Friday Jazz
TULA’S JAZZ CLUB: Susan Pascal Quartet
JAZZ ALLEY: Al DiMeola World Sinfonia
2033 6th Ave, 206-441-9729, 7:30 & 10:00pm
NEW ORLEANS: Thomas Marriott’s Flexicon
114 First Ave S, 206-622-2563, 8:00pm
LATONA PUB:Phil Sparks Trio
6423 Latona Avenue NE, 5:00 – 7:00pm, No Cover, 21+
AMORE: Lonnie Williams
2301 5th Ave, (206) 770-0606
BOXLEY’S: Milo Petersen Trio
101 West North Bend Way, North Bend, WA, 425-292-9307, 7:00pm
BAKE’S PLACE: Greta Matassa w/Overton Berry
4135 Providence Point Dr. SE, Issaquah, 425-391-3335
HIROSHI’S:Greg Williamson Quartet
2501 Eastlake Ave E, 726-4966
SERAFINA: Javier Anderson Trio
2043 Eastlake Ave E, 323-0807, 9pm
LAKESIDE BISTRO: Sue Bell
11425 Rainier Avenue South, Seattle, (206) 772-6891
LUCID: Tolex Soul
5241 University Ave NE, 206-402-3042, 9:00pm
NORTH CITY BISTRO: Scott Lindenmuth Trio
1520 NE 177th, Shoreline, (206) 365-4447
EGAN’S BALLARD JAM HOUSE:
7pm – Del Rey and Barton Carroll, 9pm – Aria Prame
We received word that Seattle resident and internationally known jazz photographer Ron Hudson passed away this morning.
The order and presentation of music on a recording or in a recital are every bit as important in the music producer’s skill set as is choosing what music to include. Had trumpeter Cuong Vu introduced his Vu-Tet’s Leaps of Faith with the title piece, or “Child-Like (for Vina),” it would have been easy to dismiss the recording as a well-intentioned experiment, descending into noise and chaos before making its point. Instead, Vu and co-producer/bassist Luke Bergman wisely introduce the album with three tried-and-true standards: “Body and Soul”; “All The Things You Are”; and “My Funny Valentine.”





New York trombonist Doug Beavers comes to Seattle to co-lead a band with trumpeter Thomas Marriott for a special night of music. Featuring an all-star band including Marc Seales on piano, Evan Flory-Barnes on Bass and Dvonne Lewis on drums, Beavers and Marriott will be featuring compositions written especially for the occasion. Not to be missed!
Guitarist Brad Shepik mines a lode of styles on his compositions. Shadow and light play through his music, and he is not averse to opening the door to let a swath of sunshine in. The mood is never static, the wheel of invention is constantly churning out ideas that surprise and delight.


