Up-coming April 15: Earshot Jazz Open Board Meeting and Public Forum

Tuesday, April 15, 5-7pm
Earshot Jazz Open Board Meeting and Public Forum

Free and open to the public
Tula’s Nightclub and Restaurant, 2214 2nd Avenue (Belltown), Seattle

Earshot Jazz Open Board Meeting and Community Forum gives the opportunity for the public to present questions, ideas, and suggestions to members of the Earshot Jazz Board of Directors. Everyone is invited and encourage to bring their questions, ideas, and suggestions for the organization. There will be a sign-up sheet for public comment. After the regular board meeting the Earshot Jazz board and staff will be available to answer questions and receive suggestions from the public.

Sunday Jazz

JAZZ ALLEY: Diane Schuur

THE TRIPLE DOOR MUSICQUARIUM: Sunday Night Salsa: Mango Son

TULA’S JAZZ CLUB:
3:00pm: Franklin HS Alumni/Jazz Police Big Band
8:00pm: Jim Cutler Jazz Orchestra

THE NEW ORLEANS: South Sound Youth Jazz featuring Bill Englehart

TUTTA BELLA WALLINGFORD: Casey MacGill’s Blue 4 Trio

LA SPIGA: Mark Bullis

BENAROYA HALL: Les Brown Band of Renown

Saturday Jazz

JAZZ ALLEY: Diane Schuur

TULA’S JAZZ CLUB: Kelley Johnson Quartet

EGAN’S BALLARD JAM HOUSE:
7pm and 9pm – Overton Berry Trio, with Overton Berry (piano), Mike Eytcheson (bass) and Rick Spano (drums). Come celebrate Overton’s Birthday!
11pm – Kenny Mandell Monk Group, with Kenny Mandell (sax), Ed Petry (guitar) and Don Berman (drums)

BAKE’S PLACE: Jackie Ryan Quartet

SORRENTO HOTEL: Gail Pettis

BERKSHIRE GRILL: Black Lab Trio

GALLERY 1412: Dusty York Trio

GRAZIE: Quite Fire

BENAROYA HALL: Les Brown Band of Renown

HENDRIX LOUNGE: Chris Fagen, Joe Doria, John Bishop

Friday Jazz

JAZZ ALLEY: Diane Schuur

THE TRIPLE DOOR
MAINSTAGE: China Forbes (the voice of PINK MARTINI)
MUSICQUARIUM: James Baumgart Trio (5:30pm); Waterbabies (9:00pm)

TULA’S JAZZ CLUB: Hadley Caliman Quintet w/ Thomas Marriott

EGAN’S BALLARD JAM HOUSE:
7pm – The Yoginis, with Yogi McCaw (keyoards), Bob Antolin (flute, sax), Eric Hullander (bass) and Ed Mays (drums)
9pm – Blue Cranes, with Reed Wallsmith (alto sax), Sly Pig (tenor sax), Keith Brush (bass), Rebecca Sanborn (keys) and Ji Tanzer (drums)
11pm – Deal’s Number, with Bill Monto (saxophones), John Seman (bass) and Mark Ostrowski (drums)

BAKE’S PLACE: Jackie Ryan Quartet

BERKSHIRE GRILL: Kevin McCarthy

LATONA PUB: Mark Taylor, Russ Johnson, Phil Sparks, Matt Jorgensen (4:30 – 6:30pm)

HIROSHI’S JAZZ AND SUSHI: Greg Williamson Quartet

Seattle Times: Multilingual Jackie Ryan sings with conviction, emotion and clarity

from Paul de Barros’ Seattle Times column:

Jazz critics tend to be cynical about female singers — there are so many bad ones! — so when a CD like Jackie Ryan’s “Passion Flower” arrives, as it did five years ago, it’s an occasion for cheering out loud.

Ryan’s the real item. She doesn’t just sing beautifully and in tune, but with the kind of conviction that makes you feel her life depended on your understanding what she was saying.

Back in 2002, there were only a few of us cheering.

With her most recent disc, “You and the Night and the Music,” this outstanding San Francisco Bay Area artist has finally started to get some traction.

The disc perched atop the 2007 radio airplay charts for six months and catapulted her to appearances at Dizzy’s, the wonderful New York nightclub, and — better for us — finally, to Seattle.

Continue reading at The Seattle Times.

Review: Andrew D’Angelo Benefit Concert

By Bill Barton

Wednesday night’s Andrew D’Angelo Benefit Concert at Seattle’s Chapel Performance Space drew a full-house, standing room only crowd. That’s good news indeed for Andrew and his family and a credit to the Seattle jazz community. It is indeed a community in the true sense of the word.

After being introduced by Earshot Jazz Executive Director John Gilbreath, Andrew’s brother Tom shared some powerful and personal thanks and noted that “Jazz is Love” could serve as a motto for this concert. Indeed it did.

The event was organized by Cuong Vu along with Earshot and was an outpouring of love and support from the musicians and the audience.

Cuong Vu opened seated in front of his console of electronics, trumpet in right hand, joined by Greg Sinibaldi on electronic wind instrument and Chris Icasiano from the Speak Quartet on drums. Their segment was a beautifully textured, surging electronic smorgasbord of sounds, with Sinibaldi often laying down the bass lines, at other times functioning somewhat like a pianist or keyboardist might. Vu layered multiple trumpet parts via looping in his customarily creative fashion.

Robin Holcomb at the piano provided a distinct contrast in her solo song, managing to be both pensive and harmonically adventurous in the opening instrumental portion and singing in her distinctive voice as the piece progressed. Wayne Horvitz then joined her on stage and their duet with Horvitz at the piano was quite lovely. Horvitz departed and guitarist Bill Frisell accompanied her next. This was a heartbreakingly deep and profoundly moving, country-tinged collaboration. She reminded me of what Loretta Lynn and Sheila Jordan have in common: soul unrelated to genre pigeonholes.

There were many highlights in this first set, including Cuong Vu’s decidedly more “straight-ahead” (all acoustic) playing with the Speak Quartet, an immensely talented and obviously precocious group of his University of Washington students, with Icasiano on drums, Andrew Swanson on tenor saxophone, pianist Aaron Otheim and electric bass guitarist Luke Bergman.

The second set began with a one-in-lifetime Seattle all-star band: Vu, Frisell, Eyvind Kang on violin and Horvitz at the piano in a lengthy free improv piece that was particularly notable for Horvitz’s inside-the-piano work and how it meshed with Kang’s pizzicato. Then Kang and Frisell played two marvelous duets. The first sounded a little like 2/5 of the Hot of Club of France time-warped 70 years into the future. It swung in a subtle but extremely infectious manner: gorgeous stuff! The second was a bit more abstract yet still had a potent pulse. These guys are world-class improvisers, that is abundantly obvious, and they exhibited uncanny communication and synchronicity. Then Frisell played two solo guitar pieces. The first one sounded like “Blue Monk,” although it was taken through a wide variety of twists and turns, and occasionally seemed to almost morph into other Monk tunes. And the second, which appeared to be one of Frisell’s own compositions although the title was not announced, showcased the liquid tone and thoughtful textures of his ECM days.

The concert closed with a romping segment from the Speak Quartet, just as “Andrew would have wanted it” as Vu pointed out. The future is now. Audience support for young musicians is critical to the continued vibrancy of the local scene. Vu mentioned that so many great young musicians come up in the Seattle area, but then they leave. We need to provide places to play and people to listen.

Jazz at 13 Coins

13 is your lucky number on Thursdays!

HB Radke & the Jet City Swingers
Thursday Evenings
8:00pm – 12:00am

The 13 Coins Restaurant
“Seattle’s Only 24-hour Gourmet Restaurant”
125 Boren Ave N, Seattle
(just off Denny Way, three blocks from I-5)
ph: (206)682-2513

The newly renovated 13 Coins Restaurant & Lounge is an old-style cornerstone of metropolitan character serving up a hearty-fare 24 hours a day. The lounge is classic space for lounging. Cocktails, old photos, fireplace and ultra comfortable seating. This is the perfect spot for a dry martini and some classic rat-pack music.

Thursday Jazz

SEATTLE ART MUSEUM: Tom Varner Tentet

JAZZ ALLEY: Diane Schuur

TRIPLE DOOR MUSICQUARIUM: The Jason Parker/Josh Rawlings Duo (5:30pm)

TULA’S JAZZ CLUB: John Hansen/Bert Gulhaugen Vocal Showcase

NEW ORLEANS: The Ham Carson Quintet

EGAN’S BALLARD JAM HOUSE:
7pm – Cocoa Martini, with Karen Shivers, Kimberly Reason and Mercedes Nicole ($15 cover)
9:30pm – Kevin McCarthy Quartet, with Al Lindbom (guitar), Paul Gillespie (sax/flute), Larry Bergman (drums) and Kevin McCarthy (bass)

VERTIGO LOUNGE: Gayle Cloud
989 112th SE, Bellevue

ASTEROID CAFE: Tim Kennedy Jam Session

THAIKU: Jon Alberts, Jeff Johnson, Tad Britton

WHISKEY BAR: Ronnie Pierce

Earshot Art of Jazz at SAM: Tom Varner Tentet

SAM Art of Jazz Concert Series:
Tom Varner Tentet:  world premiere of Tom Varner’s “heaven and hell,” a new work for tentet.
Thursday, April 10, 2008, 5:30 p.m., Seattle Art Museum
1st Ave and Union St.  Free with museum admission.  All ages. www.seattleartmuseum.org

Tom Varner is a composer and jazz French hornist with 11 CD’s out as a leader, and he plays on over 70 others. After 26 years in NYC, he moved with his family to Seattle in fall 2005. About his new work, Tom Varner tells SJS:

Finally, my tentet piece that I’ve been working on and obsessing about for over 5 years now, will be premiered at 5:30 p.m., Thursday April 10, as part of the Earshot monthly series at the Seattle Art Museum. The work was begun in earnest at a wonderful three-week stay at the MacDowell Arts Colony in winter 2003, and I’ve been working on it ever since.  (I was in the same snow-covered cabin where Leonard Bernstein worked on his “Mass,” as well as fellow composers Meredith Monk, Fred Hersch, Bobby Previte, and Aaron Copland).

The title of this 13-part cd-length piece is “heaven and hell” –as in the “heaven” of being in the moment with my two kids, especially enjoying my time with them here in Seattle, and the “hell”  of our planet’s last 6½ years—especially the hell of parents (and kids) of soldiers, whether in Iraq or elsewhere. The older we get, life seems have more and more of that “combo platter,” and this piece is a kind of musical reflection on that duality. The piece is also a look back the “extreme emotional state juxtaposition” of being NY’ers on 9/11/01, while preparing to go to Hanoi in nine days to adopt our beautiful son, Jack. (In the end, it all worked out, and we adopted our daughter Hope in ’04, and having moved to Seattle in ’05, here we are, a Seattle family now.) Read More

Wednesday Jazz

BENEFIT FOR ANDREW D’ANGELO
Chapel Performance Space at Good Shepherd Center

4649 Sunnyside Ave N (Wallingford), Seattle, 7:30pm
Performances by: Bill Frisell, Wayne Horvitz, Eyvind Kang, Robin Holcomb, and Cuong Vu

JAZZ ALLEY: Sophie Milman

TULA’S JAZZ CLUB: Rochelle House Quartet

NEW ORLEANS: The Legend Band w/ Clarence Acox

EGAN’S BALLARD JAM HOUSE:
6pm – Cheryl McLin (vocals) with Andy Shaw (piano)
8pm – Vocal Jam hosted by Carrie Wicks with Paul Sawyer (guitar) and Chuck Kistler (bass)

BELLEVUE ARTS MUSEUM: Jovino Santos Neto
510 Bellevue Way NE, Bellevue, WA, 5:00pm

Benefit for Andrew D’Angelo

Wednesday, April 9, 7:30 pm
Benefit for Andrew D’Angelo

Performing: Bill Frisell, Wayne Horvitz, Eyvind Kang, Robin Holcomb, Cuong Vu and many others

Chapel Performance Space at Good Shepherd Center
4649 Sunnyside Avenue (Wallingford), Seattle
Suggested Donation: $15-$25 per person

Reservations available through Earshot Jazz (206) 547-6763 and online

All proceeds benefit Andrew D’Angelo

Please note: If you are unable to attend the performance and would still like to make a donation, please visit Andrew’s website by clicking here.

Tuesday Jazz

JAZZ ALLEY: Sophie Milman

TRIPLE DOOR: The BCC Vocal Jazz Ensemble Celebration

TULA’S JAZZ CLUB: Emerald City Jazz Orchestra

NEW ORLEANS: Holotradband

EGAN’S BALLARD JAM HOUSE:
7pm – Nate Omdal Nonet
9pm – Free Jazz Jam, hosted by the Trio Concept, with Chris Icasiano (drums), Luke Bergman (bass), and Neil Welch (saxophones)

SHERMAN CLAY BELLEVUE: New Stories
1000 Bellevue Way N.E., Bellevue, WA 98004, (425) 454-0633

OWL ‘N THISTLE: Jam Session

New Stories performing this Tuesday

It is a rare and special occasion when New Stories performs in the Northwest. Made up of Marc Seales on piano, Doug Miller on bass and John Bishop on drums, the group will perform Tuesday night at the Eastside Jazz Series at the Bellevue Sherman Clay store.

TUESDAY, APRIL 8
NEW STORIES AT SHERMAN-CLAY
7:30 – 9:30pm

1000 Bellevue Way N.E.,
Bellevue, WA 98004
(425) 454-0633

Tom Varner’s “heaven and hell” premier at SAM

From Paul de Barros’ Friday column in The Seattle Times:

Musician-composer Tom Varner’s “heaven and hell”: life’s highs and lows set to music
by Paul de Barros
Seattle Times Jazz Critic

“Heaven and Hell,” a major new work by French horn player Tom Varner, premieres Thursday as part of the Earshot Art of Jazz series at the Seattle Art Museum.

The title, said Varner in a phone interview, refers to the “hell” of having experienced Sept. 11 while living in New York, and the “heaven” of becoming a father, in particular when he and his wife flew to Vietnam nine days after Sept. 11 to adopt their son.

Easily the most highly regarded jazz French horn player in the world, Varner moved to Seattle two years ago and has been a wonderful addition to the scene.

“The older we get, we know life is more of a combo platter of heavens and hells we live through,” he said.

Varner started writing “Heaven and Hell” in 2003, during a three-week residency at the prestigious MacDowell Arts Colony.

“I sat there where Leonard Bernstein worked on his mass,” said the effusive Varner. “It was just a few cabins away from where [Aaron] Copland worked on “Appalachian Spring.”

The new, 13-movement piece is written for tentet — five reeds, three brass, bass and drums (no piano) — the largest ensemble he has written for and also his most ambitiously through-composed work.

In addition to Varner, the lineup features Jesse Canterbury, clarinet; Saul Cline, soprano sax; Mark Taylor, alto sax; Eric Barber, tenor sax; Jim DeJoie, baritone sax; Russ Johnson, trumpet (from New York); Chris Stover, trombone; Phil Sparks, bass; and Byron Vannoy, drums.

SAM Art of Jazz Concert Series:
The world premiere of Tom Varner’s “Heaven and Hell,” a new work for tentet
Thursday, April 10, 2008, 5:30 p.m., Seattle Art Museum, 1st Ave and Union St. Free with museum admission.  All ages.
www.seattleartmuseum.org

Monday Jazz

SEATTLE DRUM SCHOOL: First Mondays with Jim Knapp Orchestra 12510 15th Ave NE, Seattle, 8pm

TULA’S JAZZ CLUB: Vocal Jazz Jam with the Kelley Johnson

NEW ORLEANS: The New Orleans Quintet

LA SPIGA: Ray Baldwin

Let us know if we missed something by posting a comment!

Thank You Cynthia!

A big thank you to Cynthia Mullis who has been handling the duties of Seattle Jazz Scene this past week while I’ve been on tour.

And, of course, thank you to all of our readers!

– Matt Jorgensen

April is National Jazz Appreciation Month

A Great Day in Seattle: A Jazz Legacy Photo Project

Did you know that April is National Jazz Appreciation Month, as legislated by the U.S. Congress in August of 2003? In April of 2007, a group of local musicians began to organize a project to help Seattle celebrate Jazz Appreciation Month. On May 6th, 2007, they gathered more than 250 local professional jazz musicians to create a Seattle version of the now famous “Great Day in Harlem” photograph taken by Art Kane for Esquire magazine in 1958. The photograph was shot by Pulitzer-Prize winning photographer Daniel Sheehan on the steps of City Hall in downtown Seattle – a historic moment in Seattle’s jazz history. 

GreatDay.jpg

In addition to celebrating Jazz Appreciation Month, the organizers designed the project as a means to give back to the music community. Sales of posters and prints of the photograph benefit the MusiCares Foundation, which provides a safety net of critical assistance for music professionals in times of need.

The results of the Great Day in Seattle project are now available just in time for Jazz Appreciation Month. Limited edition posters are being sold at Bud’s Jazz Records, Tula’s Restaurant and Nightclub, Silver Platters, the New Orleans Creole Restaurant, and at the “A Great Day in Seattle” website – www.agreatdayinseattle.com. The posters are being sold for $20.00 each. Also for sale are 20 original framed prints, signed and numbered by Daniel Sheehan, and autographed by the more than 250 musicians depicted in the photo. These rare prints are going for $2,500 each and can be purchased through the project website. Again, all proceeds from the purchases go to the MusiCares Foundation.  Ten additional original prints will be donated to local non-profits for their fund-raising events. Read More

Sunday Jazz

April is Jazz Appreciation Month. Tonight’s a good night to start appreciatin’…

JAZZ ALLEY: David Sanborn

TULA’S JAZZ CLUB:
4:00 : Reggie Goings / Hadley Caliman
8:00pm: Jim Cutler Jazz Orchestra

GRAZIE: Ruel Lubag Jam Session

TRIPLE DOOR MUSICQUARIUM: Salsariba, Sunday Night Salsa

LA SPIGA: Marco de Carvahlo

TUTTA BELLA STONE WAY: Casey McGill and the Blue 4 Trio

SERAFINA:
11am – 1:30pm: Jazz Brunch with the Conlin Roser Duo
6:30 – 9pm: The Piper Olson Duo

Saturday Jazz

JAZZ ALLEY: David Sanborn

TRIPLE DOOR MUSICQUARIUM: Das Vibenbass

TULA’S JAZZ CLUB: Greta Matassa Quintet w/ Alexy Nikolaev

EGAN’S BALLARD JAM HOUSE:
7pm – The Julie Olson Trio, with Julie Olson (vocals), Josh Rawlings (piano), Geoff Cook (bass) and Adam Kessler (drums)
9pm – Caryn Kupferman and Eileen Cuba

BAKE’S PLACE: Gail Pettis Quartet

TUTTA BELLA: Marcos De Carvahlo

SERAFINA: Leo Rayomundo w/ sue Nixon

GRAZIE: Lee Pence Trio

BERKSHIRE GRILL: Sidecar Jazz

Don’t hold out on us now…we know there’s more that we should know about. Post a comment and let know!

JazzVox House Concert: an interview with Stephanie Nakasian

Stepanie Nakasian performs Friday and Saturday at Nich Anderson’s JazzVox House Concerts

Vocalist Stepahnie Nakasian will be performing at Nich Anderson’s JazzVox House Concerts tonight on Camano Island and in Federal Way/Auburn tomorrow.  Stepanie will be accompanied by Bill Anschell (piano) and Doug Miller (bass) . For more information about these house concerts, visit http://www.jazzvox.com and for more information about Stephanie Nakasian, visit her on the web at http://www.stephanienakasian.com

Acclaimed jazz vocalist Stephanie Nakasian took some time with Nich Anderson of JazzVox for a phone interview:

JazzVox: Tell us a little about yourself, your background and how you got started with jazz singing.

Stephanie Nakasian: I was working on Wall Street and I lived on the upper east side in New York on 54th Street and had heard a friend of mine who said ‘you gotta go hear my uncle, he’s a jazz piano player’.  I didn’t know anything about jazz.  She said he’s on 63rd and 1st – he plays at Gregory’s (that was really down the street from me).  I was kind of getting tired of hanging around just bankers and brokers so I decided to go by and see what it was all about and saw Hod (O’Brien) and heard him and just you know, really loved the whole feeling of the music.  I knew the songs because I’d heard of Rodgers & Hart and Gershwin songs, but I’d never heard them done in a swinging, exciting style all improvised and everything.  And he was cute… and I said people think I have a good voice, would you mind listening to me sing?  I was kind of at a place in my career where I just I wasn’t that happy with being in the business world and didn’t really know which way to go and was looking for something else.  Hod listened to me and liked my singing and we fell for each other. He had me sit in with him at gigs and then I started to get gigs Read More