On the Scene: Live Jazz Previews for October- The Earshot Jazz Festival and Beyond

With summer gone and a long winter ahead, October is always one of the most beautiful months of the year in the Pacific Northwest. To add to the mix, the Earshot Jazz Festival has plenty of things to share to keep us all busy and interested. Between the annual festival, the Seattle Jazz Fellowship and Jazz Alley, we have things about covered. More than ever, please understand that these are gigs that I can personally recommend–I’m not taking a bow to popularity, what is trending, or any other element to distract from the music itself. Many nights this month, there are multiple gigs that are engaging- a nice problem to have. We’ll start with the Fellowship, then the festival, followed by fine performances outside the format of either. See you out there!

Seattle Jazz Fellowship: Fellowship Wednesdays at Vermillion

Photo Credit” Steve Korn

KJS featuring Steve Korn, Jeff Johnson & Marc Seales

Wed Oct 4, 7:30 PM/ Vermillion

Three of Seattle’s historical best explore the freedom of the jazz trio. Pianist Marc Seales, Bassist Jeff Johnson and drummer Steve Korn all have a reputation for listening and participating in group mind, and compose their original works accordingly. Johnson is a transcendent figure on an international scale as a bassist in this format, having anchored the trios of Hal Galper, Jessica Williams, Chano Dominguez and many others. https://seattlejazzfellowship.org/events

Photo Credit: Paul Towndrow

Atlantic Road Trip with Chad McCullough

Wed Oct 11, 7:30 PM/ Vermillion

Atlantic Road Trip is an international project featuring artists from Europe and America, that create a fusion of traditional indigenous folk musics from Scotland, Ireland and Slovakia, imagined through the lens of American jazz and improvised music. Seattle’s own Chad McCullough, now based in Chicago, is featured on trumpet. Paul Towndrow is the interface with folk forms of the British Isles, playing whistles, flutes and saxophone. Vibraphonist Miro Herak adds a unique timbre to the band’s sound. Bassist Lawrence Kohut and drummer Jon Deitemyer are the ties that bind. https://seattlejazzfellowship.org/events

Photo Credit: Jim Levitt

Naomi Moon Siegel Septet

Wed Oct 18, 7:30 PM/ Vermillion

Trombonist/composer Naomi Siegel left Seattle a while back, relocating to Montana. When she comes back to visit, it is always an occasion for her to put together a killing band to perform her original tunes that speak to jazz with folk and classical elements in the mix. The real objective is spontaneous composition with this band of stellar improvisors. Siegel is joined on the frontline by trumpeter Ray Larsen and guitarist Andy Coe. The back three is sensational, with pianist Marina Albero, bassist Kelsey Mines and drummer Christopher Icasianohttps://seattlejazzfellowship.org/events

Photo Credit: Lisa Hagen Glynn

Matt Jorgensen Quintet

Wed Oct 25, 7:30 PM/ Vermillion

Drummer/composer Matt Jorgensen has been laying low in terms of live performance the past few years, and is dedicated to playing more going forward. That’s good news for the Seattle jazz scene. One of the most innovative drummers and imaginative composers in the PNW, Jorgensen teams up with longtime mate in alto saxophonist Mark Taylor, half of a two saxophone front with young tenorist Jackson Cotugno. Pianist Dylan Hayes brings a composer’s mind to the keyboard, teaming with bassist Kelsey Mines in a rhythm section with the leader Jorgensen. This lineup just seems like a good match–the sparks should fly. https://seattlejazzfellowship.org/events

Earshot Jazz Festival 2023: We Recommend

Photo Credit: Jim Levitt

Alex Dugdale Funk Band

Fri Oct 6, 7:30 PM/ Town Hall Forum

Seattle jazz fans are accustomed to seeing saxophonist Alex Dugdale in swing mode, playing his brand of hard bop. Here, he explores his funk persona with a large band big on horns and deep in the rhythm. The opening set of the 2023 Earshot Jazz Festival features Seattle headliners D’Vonne Lewis (drums), Kelsey Mines (bass), Jun Iida (trumpet), Freddy Fuego (trombone) and lead trumpet Walter Cano. The Forum may be an odd fit, unless it’s set up for dancing. https://www.earshot.org/event/alex-dugdale-funk-band/

Gretchen Parlato & Lionel Loueke

Wed Oct 11, 7:30 PM/ Triple Door

The culmination of twenty years of friendship, vocalist Gretchen Parlato and guitarist Lionel Loueke forge their longtime association into an intimate, explorative musical conversation. The two met as part of the Thelonious Monk Institute, with Parlato winning the jazz vocal competition there. Loueke has gone on to work extensively with Herbie Hancock, Dave Holland and Terence Blanchard. They will perform music from their duo project, Lean In. The music bears the weight of the events of the past three years The sonic connection that binds this duo is bound to create something dynamic for the audience. https://www.earshot.org/event/gretchen-parlato-lionel-loueke/

Photo Credit: Lisa hagen Glynn

Thomas Marriott Special Quartet

Thu Oct 12, 7:30 PM/ Town Hall Forum

Good to see Seattle trumpeter Thomas Marriott back on the festival bill, this time headlining an all-star quartet performing his original music. Marriott has produced fourteen albums as a leader and is the driving force behind the Seattle Jazz Fellowship. Frankly, he is one of the best trumpeters walking on two legs, and perhaps one of the most under-appreciated. The quartet chosen for this Earshot hit is emblematic of the work he has been doing over the past several years. 

Drummer Roy McCurdy has played with the masters, and at eighty six years of age, he has played with many of the best in jazz history. His credits include long tenures in the bands of Sonny Rollins and Cannonball Adderly. Remarkably, he is still the same force behind the kit that he has always been, one of the great spirits of jazz music. Pianist George Colligan has an extensive recording catalog as a leader, and as a member of several prominent ensembles, including those of Jack DeJohnette. Bassist Eric Revis is a prominent leader and composer and the bassist of the vaunted Branford Marsalis Quartet. It is quite the convergence for a great set of modern, post-bop jazz. 

This amounts to a celebration of Marriott’s extensive work as a jazz artist. The name Earshot came to be, meaning, “within earshot of Seattle.” Marriott is a historic musician within earshot of this town, and this gig is one not to miss. https://www.earshot.org/event/thomas-marriott-all-star-quartet/

Photo Credit: Jose Perez

Tina Raymond Trio

Fri Oct 13, 7:30 PM/ Royal Room

Drummer Tina Raymond has been a known quantity for a little while now, but her work with the Esthesis Quartet opened my eyes a bit wider to her skills. Having to bob and weave through the band’s intricate passages, both ghostly quiet and hurricane fierce, Raymond was the grounding force of her three atmospheric partners. Working in the intimate Columbia City digs at The Royal Room, Raymond brings a guitar trio to town featuring guitarist Andrew Renfroe and bassist Karl McComas- Reicht. They will perform music from their upcoming release titled Divinations for Imani Records. https://www.earshot.org/event/tina-raymond-trio/

Photo Credit: Jim Levitt

Jun Iida Sextet

Thu Oct 19, 8:30 pm/ Clock-Out Lounge

Trumpeter Jun Iida emerged as the city began to bounce back from the pandemic. He had recently moved here from Los Angeles, and was in active search mode to connect with the scene here in Seattle. He has done that nicely. Iida will be releasing his debut album on the highly regarded Origin Records label in January, and celebrates just that with this Earshot neighborhood hit at the Clock Out. 

First of all, as a Beacon Hill resident, it is wonderful to see the music performed in this great south end neighborhood. While the Clockout lacks a suitable piano. and has seldom if ever hosted live jazz, it has a sizeable south end vibe that is unique and special. Marina Albero joins on keyboards, with bassist Kelsey Mines and drummer Xavier Lecouturier rounding out the rhythm section. Guitarist Masami Kuroki makes his way up from LA to join and essentially join the front line. Iida has a refined sound gained from his original quest as a classical player. As a jazz player, he always seems to play a bit behind the beat and then gain on it dynamically. He has a natural feel for melody in his lines, something that also speaks to his original tunes. https://www.earshot.org/event/jun-iida-sextet/

Photo Credit:  johnrogersnyc.com

 Todd Sickafoose’s Bear Proof

Fri Oct 20, 7:30 PM/ Town Hall Forum

To be perfectly honest, what caught my eye about this gig was that Seattle native and NYC resident Carmen Staaf is touring with the band as its pianist. Staaf has had remarkable success since leaving her hometown, including her duo with Allison Miller and as music director/pianist with Dee Dee Bridgewater. This is not to take anything away from Grammy and Tony winning artist Todd Sickafoose

Producer, arranger, orchestrator, bandleader and double bassist Sickafoose leads his band dubbed Tiny Resistors here, an odd contraption of folk, indie rock, jazz and chamber music. The large ensemble is brilliant both orchestrally, and in terms of soloing, on a case by case basis. With Staaf on piano, drummer Allison Miller joins her duo partner with Sickafoose on the back line, with an orchestral mix of violinist Jenny Scheinman, guitarist Adam Levy, clarinetist Ben Goldberg, cornetist Kirk Knuffe and accordionist Rob Reich. They will perform music from their new album, Bearproof. https://www.earshot.org/event/todd-sickafooses-bear-proof/

Elsa Nilsson: Band of Pulses

Sat Oct 21, 7:30 PM/ Town Hall Forum

Flutist Elsa Nilsson has Seattle ties, as a student at Cornish College of the Arts. Originally from Sweden, Seattle area fans knew her as a frequent guest of the Jovino Santos Neto Quinteto. After a move to New York, she has slowly worked her way into being considered one of the most innovative practitioners of her instrument, involving herself in a number of eye opening projects. 

Nilsson performed at last year’s festival as a member of the Esthesis Quartet with Dawn Clement. With this band, dubbed Band of Pulses, she explores the works of Maya Angelou utilizing Angelou’s actual voice in the mix. The set list is all inspired by the iconic poet, and includes a musical interpretation of her poem, “On The Pulse of Morning.” Nilsson won a grant through the Chamber Music America New Works program, and includes the right to enhance the performance with Anjelou’s voice. The ensemble includes pianist Santiago Liebson, drummer Rodrigo Recabarren, and bassist Marty Kenney.  https://www.earshot.org/event/elsa-nilsson-band-of-pulses-jahnvi-madan/

Photo Credit: NPR

Linda May Han Oh and Fabian Almazan

Sun Oct 22, 7:30 PM/ Town Hall Forum

Bassist/composer Linda May Han Oh and pianist Fabian Almazan have been on a musical journey together for more than a decade, along the way gaining acclaim as both innovative instrumentalists and groundbreaking composers. Their music is explorative and modern, without the slightest hint of pretension. While both can swing with authority, or play original compositions with an abundance of harmonic space, each plays with an almost tidal sense of time. The object is more about beauty and spiritual refinement than a blaring demonstration of instrumental prowess–but yes, they can do that too. Drummer Christian McGhee is a remarkable musician who is so much more than a traditional timekeeper. He is pursuing melodic notions just as much as Oh and Almazan, with alto saxophonist Greg Ward being the fortunate recipient of license to play off the edge a bit. The intimate Forum at Town Hall is a perfect launching pad for this music. https://www.earshot.org/event/linda-may-han-oh-and-fabian-almazan/

Celebrating Mary Lou Williams, An Evening of Live Performance and Film

Wed Oct 25, 7:30 PM/ Langston Hughes Performing Arts Institute

Pianist Ann Reynolds has been focused on playing in tribute to some of the great female performers in jazz history over the past two years, both in performance and in the studio. She has been writing her own music inspired by these icons, with none being more important than the great Mary Lou Williams. For Earshot, Reynolds teams with producer and director Kay D. Ray in creating a multi-media homage to Williams, which includes live performance and film. 
The live performances will be mixed with archival film segments that include interviews and rare live performance footage. Reynolds will share the piano bench with Alex Guilbert, Kent Stevenson and Nelda Swiggett. Heather Chriscaden holds on to the groove on bass, and drummer Maria Wulf shares time behind the drum kit with Steven Banks. Freddy Fuego provides color on trombone and flute, while Reggie Garrett supplies the vocals. This program is an excellent match with Langston both in terms of programming and the building itself. https://www.earshot.org/event/celebrating-mary-lou-williams-an-evening-of-live-performance-and-film/

Photo Credit: Jim Levitt

Monday Night Jam at the Royal Room with Thomas Marriott

Mondays at 9 PM/ Royal Room

The Monday night jam is back at The Royal Room, beginning at 9 PM with Thomas Marriott as host. It gives Seattle a one-two punch with the Owl ‘n Thistle jam following on Tuesday night. Marriott’s Monday tilt has the advantage of being all ages, not to mention a legit piano and back line. Working off a sign up sheet, Marriott has done a fine job getting everyone on stage in a workable environment. Bring your chops, as this session attracts a lot of good players, both young and older. Check out what Wayne Horvitz has cookin’ prior to the jam at 7 PM. New Music Mondays is offered by the South Hudson Music Project. Don’t forget to support the night with your donation. https://theroyalroomseattle.com/event/royal-room-jazz-jam-session-hosted-by-thomas-marriott/?instance_id=3135


Album Review: Scenes- Variable Clouds: Live at the Earshot Jazz Festival

Scenes’ first album dates back to 2001, but the origins of the band dates back to the early 1990s, when saxophonist Rick Mandyck, bassist Jeff Johnson and drummer John Bishop initiated a trio gig. On occasion guitarist John Stowell would drop in if he was off the road and in Seattle. The band that began as a trio reverted back to that format after that inaugural recording, this time Stowell in tow as Mandyck slipped into a decade-long hiatus from the saxophone due to injury.

The listener may wonder that after thirty years, what more could this post-bop gathering of four actually have to say that would be enlightening and fresh to listeners? What could an eighth release on the Origin Records label possibly add to the band’s already impressive legacy? The simple answer to that is, “Plenty. To continue reading, click on this link https://www.allaboutjazz.com/variable-clouds-live-at-the-earshot-jazz-festival-scenes-origin-records__17805?fbclid=IwAR1ckH69nkoUSVfVH5oi3wcX10KfzgNow0jRbpHtjm3FW25GzFGNm2XV-ck

Seattle Times: Acclaimed jazz journeymen Lovano and Douglas grace Earshot jazz fest

from The Seattle Times:

Only a handful of journeymen jazz players consistently win magazine polls of both critics and readers. Saxophonist Joe Lovano and trumpeter Dave Douglas are longtime members of that club.

Both are coming to the Earshot Jazz Festival in the rarely-seen collaborative group Sound Prints, on Saturday, Oct. 18. It should the highlight of the four-week annual spree.

Lovano and Douglas have carved out a territory that could arguably be called a new mainstream — between roots revivalism and head-exploding experimentalism. No matter how far out they go — into dissonance, free-improvisation, tangential forms or extended instrumental techniques — their music is still blues-drenched, swinging jazz.

In a phone interview last month from his home in upstate New York, the Cleveland-raised Lovano said he owed his openness to both traditional and avant-garde sounds to his father, tenor saxophonist Tony “Big T” Lovano.

Continue reading at The Seattle Times

See the complete schedule for the Earshot Jazz Festival.

Photos: Trumpet Madness at Tula’s

from Daniel Sheehan’s EyeShotJazz.com

Friday night at Tula’s saw a return of Jay Thomas this time with his Trumpet Madness.  Jay Thomas brought Willie Thomas (trumpet), young Seattle trumpeters, John Hansen (piano), Chuck Kistler (bass) and Adam Kessler (drums) to Tula’s.

A versatile multi-instrumentalist, Thomas began to develop his lyrical and bluesy tone as a teen on scholarship to Berklee. He then worked and studied for several years in New York, then, the Bay Area. Later, in Seattle, Thomas became a frequent member of the house band at Parnell’s Jazz Club, working with artists George Cables, Charles McPherson, Bill Mays, Ralph Penland, Harold Land, Diane Schuur, Slim Gaillard and many jazz greats as they traveled through Seattle. Today, he is a member of one of Japan’s leading big bands, where he records and performs several times a year. Often, he shares those star players with audiences in the States.

For more photos from the Earshot Jazz Festival, check out EyeShotJazz.com

Photos: Jon Hamar Quintet at Tula’s

Photos by Daniel Sheehan, EyeShotJazz.com

My final set of the evening on Sunday I ended up at Tula’s and got to enjoy the Jon Hamar Quintet.the top-flight Seattle bassist Jon Hamar explored new music with tenor-sax titan Rich Perry, virtuoso multi-reedist Todd DelGiudice , pianist John Hansen and drummer Julian MacDonough.

Photos: Human Spirit and Bettye LaVette

Last night at the Earshot Jazz Festival.
Photos by Daniel Sheehan, EyeShotJazz.com


Trumpeter Thomas Marriott, saxophonist Mark Taylor and drummer Matt Jorgensen joined pianist Orrin Evans (Bobby Watson’s former pianist) and bassist Essiet Essiet (Art Blakey’s last bassist) under the Human Spirit banner for two nights of sold-out performances at the 2011 Earshot Jazz Festival.


Another evening of wonderful performances. Bettye LaVette at the Triple Door put on a very amazing show. Her voice has to be experienced.

Photos: Danilo Perez Trio at Earshot Jazz Festival

Photos by Daniel Sheehan, EyeShotJazz.com

On Saturday the 2012 Earshot Jazz Festival continued with the wonderful Panama-born piano virtuoso Danilo Perez who has established himself as one of the preeminent jazz musicians of his generation. Writing in the New York Times, music critic Ben Ratliff praised him as “a bold example of the musicological rethinking of jazz.”

Third Tier tickets are now available for Keith Jarrett, starting at $25

Benaroya Hall has opened up Third Tier tickets for tomorrow’s Keith Jarrett/Gary Peacock/Jack DeJohnette performance. Tickets start at $25 ($23 for Earshot members and senior citizens, $12 for students) and can be purchased directed through Benaroya Hall by calling (206) 215-4747 or online.

Tuesday, November 1
Keith Jarrett, Gary Peacock, Jack DeJohnette
Benaroya Hall S. Mark Taper Foundation Auditorium,
8pm

The superb jazz trio, the most revered of modern times, with three consummate masters of their instruments and the trio format: pianist Keith Jarrett returns with bassist Gary Peacock and drummer Jack DeJohnette. As transporting as it gets. Book early. $25-$88.50 (Welcomed by KPLU 88.5FM NPR)

Preview: Brad Mehldau at the Earshot Jazz Festival

by SJS Staff

Friday, October 21
Illsley Ball Nordstrom Recital Hall at Benaroya Hall
, 8pm
$32 general, $30 members/seniors, $16 students
(Welcomed by KPLU 88.5FM NPR)

This Friday, October 21, 2011, Brad Mehldau returns to Seattle to play a solo set as part of the 2011 Earshot Jazz Festival. The 41-year-old performer, arranger, and composer has performed in Seattle many times before — most recently this past April with his trio — but this concert presents a rare opportunity to hear one of the world’s preeminent jazz pianists perform alone in a recital setting. The evening of live piano will be held at the Nordstrom Recital Hall at Benaroya Hall, which is a perfect setting for the event. In this intimate performance hall, Mehldau is sure to astound the audience with his subtly, technical abilities, and artistry. Mehldau often uses solo performances as a testing ground for new compositions, so even the most ardent fan is sure to hear something new.??

Some of Mehldau’s most inspiring performances come from his collaborations with other musicians; however, something special happens in a live solo setting when a musician’s sole focus is on the sounds coming from his own instrument. With Mehldau, improvisations based on old standards, and even recent rock tunes, seem to flow freely from the piano without a single note sounding forced or out of place, as if they are part of the original tune. At the same time, the inherent simplicity of some of the tunes Mehldau chooses to play offers him an extreme amount of freedom to experiment, taking the songs to seemingly unimaginable places. You can hear a bit of this on Mehldau’s first solo album “Elegiac Cycle,” but his live solo album, “Live in Tokyo,” and his latest work, “Live in Marciac,” offer the best chance to get a glimpse of what audiences may be in for this Friday night.

This weekend’s performance will be his penultimate gig before leaving on a two-month tour of Europe. Tickets for this night of solo piano with Brad Mehldau are $32 ($30 for Earshot members and seniors, $16 for students) and are available at the Benaroya Hall box office.

Shout Out: Jazz Now! Seattle

By Katy Bourne

It is with great enthusiasm that I send a virtual high five and a holler out to Seattle jazz musicians Jason Parker and Dave Marriott for their spanking new podcast Jazz Now! Seattle. Jazz Now! Seattle is a weekly podcast that features music from local artists in the Seattle community. The mission of the podcast is twofold: (1) To put the spotlight on Seattle musicians and their projects and to help publicize their performances. (2) To present the thriving Seattle jazz scene to the rest of the world. Now in its fifth week, Jazz Now! Seattle has already been downloaded 1000 times

Jason and Dave are working jazz musicians and both have backgrounds in broadcasting. Jason is a trumpeter, blogger, bandleader and one half of the production and booking company J & J Music. Jason worked in radio for several years and is the former musical director for KMTT radio in Seattle. He is an occasional guest host on KPLU. Dave is an award-winning trombonist and plays with a variety of groups including the Seattle Repertory Jazz Orchestra, the Emerald City Jazz Orchestra and his own band Septology. Dave was also the force behind the “original” Seattle jazz podcast “Seattle JazzScene.” Jason and Dave combine their experience and knowledge with sheer enthusiasm to create podcasts that offer a unique view of Seattle jazz. They highlight music from “every corner of the jazz spectrum in Seattle.”  So far, the podcasts have included a wide-range of music from artists such as Richard Cole, Wayne Horvitz, Matt Jorgenson, McTuff, Zubatto Syndicate, Gail Pettis, Nelda Swiggett and many, many more. The podcasts are presently focused on artists that are appearing in the Earshot Jazz Festival, which runs until November 7th. In Dave’s words, “We’re both fans of the scene that we’re a part of.”

Jason and Dave record new episodes every Monday and spend the rest of the week editing and also going through music for future podcasts. For two musicians who already have their hands in numerous other ventures, their efforts on behalf of the local scene are amazing. While it would be easier to stay focused solely on their own pursuits, Jason and Dave choose to cheer on other artists and help them get attention for their music. Jason and Dave are true ambassadors for Seattle jazz, and our community is all the better for it. If you haven’t already, I highly recommend checking out Jazz Now! Seattle. While you’re at it, maybe send a message of thanks to Jason and Dave for their time, work and generosity. They deserve it.

“We’ve figured out a way to make something that’s going to be a good contribution.”
– Dave Marriott

For more information, visit: http://jazznowseattle.com/

Review: Wayne Horvitz and NY Composers Orchestra West at The Triple Door

I didn’t think I’d be able to attend much of the 2009 Earshot Jazz Festival as I’ve been completely tied up with The Drowsy Chaperone at The 5th Avenue, but with my Monday night free, and my brother in the band, I decided to check out Wayne Horvitz and NY Composers Orchestra West at The Triple Door. While I did bring my camera, I sadly didn’t bring anything for note taking, so I missed getting the titles, but to be honest, it’s not important. What was important about this concert was the music of composer and keyboardist Wayne Horvitz. I used to go see his band Zony Mash at the OK Hotel and revelled in the groove, but always remembered seeing a similar incarnation of tonight’s band around ten years ago. My tastes have certainly broadened since then, and with a focus on Wayne’s writing this time, I was even more taken with it.

Read the entire review by David Marriott and view a slideshow here

Earshot Film Festival starts today

One of the highlights of the Earshot Jazz Festival every year their partnership with the NW Film Forum and the screening of legendary and newer jazz films.

This year is no exception and the Earshot Film Festival kicks off tonight with almost two weeks of great films.

The lineup of films include the classic documentary Mingus (1968), the rarely seen feature film A Man Called Adam (1966), and animated jazz shorts by John and Faith Hubley (1957-75).

Here at SJS our interest was peaked by a new film about guitarist Pat Martino, Martino Unstrung, which was released last year.

In 1980, the legendary jazz guitarist Pat Martino was brutally silenced by memory stripping brain surgery. Filmed over the past two years, Martino Unstrung is a fascinating tale of music and memory. The film chronicles Martino’s ascent from the depths of amnesia to the peak of artistry once more. Directed by award winning filmmaker Ian Knox, it is narrated by neuropsychologist and author Paul Broks. The film explores the nature of memory, creativity and the brain systems underlying personal identity as it tracks the struggles of this great jazz artist. Interviews with musicians Delmar Brown, Red Holloway, John Patitucci, Les Paul, Carlos Santana, Pete Townshend and others shed light on the impact of Martino’s music.

For more information about the Earshot Film Festival, visit the NW Film Forum website for showtimes and schedule.

Thursday Jazz

EARSHOT JAZZ FESTIVAL

TOM VARNER
Seattle City Hall, Noon

Critically acclaimed Jazz French horn pioneer Tom Varner premiers new works for his forward-looking quintet. Mark Taylor and Eric Barber on saxophones, Phil Sparks on bass, and Byron Vannoy on drums. The performance is part of Seattle Presents, a year-round series of free performances at City Hall presented by the Mayor’s Office of Arts & Cultural Affairs.

AARON PARKS
Triple Door, 7pm & 9:30pm

CALL 206-838-4333 FOR TICKETS
Seattle’s maturing prodigy returns from New York with drummer Eric Harland and bassist Matt Penman on the heels of their acclaimed Blue Note release, Invisible Cinema.

all the other events …

JAZZ ALLEY: Amel Larrieux

LO-FI: The Teaching

NEW ORLEANS: The Ham Carson Quintet

EGAN’S BALLARD JAM HOUSE:
7pm – Kristin Korb with Pamela York
9pm – Eric Elven and Dust Free High, with Eric Elven (guitar, vocals), Scott Becker (guitar) and Thane Mitchell (drums)

MARTIN’S ON MADISON: Karin Kajita

MAY: Hans Teuber Trio