 p.m., Seattle Art Museum, 1st Ave and Union St. Free with museum admission.  All ages.
www.seattleartmuseum.org

Monday Jazz

SEATTLE DRUM SCHOOL: First Mondays with Jim Knapp Orchestra 12510 15th Ave NE, Seattle, 8pm

TULA’S JAZZ CLUB: Vocal Jazz Jam with the Kelley Johnson

NEW ORLEANS: The New Orleans Quintet

LA SPIGA: Ray Baldwin

Let us know if we missed something by posting a comment!

Thank You Cynthia!

A big thank you to Cynthia Mullis who has been handling the duties of Seattle Jazz Scene this past week while I’ve been on tour.

And, of course, thank you to all of our readers!

– Matt Jorgensen

April is National Jazz Appreciation Month

A Great Day in Seattle: A Jazz Legacy Photo Project

Did you know that April is National Jazz Appreciation Month, as legislated by the U.S. Congress in August of 2003? In April of 2007, a group of local musicians began to organize a project to help Seattle celebrate Jazz Appreciation Month. On May 6th, 2007, they gathered more than 250 local professional jazz musicians to create a Seattle version of the now famous “Great Day in Harlem” photograph taken by Art Kane for Esquire magazine in 1958. The photograph was shot by Pulitzer-Prize winning photographer Daniel Sheehan on the steps of City Hall in downtown Seattle – a historic moment in Seattle’s jazz history. 

GreatDay.jpg

In addition to celebrating Jazz Appreciation Month, the organizers designed the project as a means to give back to the music community. Sales of posters and prints of the photograph benefit the MusiCares Foundation, which provides a safety net of critical assistance for music professionals in times of need.

The results of the Great Day in Seattle project are now available just in time for Jazz Appreciation Month. Limited edition posters are being sold at Bud’s Jazz Records, Tula’s Restaurant and Nightclub, Silver Platters, the New Orleans Creole Restaurant, and at the “A Great Day in Seattle” website – www.agreatdayinseattle.com. The posters are being sold for $20.00 each. Also for sale are 20 original framed prints, signed and numbered by Daniel Sheehan, and autographed by the more than 250 musicians depicted in the photo. These rare prints are going for $2,500 each and can be purchased through the project website. Again, all proceeds from the purchases go to the MusiCares Foundation.  Ten additional original prints will be donated to local non-profits for their fund-raising events. Read More

Sunday Jazz

April is Jazz Appreciation Month. Tonight’s a good night to start appreciatin’…

JAZZ ALLEY: David Sanborn

TULA’S JAZZ CLUB:
4:00 : Reggie Goings / Hadley Caliman
8:00pm: Jim Cutler Jazz Orchestra

GRAZIE: Ruel Lubag Jam Session

TRIPLE DOOR MUSICQUARIUM: Salsariba, Sunday Night Salsa

LA SPIGA: Marco de Carvahlo

TUTTA BELLA STONE WAY: Casey McGill and the Blue 4 Trio

SERAFINA:
11am – 1:30pm: Jazz Brunch with the Conlin Roser Duo
6:30 – 9pm: The Piper Olson Duo

Saturday Jazz

JAZZ ALLEY: David Sanborn

TRIPLE DOOR MUSICQUARIUM: Das Vibenbass

TULA’S JAZZ CLUB: Greta Matassa Quintet w/ Alexy Nikolaev

EGAN’S BALLARD JAM HOUSE:
7pm – The Julie Olson Trio, with Julie Olson (vocals), Josh Rawlings (piano), Geoff Cook (bass) and Adam Kessler (drums)
9pm – Caryn Kupferman and Eileen Cuba

BAKE’S PLACE: Gail Pettis Quartet

TUTTA BELLA: Marcos De Carvahlo

SERAFINA: Leo Rayomundo w/ sue Nixon

GRAZIE: Lee Pence Trio

BERKSHIRE GRILL: Sidecar Jazz

Don’t hold out on us now…we know there’s more that we should know about. Post a comment and let know!

JazzVox House Concert: an interview with Stephanie Nakasian

Stepanie Nakasian performs Friday and Saturday at Nich Anderson’s JazzVox House Concerts

Vocalist Stepahnie Nakasian will be performing at Nich Anderson’s JazzVox House Concerts tonight on Camano Island and in Federal Way/Auburn tomorrow.  Stepanie will be accompanied by Bill Anschell (piano) and Doug Miller (bass) . For more information about these house concerts, visit http://www.jazzvox.com and for more information about Stephanie Nakasian, visit her on the web at http://www.stephanienakasian.com

Acclaimed jazz vocalist Stephanie Nakasian took some time with Nich Anderson of JazzVox for a phone interview:

JazzVox: Tell us a little about yourself, your background and how you got started with jazz singing.

Stephanie Nakasian: I was working on Wall Street and I lived on the upper east side in New York on 54th Street and had heard a friend of mine who said ‘you gotta go hear my uncle, he’s a jazz piano player’.  I didn’t know anything about jazz.  She said he’s on 63rd and 1st – he plays at Gregory’s (that was really down the street from me).  I was kind of getting tired of hanging around just bankers and brokers so I decided to go by and see what it was all about and saw Hod (O’Brien) and heard him and just you know, really loved the whole feeling of the music.  I knew the songs because I’d heard of Rodgers & Hart and Gershwin songs, but I’d never heard them done in a swinging, exciting style all improvised and everything.  And he was cute… and I said people think I have a good voice, would you mind listening to me sing?  I was kind of at a place in my career where I just I wasn’t that happy with being in the business world and didn’t really know which way to go and was looking for something else.  Hod listened to me and liked my singing and we fell for each other. He had me sit in with him at gigs and then I started to get gigs Read More

Friday Jazz

Whew! How do you choose on a night like tonight?

TULA’S JAZZ CLUB: Milo Peterson and the Jazz Desciples

JAZZ ALLEY: David Sanborn

TRIPLE DOOR MUSICQUARIUM:
5:30pm: Tor Dietrichson Duo
9:00pm: Tor Dietrichson Blues Machine

TRIPLE DOOR MAINSTAGE: Coco Montoya (Modern Electric Blues)

EGAN’S BALLARD JAM HOUSE:
7pm – Michael Cosgrove CD release party
9pm – Portrait Sextet, with Greg Larson (trombone), Mack Grout (piano), Brendan O’Donell (guitar), Nigel Goss (bass), Tony Falteisek (drums) and Neil Welch (sax)

BAKE’S PLACE: Trish, Hans and Phil

JAZZ VOX HOUSE CONCERT: Stephanie Nakasian, Spirit Ridge Inn, Camano Island.
She will also be playing tomorrow night at the Federal Way/Auburn hosue concert. Check back later today for an interview with Stephanie. More info at www.jazzvox.com 

ORIGIN FIRST FRIDAYS: Richard Cole Quartet, Crossroads Market, Bellevue

SERAFINA: Fred Hoadley Trio

GRAZIE: Karin Kajita

HIROSHI’S JAZZ AND SUSHI: Christopher Woitach Trio w/ Greg Wlliamson, Larry Holloway

LATONA PUB: Phil Sparks Trio (4:30 – 6:30pm)

BERSHIRE GRILL: Scott Lindemuth Group

MARSON’S: Katy Bourne w/ Randy Halberstadt, 620 SE Everett Mall Way, Everett, 425-212-2266

Thursday Jazz

Gettin’ revved up for the weekend!

THE TRIPLE DOOR: Elspeth Savani with Jovino Santos Neto and Friends

TULA’S JAZZ CLUB: Dave Anderson w/John Hansen, Chuck Kistler, Adam Kessler

JAZZ ALLEY: David Sanborn

THE NEW ORLEANS: The Ham Carson Quintet

THAIKU: Jon Alberts, Jeff Johnson, Tad Britton

EGAN’S BALLARD JAM HOUSE:
7pm – Cyrille Gosselin – solo guitar and quartet w/ Bob Frazier (trumpet), Joe Casalini (bass) and Bob Merrihew (drums).
9pm – Black Math Quartet, nu-jazz jam band with Brian Heaney (guitar), Liam O’Connor (drums), Tony Sodano (bass) and Matt Reid (trumpet)

ASTEROID CAFE: Tim Kennedy Jam Session

LO-FI: The Hang

As always, let us know if there’s something else going on by posting a comment.

Wednesday Jazz

JAZZ ALLEY: Pinetop Perkins with Big Eyes smith Band

TRIPLE DOOR MUSICQUARIUM: Tor Dietrichson/Leif Totusek Duo

TULA’S JAZZ CLUB: SCCC Jazz Orchestra w/Lonnie MArdis

THE NEW ORLEANS: The Legend Band w/Clarence Acox

EGAN’S BALLARD JAM HOUSE:
6pm – Eileen Neff (vocals), with Nate Omdal (bass), Josh Rawlings (piano) and Cody Rahn (drums)
8pm – Vocal Jam with Carrie Wicks

TUTTA BELLA: Primo Basso

THAIKU: Ron Weinstein Trio

Anything else? Let us know in the comments section.

Tuesday Jazz

JAZZ ALLEY: Pinetop Perkins with the Willie Big Eyes Smith Band

TULA’S JAZZ CLUB: Jay Thomas Big Band

NEW ORLEAN’S: Holotradband

EGAN’S BALLARD JAM HOUSE: Dorothy Rodes (vocals) with Darin Clendenin (piano)

OWL ‘N THISTLE: Jam Session

Monday Jazz

TRIPLE DOOR: Charles Lloyd Quintet w/Reuben Rogers, Jason Moran, Eric Harland

SEATTLE DRUM SCHOOL: Last Mondays with Geoff Harper
12510 15th Ave NE, Seattle, 8pm

TULA’S JAZZ CLUB: JAZZ JAM with the Darin Clendenin Trio

NEW ORLEANS: The New Orleans Quintet

LA SPIGA: Ray Baldwin

Let us know if we missed something by posting a comment!

Tonight: Charles Lloyd at The Triple Door

EARSHOT JAZZ presents the CHARLES LLOYD QUARTET
MONDAY, MARCH 31
THE TRIPLE DOOR
Shows at 7:00 at 9:30pm

Buy tickets at The Triple Door website

At 68 when most individuals are thinking of ways to slow down and kick back, Charles Lloyd has shifted to a higher gear. His concerts and recordings are events of pristine beauty and elegance, full of intensely felt emotion and passion that touches deep inside the heart. This not entertainment, but the powerful uncorrupted expression of beauty through music. When music vibrates, the soul vibrates and touches the spirit within. “Charles Lloyd was the highlight of the Berlin Jazz Festival…Lloyd, tabla master Zakir Hussain and stunning young drummer, Eric Harland – shimmied with palpable synchronicity and flashes of mystical beauty,” stated award winning writer, Joe Woodard in the Santa Barbara Independent.

Credited by many musicians with anticipating the World Music movement by incorporating cadences of many cultures in his compositions as early as the late 1950s, Charles Lloyd describes his music as having always “danced on many shores.” As Peter Watrous wrote in The New York Times, “Mr. Lloyd has come up with a strange and beautiful distillation of the American experience, part abandoned and wild, part immensely controlled and sophisticated.” From the moment he first came to prominence as the young music director of the Chico Hamilton Quintet in 1960, Lloyd began to take audiences on journeys that traversed enormous distances. Over nearly four decades, his compositions have punctuated the post-bop period, embraced the traditional music of a host of world cultures and ciphered the psychedelic 1960s with avant-garde improvisation. Lloyd was one of the first jazz artists to sell a million copies of a recording ( ‘Forest Flower’) and then he surprised us by walking away from performing just at the point that he was dubbed a jazz superstar. Actually he was just following a trajectory that was taking him closer to the essence of the music he was hearing.

Seattle Times: Lloyd’s music springs from heartfelt influences

From Paul de Barros’ column today in The Seattle Times:

Many jazz fans dismiss saxophonist and flutist Charles Lloyd as a poseur, a “Coltrane lite” flower child who capitalized on an aura of spiritualism when it was fashionable in the ’60s but never acquired the chops or individuality of the master he was imitating.

In some ways these people have it right. Lloyd can definitely sound like a noodler, and he uses a number of Coltrane gestures. There is the metallically shimmering cry on tenor, the Middle Eastern exoticism on taragato (a Hungarian double reed) that mimics Trane’s keening soprano saxophone and the habit of running up to an accented melody note with a dramatic flourish. There’s also a lot of Eric Dolphy in Lloyd’s flute playing, particularly his sudden flurries and use of odd intervals.

But Lloyd’s quartet connects with audiences in a way that somehow makes such purist objections seem merely petulant. His upcoming appearance in Seattle with a new quartet featuring pianist Jason Moran, bassist Reuben Rogers and drummer Eric Harland, courtesy of Earshot Jazz, is most welcome. Lloyd’s quartet performs Monday at the Triple Door.

Continue reading at The Seattle Times.