Thursday Jazz

SEATTLE ART MUSEUM: Jon Hamar Trio
performing music from ‘Here After’
1300 1st Ave, Seattle, 5:30pm, Free with museum admission

TULA’S JAZZ CLUB: Cliff Colon CD Release Party

JAZZ ALLEY: Ledisi

NEW ORLEANS: The Ham Carson Quintet

EGAN’S BALLARD JAM HOUSE:
7pm – Jessica Stenson (vocals) with Darin Clendenin (piano)
9pm – Goat, with Greg Sinibaldi

THAIKU: Tad Britton, Jeff Johnson, Jon Alberts

LO-FI: The Teaching

ASTEROID CAFE: Tim Kennedy Jam Session

MARTIN’S ON MADISON: Karin Kajita

MAY: Hans Teuber Trio

Thursday at SAM

Thursday, Oct 9 at 5:30pm
John Hamar Quartet

Seattle’s 2007 “Emerging Jazz Artist of the Year”

Seattle Art Museum Downtown
1300 First Avenue, Seattle

Jon Hamar is a versatile artist who’s ability to find a tasteful, unique voice in any musical situation has made him a staple in the Northwest music scene. Hamar’s friendly nature, sense of humor and work ethic has kept him busy as a freelance bassist in multiple genres, composer and educator.

In addition to his role as a leader, since moving to Seattle in 2001 Hamar has been active in the role of supporting bassist. Jon has been busy as a recording artist playing on multiple cds with singer/songwriting artists including Wendy Huckins, Brian Finnell, Hans York, Eric Goetz and Bobby Krier. Recently Hamar played on Brian Owens’ disc Unmei, released on the OA2 label from Origin Records and will be heard on Carl Tanner’s upcoming release “Hear the Angels Sing” on Sony Classical. Jon has recently been performing with Jay Thomas, Ernestine Anderson, the Greg Williamson Quartet and the Axiom Quartet.

Wednesday Jazz

THAIKU: Ron Weinstein Trio

TRIPLE DOOR:
5:30pm: Leif Totusek
9:00pm Hardcoretet

TULA’S JAZZ CLUB: Beth Winter Vocal Showcase

NEW ORLEANS: Legend Band with Clarence Acox

EGAN’S BALLARD JAM HOUSE:
7pm – Mark Taylor and Ryan Burns
9pm – Egan’s Vocal Jam, hosted by Jennifer Derrick Adams

WHISKEY BAR: Ronnie Pierce

Teachers & Thieves: Break-In at the Music Classroom

Sometime between the late night of Saturday, September 20 and the wee morning hours of Monday, September 22, miscreants broke into the music portable at my son’s elementary school. They stole several instruments: guitars, keyboards and ukuleles. They also made off with 2 projectors, a camera and an amplifier with speakers. As if stealing wasn’t enough, these nasty, little pinheads threw in some vandalism as well. They trashed the classroom computer and drew all over the walls and the piano with markers. It seems one crime-spree wasn’t sufficient for this particular band of reprobates, so they returned a few nights later to steal a couple more guitars. The entire school community is sickened by this abhorrent act, and the music teacher Mr. Nelson is understandably distraught. Mr. Nelson is a wonderful teacher. He’s mild-mannered, soft-spoken, enthusiastic and patient. My son adores him and looks forward to the days, when he has music class. I also have a special fondness for Mr. Nelson: He grew up in a household with two deaf parents and ended up becoming a music teacher. This fact has always struck me as poignant, and while nobody should have to endure such an ugly invasion of his or her workspace, it is particularly heartbreaking to me that it happened to Mr. Nelson. He’s an unassuming hero, who shows up every day and gently introduces young souls to new adventures in the great, big world of music.

I grew up in Ponca City, Oklahoma, a small town in the northern part of the state. While there was plenty weird about growing up in Oklahoma, the Okies did get a few things right. When I was in elementary school, I had music class every single day. I also had art, PE and science every day. This was all in addition to the basics: reading, writing and arithmetic. I can still remember my music teacher Miss Crawford. She was tall, skinny and had fierce red hair. She walked to school every day and decorated the class piano in seasonal themes. We would practice drawing treble clefs on staff paper, and some days, she would hand out percussion instruments for us to play as we sang whatever tune we happened to be working on. It was in her classroom, that I first heard Rhapsody in Blue. Of course, this was long ago and far away. Things are very different now. My son has music about once every three days. Music class is in a rotation with PE and computer lab. I’m not entirely sure why this is. I know that teachers are mandated to cover a certain curriculum and also that preparation for standardized tests such as the WASL, takes priority. I also figure that funding is limited. I don’t bemoan teachers in the least, but somewhere along the line, arts, music, and physical education came to be seen as secondary instead of basic and vital. Teachers like Mr. Nelson are forced to be magicians, getting as much done as they can with extremely limited resources of time and funding.

I think that things are hard enough already with Wall Street going haywire, hurricanes relentlessly banging away on the coasts, rampant unemployment and crazy politicians running around all over the place. Damn the snotty punks, who broke into the music portable. They essentially stole from children and made one guy’s hard-enough-already job even harder. The individuals, who committed this crime, have small minds and dark hearts. They are still out there, roaming the streets and undoubtedly, planning their next illegal act. The police may never catch up with them, but hopefully, karma will.

Jazz photographer Ron Hudson once said that the kids learning to play music today would ultimately be the ones to perpetuate the music in the future. I believe that to be true. The readers of SeattleJazzScene.com are a community of musicians, fans and friends who work every day to make sure that live music is a strong and vibrant presence in our culture. In the spirit of perpetuating the music, perhaps we can come together to help the budding, young musicians of Kimball Elementary recoup their losses and resume their musical journey.

The following is a list of what was stolen from the classroom:

5 Yamaha PSR 293 student keyboards
1 Casio student keyboard
1 Yamaha M088 keyboard (brand new)
5 guitars (1/2 size)
2 ukuleles
1 small mixer console
2 projectors
1 document camera
1 small amplifier with speakers

The total dollar amount of the loss is $6200.00. The school is not insured for theft, so money to replace the stolen items must come from outside sources. If you would like to make a contribution to the cause, please send it to:

Attention: PTSA Treasurer-Music School
Kimball Elementary School
3200 23rd Ave. S.
Seattle, WA 98144

Make your checks out to, “Kimball PTSA”. Please write “music room” on the memo line of the check. If you have a used instrument that you would like to donate, please email Jim Nelson at [email protected].

Many, many thanks!

Tuesday Jazz

TULA’S JAZZ CLUB: Jay Thoma Big Band

NEW ORLEANS: Holotradband

EGAN’S BALLARD JAM HOUSE: Dorothy Rodes, with John Hansen (piano) and Phil Sparks (bass)

DEXTER AND HAYES: Tim Kennedy Trio

MIX: Don Mock, Steve Kim & Charlie Nordstrom

MARTIN’S ON MADISON: Karin Kajita

Seattle Times – Centrum circling the wagons at Fort Worden

from The Seattle Times:

Longtime arts and culture advocate Thatcher Bailey is no longer executive director of Centrum, the nonprofit arts organization based in Port Townsend at Fort Worden State Park, though he’s still a Centrum consultant and is listed under “Centrum Staff” on its Web site.

His intention is to advance Fort Worden State Park as a “something we can market as a destination learning center,” Bailey said last week when reached on his cellphone …

Monday Jazz

TULA’S JAZZ CLUB: VOCAL JAM with Greta Matassa

NEW ORLEANS: The New Orleans Quintet

LA SPIGA: Ray Baldwin’s Version Of Cool 7

SEATTLE DRUM SCHOOL: Jim Knapp Orchestra
12510 15th Ave, NE, 8:00pm

TOST: Michael Shrieve’s Spellbinder

Sunday Jazz

Whew! So much music last night, we had to sleep in a little!

JAZZ ALLEY: Average White Band

TULA’S JAZZ CLUB:
3:00pm: Reggie Goings / Hadley Caliman
8:00pm: Jim Cutler Jazz Orchestra

TRIPLE DOOR MUSICQUARIUM:
Sunday Night Salsa: Rhythm Syndicate

SERAFINA:
11am – 1:30pm: Jazz Brunch with the Conlin Roser / Cynthia Mullis Duo
6:30 – 9:00pm: Jerry Frank

La SPIGA: Leif Totusek

WASABI BISTRO: Brazilian Jazz

JAZZ VESPERS: Holotradband
Seattle First Baptist Church, Seneca at Harvard on First Hill, 325-6051, 6pm

Anything else? Send us a note and let us know!

Seasons’ Fall Side-by-Side Music Festival is world-class

From Doug Ramsey’s preview for The Yakima Herald

A weeklong festival of this quality would make a splash in any major city, including New York and Los Angeles. The Seasons has managed to put it together in a high-desert town of 85,000 people in the upper left corner of the nation.

Eric Alexander Quartet

Alexander is a tenor saxophonist with facility, a generous tone and a commitment to swinging. He grew up In Olympia, went to college in the Midwest and East, established himself in Chicago and has lived in New York since 1991. He travels the world and has recorded a couple of dozen CDs.

His work is informed by John Coltrane and Joe Henderson, and he has an encyclopedic knowledge of the tradition that stems from Charlie Parker, Dizzy Gillespie and other innovators who changed jazz in the 40s and 50s. Alexander just turned 40, but he still qualifies as one of the leading young lions in jazz. His pianist and bassist are New Yorkers David Hazeltine and John Webber. Seattle’s Matt Jorgensen will substitute for Alexander’s regular drummer, Joe Farnsworth.
Friday, Oct. 10. Wine-Tasting Gala and Red Carpet at 6:30 p.m.; concert at 7:30 p.m.

Yakima Symphony Orchestra

At the Capitol Theatre, the YSO and the Finisterra Piano Trio will perform Daron Hagen’s Triple Concerto, “Orpheus and Eurydice.” I haven’t heard the piece, but Chicago Tribune critic John von Rhein has. From his review: Hagen’s “Triple Concerto is music that’s easy to apate at first hearing, but not because its tonal grammar talks down to the listener. Like his teacher Ned Rorem (to whose elegant craftsmanship Hagen’s music owes a clear debt), the latter reimagines traditional melodic and harmonic contexts in all sorts of fresh, charming and even surprising ways.” Mendelssohn, Bizet and two works by new young composers are also on the program.
Saturday, Oct. 11, 7:30 p.m. at the Capitol Theatre.

Daron Hagen’s ‘Cradle Song, A Love Story’
The composer will be present for the world premiere of his chamber opera in one scene. Soprano Gilda Lyons and tenor Robert Frankenberry star. One of the highlights of last year’s festival was the world premiere of Hagen’s “Piano Trio No. 4, Angel Band,” by The Seasons’ resident chamber group, the Finisterra Trio. Finisterra’s members — violinist Kwan Bin Park, cellist Kevin Krentz and pianist Tanya Stambuck — are integral to this new Hagen work.
Sunday, Oct. 12, 4 p.m.

Bill Mays Trio
The Mays group gave The Seasons its inauert exactly three years ago this night. One of the most versatile and sought-after pianists in jazz, Mays is noted for his harmonic depth, hard swing, humor and engaging manner with an audience.

Martin Wind is a classically-trained German who has become a master of jazz bass. Admired among other bassists for his formidable bowing technique, Wind will be appearing at his third Fall Festival with this trio. Mays’ customary drummer, Matt Wilson, has another commitment. The versatile Matt Jorgenson will occupy the drum chair.
Monday, Oct. 13. Doors open and birthday cake at 6 p.m.; concert at 7 p.m.
Read More

Saturday Jazz

JAZZ ALLEY: Average White Band

TULA’S JAZZ CLUB: Marc Seales Quartet w/Gary Hobbs and Chuck Deardorf

TRIPLE DOOR MUSICQUARIUM: Baby Bok Choy

EGAN’S BALLARD JAM HOUSE:
7pm – Karin Blaine, solo performance
9pm – Cynthia Mullis Quartet, Cynthia Mullis (sax), Patty Padden (drums), Dan O’Brien (bass) and Ben Verdier (piano)
11pm – Eric Apoe and Nancy K. Dillon,  “Room for Roots” series

BAKE’S PLACE: Gail Pettis

GRAZIE: Blues Union

SERAFINA: Leo Raymundo w/ Sue Nixon

MONKEY PUB: Jay Jaskot Farewell Show: Dr. Fleek and the Army of Experimental Children, Moraine, and Iron Kim Style

Friday Jazz

TRIPLE DOOR:
MAINSTAGE: Robert Cray
MUSICQUARIUM: Tor Dietrichson/Leif Totusek Duo; Tor Dietrichson Blues Machine

TULA’S JAZZ CLUB: Susan Pascal Quartet w/ Dave Peterson

EGAN’S BALLARD JAM HOUSE:
7pm – Just the Girls, with Mercedes Nicole (vocals), Sylvia Rollins (bass), Sandy Walker (drums) and Beth Wulff (piano)
9pm – Passarim
11pm – Daniel Lanetti

SERAFINA: Kelly Ash Trio

HIROSHI’S JAZZ AND SUSHI: HB Radke Trio

LATONA PUB: Phil Sparks Trio

PAMPAS ROOM: Brian Nova Quartet w/ Fred Radke

This week on Jazz Northwest


2008 Jazz Port Townsend Festival All Star Big Band directed by Kim Richmond (photo by Doug Young)

The late composer, arranger, pianist and band leader Bob Florence was honored at Jazz Port Townsend in July. He was a much-loved regular member of the Jazz Workshop faculty which precedes the Festival and was scheduled to lead the Festival All Star Big Band in concert again this year, but died two months prior to the festival. Kim Richmond, who played lead alto in Bob Florence concerts and twelve albums, took over the conducting role for this tribute concert. With solo quality musicians in every chair this is truly an All-star band, playing brilliant compositions and arrangements by Bob Florence.

The concert will air on Jazz Northwest this Sunday afternoon (10/5) at 1 PM PDT on 88-5, KPLU, Tacoma-Seattle.

The concert will also stream simultaneously via the internet to an international audience from kplu.org and a podcast will be available after the airdate from kplu.org. Jazz Northwest is recorded and produced by Jim Wilke exclusively for KPLU

Listen to the audio preview below.

Seattle Times: Alaska Airlines rescues Portland Jazz Festival

From The Seattle Times:

Money was tight. Organizers had already canceled the Portland Jazz Festival, and now staffers were ready to cut off the office phone when “The Call” came.

Seattle-based Alaska Airlines was on the phone. The company wanted to help save the festival at the eleventh hour.

“It was my all-time favorite cold call,” said Sarah Bailen Smith, co-founder of the jazz festival.

Bailen Smith announced Wednesday that the sixth-annual Portland Jazz Festival is back on for Feb. 13-22, after Alaska Airlines donated $100,000 over the next two years.

Continue reading at The Seattle Times.

Thursday Jazz

THE NEW ORLEANS: The Legend Band

JAZZ ALLEY: Average White Band

TRIPLE DOOR:
MUSICQUARIUM: PGM Trio
MAINSTAGE: Robert Cray

TULA’S JAZZ CLUB: Sue Bell Quartet

THAIKU: Jon Alberts, Jeff Johnson, Tad Britton

EGAN’S BALLARD JAM HOUSE:
7pm – Helen Chance
9pm – Black Math Quartet

ASTEROID CAFE: Tim Kennedy Jam Session

MARTIN’S ON MADISON: Karin Kajita

LO-FI: The Teaching

PDX Jazz Back On

Alaska Airlines has agreed to a multi-year title sponsorship of the Portland Jazz Festival, providing the financial support necessary to revive the world-class festival, which had announced in early September that it was ceasing operations after five years. The corporate and organizational support ensures that the 6th Annual Alaska Airlines Portland Jazz Festival presented by The Oregonian A&E will take place, as scheduled, February 13-22, 2009. The festival will be dedicated to the 70 anniversary of Blue Note Records, as previously announced.