Sunday Jazz

JAZZ ALLEY: Kenny Rankin with Kendra Shank
This is your last night to catch former Seattle resident Kendra Shank opening for Kenny Rankin at Jazz Alley. It is Sunday so it is an early 7:30pm showtime.

TRIPLE DOOR MUSICQUARIUM: Sunday Night Salsa: Mango Son

TUTTA BELLA: Casey MacGill and Blue 4

SERAFINA: Jazz Brunch with the Conlin Roser Duo (11am – 1:30pm); Jerry Frank, solo jazz piano (6:30 – 9:00pm)

LA SPIGA: Marco de Carvalho

GRAZIE: Reuel Lubag Jam Session (6:00 – 9:00pm)

JAZZ VESPERS: The Overton Berry Trio w/ Mercedes Nicole, First Baptist Church (First Hill), 6:00pm
From Earshot Jazz: The Jazz Vespers series continues with an appearance by the Overton Berry Trio with Mercedes Nicole on vocals. Pianist Berry has been a fixture on the Seattle jazz scene since the 1950s and can easily be called a living legend. He has performed around the world, including throughout Asia, and has served as Music Director of many notable concert series. Singing straight-ahead jazz with an urban flare, vocalist Nicole has gained a reputation as an artistically playful and unpredictable performer, with a warm, rich, and resonant contralto voice. She is also a member of the dynamic vocal trio Cocoa Martini. They perform a 100-minute secular concert, with an inspirational interlude. Now in its sixth year, the Jazz Vespers take place on the first Sunday of each month (October through June) at the Seattle First Baptist Church on First Hill at the intersection of Union, Seneca and Harvard Streets. The concert begins at 6pm and is free. A collection is taken to permit the church to pay the musicians. Light refreshments are served in the church’s Fellowship Hall afterwards. Visit www.seattlefirstbaptist.org for more information.

The Jazz Hang: Jazz and Sushi

THE JAZZ HANG with Katy Bourne

This Friday: Susan Pascal Trio
Susan Pascal, vibes
Chuck Deardorf, bass
Dave Petersen, guitar

Last Friday night, my teenage son, Emmett, and I were looking for something to do. The planets must have been in some kind of quirky alignment. Or maybe there was some residual weirdness from the full moon of a few days before; Emmett doesn’t usually want to hang out with mom, especially on a Friday night. But there we were. The kid likes sushi, so we decided to head over to Hiroshis for the Jazz and Sushi night, which happens every Friday.

If you’ve never been before, Hiroshis is a jumping little sushi joint on Eastlake Avenue. It’s a bright and lively spot with busy waitresses navigating around tightly arranged tables. On past visits, the place has been packed and there has been a lengthy wait for a table. However, this was not the case on Friday. There were plenty of available tables, and we were seated immediately. Jazz happens in the main room, right underneath a giant TV, which was mercifully turned off. The band this particular night consisted of Alexey Nikolaev on sax, Jon Hamar on bass, Randy Halberstadt on piano and of course, Greg Williamson on drums. (Jazz and Sushi is presented by Pony Boy Records, of which Greg is the big cheese.) They started out with “All the Things You Are” and then moved on to original compositions by Greg and Randy. God, what a treat. There was no histrionic manager wringing his hands and asking the band to turn down. This was no pansy-ass background music. This was jazz exactly as it should be: Out there for all to hear and enjoy. Heaven. The band seemed free to do whatever they wanted, and I was particularly taken by the unbound improvisation and the take-no-prisoners solos. It was the first time I’d ever heard Alexey play. Man, that cat can blow! Jon, Randy and Greg also delivered the goods, providing the high-octane performances we’ve happily come to expect from them. Adding to the jovial and laid back vibe was Greg’s between tune banter, which was pretty entertaining all by itself. The teenager was even amused.
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Vocalist Kendra Shank in Seattle this week.

Vocalist Kendra Shank (former Seattle resident and now living in New York) is opening for singer-songwriter Kenny Rankin at Jazz Alley this week and will be accompanied by pianists Bill Anschell (Friday and Sunday) and Randy Halberstadt (Saturday).

Shank’s latest release, “A Spirit Free,” has been named one of the best of 2007 by Downbeat, JazzTimes, Newsday and more.

For more information on Kendra Shank, visit her website at http://kendrashank.com

Click here to listen to the CD.

FEBRUARY 1- 3, JAZZ ALLEY
Fri. & Sat. – 7:30 PM & 9:30 PM shows
Sun. – 7:30 PM show only
2033 6th Ave. @ Lenora St., Seattle
(entrance in the alley between 6th & 5th ave.)
$24.50 admission / free parking
Reservations: 206-441-9729
http://jazzalley.com

It’s Friday

Let’s get the weekend started … lots of live jazz tonight.

TULA’S JAZZ CLUB: Greta Matassa Quartet

BAKE’S PLACE: Crossing Borders featuring Jennifer Scott and Kristen Strom
Crossing Borders is a new international jazz group led by the heralded Canadian jazz vocalist/pianist Jennifer Scott and S.F. Bay Area saxophonist Kristen Strom

JAZZ ALLEY: Marlena Shaw

LATONA PUB: Phil Sparks Trio with Ricky Kelly (vibes) and Matt Jorgensen (drums)
6423 Latona Ave NE, Seattle, 5:30 – 7:30pm, No Cover

EGAN’S BALLARD JAM HOUSE:
7pm – Steve Alboucq Quartet, with Steve Alboucq (trumpet), Chris Morton (piano), Matt Page (drums), and Nate Parker (bass)
9pm – Narmada Ensemble, with Chris Icasiano (drums), Luke Bergman (bass), Brian Kinsella (piano), Cam Peace (guitars), Tor Dietrichson (tablas/congas/percussion), Pandit Debi Prasad Chatterjee (sitar), and Neil Welch (saxophones). From composed improvisation to classical Hindustani music, multi-meter composition, and free improvisation. ($8 cover)
11pm – Dan Sales Trio

TRIPLE DOOR MUSICQUARIUM: Kiko Freitas (brazilian guitar)

SERAFINA: Fred Hoadley Trio, latin jazz

LA SPIGA: Guy Alston & Ozmosis (10 p.m. – 1 a.m.)

GRAZIE: Michael Powers Group

HIROSHI’S JAZZ AND SUSHI: Greg Williamson Trio + 1
2501 Eastlake Avenue, Seattle

and for those of you up North …
THE REPP: Jason Parker/George Stone Duo
924 First Street, Snohomish, WA, 6:30 – 10:30pm

This Weekend at Bake’s Place

Bake’s Place Visiting Songbirds Series continues this weekend.

Friday January 25, 2008
Crossing Borders featuring Jennifer Scott and Kristen Strom

Dinner Time: 7:00 – 8:00pm
Performance Time: 8:00 – 10:30pm

Crossing Borders is a new international jazz group led by the heralded Canadian jazz vocalist/pianist Jennifer Scott and S.F. Bay Area saxophonist Kristen Strom who is well–known for her melodic, engaging style. The band also includes guitarist Scott Sorkin (Novo Tempo), bassist Rene Worst (Ernestine Anderson, Joe Pass, Jon Faddis), and drummer Mark Ivester (Freddie Hubbard, Mose Allison, Diane Schuur).

Saturday January 26, 2008
Madeline Eastman Quartet with Randy Porter, piano; Chuck Deardorf, bass; and John Bishop, drums

Dinner Time: 7:00 – 8:00pm
Performance Time: 8:00 – 10:30pm

Often referred to as a “singer’s singer”, Madeline Eastman has been lauded for her original, “hip” take on the music prompting CD Review to write, “She doesn’t tinker aimlessly, she reconstructs with purpose. She lays depth charges right from the beginning.” Don Heckman of the LA Times called Madeline “a consummate, inventive, endlessly entertaining artist at work.” Eastman was recognized twice as one of the “Top Female Vocalists” in DownBeat Readers Poll. She has recorded five CDs featuring such luminaries as Tony Williams, Cedar Walton, Phil Woods, and Kenny Barron. Barron also joined Madeline on a soon-to-be-released album they recorded with Amsterdam’s famed 50-piece Metropole Orchestra under the direction of Vince Mendoza. In addition, her new “live” recording will be released in the Spring.

BAKE’S PLACE
4135 Providence Point Dr. SE
Issaquah, WA 98029
phone: 425-391-3335
http://bakesplace.org

Thursday Jazz

TULA’S JAZZ CLUB: Earshot Jazz Presents Atomic
The Guardian calls Atomic “one of the most exhilarating groups on the European circuit.” A brilliant Scandinavian quintet, Atomic plays original music that mixes grooves and modes with a distinctive approach to free improvisation.

TRIPLE DOOR: Toumani Diabate’s Symmetric Orchestra
More than any other artist, Toumani Diabaté is responsible for introducing the kora—a 21-string harp unique to West Africa—to audiences around the world. But aside from being a player of exceptional virtuosity and creativity, Diabaté plays a vital role as bandleader, teacher, musical conservationist and composer in the capital city of Bamako, Mali, where he was born and has lived all his life.

JAZZ ALLEY: Marlena Shaw

GALLERY 1412: Skiff Feldspar, Greg Sinibaldi, Greg Campbell, Bob Rees

NEW ORLEANS: The Ham Carson Quintet

EGAN’S BALLARD JAM HOUSE:
7pm – Greta Matassa
9pm – Swati – New York-based vocalist/guitarist – Her only Seattle performance on this West Coast tour

THAIKU: Tad Britton

LA SPIGA: Mark Bullis

ASTEROID CAFE: Tim Kennedy Jam Session

Sunday Jazz

Tonight is the annual Golden Ear Awards at EMP … be there or be square!

2007 Golden Ear Awards
Awards Ceremony: Sunday, January 20, 2008
Featuring performance by Jovino Santos Neto Quarteto
and emcee Jim Wilke
EMP/SFM at Seattle Center, 7 pm
325 5th Avenue North, Seattle
Click here for more info.

JAZZ ALLEY: Stanley Clarke

TULA’S JAZZ CLUB: Garfield HS Jazz (3-4); Jay Thomas Big Band (4-7); Jim Cutler Jazz Orchestra (8pm)

TRIPLE DOOR MUSICQUARIUM: Sunday Night Salsa: Supersones

SERAFINA: Jazz Brunch with the Conlin Roser/Cynthia Mullis Duo (11am to 1:30pm); Jerry Frank, solo jazz piano (6:30pm to 9pm)

GRAZIE: Jam Session (6:00 – 9:00pm)

TWISTED CORK WINE BAR: Katy Bourne Quartet
located in the Hyatt Regency Bellevue at 900 Bellevue Way, Bellevue

Friday Jazz

A lot of music happening tonight …

TULA’S JAZZ CLUB: Hadley Caliman Quartet

EMP’S JAZZ IN JANUARY: Esperanza Spalding & Michael Shrieve’s Spellbinder
From The Seattle Times: Spalding — whose first name, significantly, means “hope” — grew up in Portland. She’s a feisty original who does, indeed, offer hope for the future of jazz.

HIROSHI’S JAZZ AND SUSHI: Reuel Lubag Trio
2501 Eastlake Ave East, Seattle

JAZZ ALLEY: Stanley Clarke

EGAN’S BALLARD JAM HOUSE:
7pm – Far Corner, with Dick Valentine
9pm – Tony Grasso Saxophone? Quartet!, with Tony Grasso (trumpet), Dan Blunck (alto and soprano sax), Brian Kent (tenor sax), and David Johnson (bari sax , alto flute, didgeridoo) – CD release party!

SERAFINA: Kiko de Freitas, Brazilian duo

LA SPIGA: Gail Pettis, Randy Halberstadt, Michael Barnett
1429 12th Ave, 206-323-8881, 10:00pm

THE ROCKFISH (Anacortes, WA): Greta Matassa

LATONA PUB: Phil Sparks Trio with Matt Jorgensen and Arun Luthra (NY saxophonist)
6423 Latona Ave Ne, Seattle

Visiting Songbirds Series Starts This Weekend

Bake’s Place Visiting Songbird Series kicks off this weekend with a performance by Portland vocalist Nancy King.

Says owner Craig Baker about the series, “Well, Bake’s Place has always specialized in vocalists, but, with a few exceptions, like Freddy Cole and Rebecca Parris, we’ve had singers from the Northwest. But now with our increased seating capacity, we’re able to bring in national artists. We’re bringing vocalists from New York, San Francisco, and Montana, just to name a few places.”

Visit the Bakes Place website for a complete schedule of up-coming shows and the Visiting Songbird series.

Saturday January 19, 2008
Nancy King with Steve Christofferson
Bake’s Place

4135 Providence Point Dr. SE
Issaquah, WA 98029
phone: 425-391-3335

Up-Coming: The Amber Tone at Seattle Drum School

Thursday, January 17 – The Amber Tone
The Seattle Drum School

12510 15th Ave NE
Seattle, WA

8:00pm
$10 at the door; students and seniors, $5

Comprised of Cornish College of the Arts professor, Dawn Clement (piano), Jon Hamar (bass), Cornish College of the Arts students, Brad Gibson (drums), Clark Gibson (alto sax) and Eli Clark (trombone), The Amber Tone, celebrating a recently-released EP, is a contemporary-minded quintet that takes inspiration from the history and tradition of bebop, while placing focus on original composition.

The Jazz Hang: Verrazano’s

By Katy Bourne

VENUE PREVIEW: VERRAZANO’S

For south end jazz fans looking for somewhere to hear live music and enjoy a wonderful dinner, Verrazano’s is the place to be.

Tucked away on a stretch of Pacific Highway South in Federal Way, this Italian restaurant is a hidden gem. Although some might consider the location nondescript, Verrazano’s couldn’t be lovelier with its lush interiors, popping fireplace and wonderful view of Puget Sound.

Every Wednesday night, Verrazano’s has live jazz from 7-10pm. Music is in the lounge, which is large and comfortable. The bands set up on the far end of the room and enjoy a spacious playing area. On Wednesday nights, the bar is fairly busy with diners, friends meeting for drinks and jazz fans there to listen to music. Some purists may be annoyed by the televisions in the bar, which are on throughout the evening and are usually tuned to some kind of sporting event. However, the volume is always muted, and the televisions do not distract from the music at all.

Verrazano’s has an ample wine list, and the food is delicious. The staff couldn’t be friendlier, and the scene is very jazz positive. For south enders with a hankering for some hump day jazz, Verrazano’s is the place to be. For Seattleites, the drive to Federal Way is well worth it.

Verrazano’s is located at 28835 Pacific Highway South, Federal Way, WA 98003. The phone is 253-946-4122. For the live music schedule, visit the website at www.verrazanos.com.

Going to IAJE

The International Association of Jazz Educators conference starts this Wednesday in Toronto. Seattle Jazz Scene will be in attendance and blogging daily about the goings-on. Are there any readers out there planning on attending? Post a Comment or send an email to [email protected]. And check the site daily for updates and interviews with attendees.

See you at IAJE!

The Jazz Hang: 2008 – What I Want

THE JAZZ HANG with Katy Bourne

It’s January again. It’s the time of year when we take down the Christmas decorations, go on diets and give some thought to our hopes and goals for the year ahead. As a jazz fan and working vocalist, I’m wishing hard and thinking big. What I want for 2008 is nothing short of a complete jazz renaissance in Seattle.

On any given night in any Seattle neighborhood, I want live jazz to be coming out of the windows of every club and restaurant. I want to be able to hear it as I walk down the sidewalk. I want to see droves of jazz fans coming out to hear live music and to support their favorite bands and musicians. If I am playing at one club, I want to be able to walk down the street to the next club or restaurant on my break and listen to other groups playing. I want Seattle jazz fans to be constantly overwhelmed by too many great choices.

I want the scene to be all encompassing and inclusive. I want there to be room and support for all kinds of jazz from original modern and hard bop to Dixieland jazz and vocal standards. For the musicians, I want things to be easier. I want plenty of work for everyone, with fair and livable wages. I want us to hold up and encourage each other in any way we can. I want us to remember that we’re all on the same page.

For the club and restaurant owners who treat musicians well and value live music, I want their businesses to boom. I want them to have long lines out their doors, deep with patrons willing to spend money in their establishments. For the less than enlightened club owner, I want them to gain heart and vision. I want them to see that live music adds not only to the ambiance of their business but that it also gives life and energy to the very fiber of our culture. I want them to understand that live music is more than an expenditure on a ledger sheet and to act accordingly.

I want for local jazz festivals to be even more successful in ’08. I want to see them draw bigger and bigger crowds and to enjoy broader and deeper fiscal support. I would like heavy hitting corporations and small businesses to throw their money behind local music festivals. I want the powers that be to understand how jazz builds community. I want to see the birth of more jazz festivals across the city. I want festivals that give both local favorites and visiting artists a chance to play. I want every single festival to be a wild jazz party.

I want for music education to be available to each and every child in Seattle. I want our outstanding school jazz programs to continue to get the support they need to do the important work that they do: Teaching kids about jazz and providing them with hands-on playing experience. I want for every child who is interested, to have the chance to learn to play the instrument of his or her choice. Call me crazy, but I want every student to be just as familiar with Miles Davis, John Coltrane and Billie Holiday as they are with Nintendo, Britney Spears and 50 Cent.

I want to hear jazz in elevators, at the dentist’s office and anytime I’m “on hold”. I want the knuckleheads at Nordstrom’s to get a clue. I want every piano at every Nordstrom’s throughout the region to have a jazz pianist sitting at it. I want to hear live jazz when I shop for shoes or lingerie.

Finally, I want for all the people who work so hard on behalf of the Seattle jazz scene to be successful in 2008. I want for their dreams to be realized and for their efforts to pay off. I want for all of us to dive in and help. There are so many ways to lend some muscle to the cause: volunteering at a jazz walk, sending emails to neighborhood restaurants that have live jazz to thank them for doing so, buying CD’s from local artists and most of all, going out to see the shows. I want jazz to be everywhere. I want us all to take that giant leap together and to make it happen.

This is what I want for 2008. Nothing less will do.

Editor note: What do you want for 2008? Let’s get a discussion going by posting your ideas and comments in the Comments section.

Jim Wilke’s Top 10 NW CDs of 2007

Jazz Northwest and Jazz After Hours host Jim Wikle has posted his Top 10 of 2007 …

Thomas Marriott, Both Sides of The Fence, Origin
Seattle Women’s Jazz Orchestra, Meeting of the Waters, OA 2
Stan Bock Ensemble, Your Check’s In the Mail, OA2
Various HS Bands, KPLU School of Jazz, KPLU
Ian McDougall Big Band, No Passport Required, Barbarian
Greg Williamson, Pony Boy Large Ensemble – Jazz Traditions, Pony Boy
Vern Sielert Dektet, From There to Here, Pony Boy
Dee Daniels, Jazzinit, Origin
Greta Matassa, The Smiling Hour, Origin
Gail Pettis, May I Come In?, OA 2
PJ Perry / Campbell Ryga, Joined at The Hip, Cellar Live
Brent Jensen, One More Mile, Origin
Thomas Marriott, The Cool Season, Origin
Jon Hamar, Hereafter
Tony Grasso, saxophone? Quartet!

Bake’s Place Launches Visiting Singer Series

Grammy Award nominee Nancy King, Downbeat readers’ poll winner Nancy Kelly and world-renowned Rebecca Parris are among several jazz vocalists who will perform at Issaquah’s Bake’s Place as part of the club’s Visiting Songbirds series that launches in January and runs through summer.

Portland’s King will perform Jan. 19 and May 24, New York’s Kelly will perform May 9-10 and Boston-based Parris will have a return engagement Feb. 14-16.

Other singers in the series include pianist/vocalist Jennifer Scott and saxophonist Kirsten Strom (Crossing Borders) from Canada/San Francisco (Jan. 25); “Singers’ singer” Madeline Eastman (Jan. 26), Latin songbird Kat Parra (March 28), and rising star Jackie Ryan (April 11-12), all from San Francisco; versatile Linda Ciofalo from New York, (April 18-19); Karin Plato from Vancouver, Canada; (March 29, June 14), Bassist/vocalist Belinda Underwood and Master Pianist Benny Green from Portland/New York (May 3); Jeni Fleming from Montana (July 5); and Amandah Jantzen (August 23) and Denise Perrier, both from San Francisco (TBD).

“We’re thrilled to be able to bring in these wonderful singers.” says Craig Baker, who owns and operates Bake’s Place. “For some of them, it will be their first time performing in the Seattle area.”

Baker and his wife Laura recently completed extensive remodeling of the club — located near to Interstate 90 in Issaquah – by expanding the stage and increasing seating capacity to 74. New leather chairs and upgraded lighting and sound systems have transformed Bake’s into the Seattle area’s premier spot for an intimate evening of dining and some of the best jazz in the nation.

Longtime Seattle Times jazz critic Paul de Barros has called Bake’s “a sweet little Issaquah supper club” and Bake’s was included in DownBeat’s list of 100 Best Jazz Clubs.

“We wanted to live up to our listing in DownBeat,” explains Baker with a smile, “and now we can accommodate out of town artists who need this size audience to make it financially worthwhile to play here.”

Thanks to an 180-degree view of the mountains and Lake Sammamish, gourmet food and excellent wines, a living-room atmosphere and thrilling music like the Visiting Songbird series, Bake’s will soon lose its reputation as the “best kept secret” of music venues.

“I’ve performed all over the world,” says esteemed pianist Benny Green, “and Bake’s Place is by far one of my favorite places.” This sentiment is echoed by other international artists who’ve played at Bake’s, such as pianist/singer Freddy Cole and Parris, among others.

New House Concert Series Starting January 5

Nich Anderson is opening up his condo to 30 guests each night for a house concert series that starts January 5 with a performance by MaxxJazz recording artist John Proulx.

The Northwest has a fine tradition of house concerts, from the original Bake’s Place which was located in the basement of Craig Baker’s home to the Our House series in the Woodland Park neighborhood, and the JazzVox series promises not to disappoint.

Says Nich Anderson:

January 5, 2008 – (Federal Way Location Only)
MAXJAZZ Recording Artist John Proulx
with Seattle’s own fantastic bassist Chuck Kistler

I heard John last year for the first time and was amazed by his many talents – an equally great pianist and vocalist, a wonderful scatter, and a great writer of tunes (featured on albums by Nancy Wilson and Mary Stallings). I’m thrilled that John will be the artist to kick-off the series! Check out his debut album “Moon and Sand” on his website (http://www.johnproulx.com) and visit his myspace page (http://www.myspace.com/johnmproulx).

For more information and to reserve tickets, visit http://jazzvox.com.

Friday Jazz

The Christmas holiday is over so get out of the house and support live jazz!

Here is what’s happening tonight:

TULA’S JAZZ CLUB: Jay Thomas Sextet w/ Ben Roseth, Tatum Greenblatt, John Hansen, Paul Gabrielson

HIROSHI’S: Pony Boy Year End Party and Jam

JAZZ ALLEY: Poncho Sanchez Latin Jazz Band

EGAN’S BALLARD JAM HOUSE:
7pm – Peter Kenagy Ensemble, with Carmen Staaf (piano) and Jay Lepley (drums)
9pm – Captain Gravel – acoustic string band playing a mix of bluegrass, blues, ragtime and swing!
11pm – Neil Welch Trio

SERAFINA: Fred Hoadley Trio, latin jazz

BERKSHIRE GRILL: Jake Bergevin

GRAZIE: James Burnhard

And there is a nice double-bill up north in Shoreline with two venues hosting jazz tonight that are within walking distance of each other:

HOTWIRE COFFEE HOUSE: Marc Smason Trio
17221 15th NE, Shoreline

NORTH CITY BISTRO AND WINE SHOP: Cynthia Mullis (saxophone), Conlin Roser (guitar) and Chris Symer (bass)
1520 NE 177th St., Shoreline

Oscar Peterson: a true giant of jazz piano

From The Seattle Times/Washington Post:

Oscar Peterson at the piano? Oscar Peterson was the piano.

His touch could be light and feathery, as ethereal as a memory. It could operate with blinding speed, releasing liquid lines that felt like a river bursting a dam. Or it could release rumbling cascades of notes, pounding out a stratagem of confidence and assurance.

Sometimes Peterson didn’t move much, his body swaying slowly on ballads, head bowed in reverie. At other times, constant piston motion — hands working the keys, arms sweeping up and down the keyboard — gave Peterson a supple bounce, as if that bench was hot. When he got into a particularly pleasing groove, or when his sidemen spurred him on with their own invention, Peterson would smile, and get just a little more fired up.

Continue Reading at The Seattle Times.com