Seattle Jazz Scene: Live Jazz Previews for Seattle

Photo Credit: Lisa Hagen Glynn

Matt Williams Quartet

featuring Mark Taylor, Michael Glynn & Xavier Lecouturier

Fri Nov 14, 7:30 PM / Seattle Jazz Fellowship- 103 S. Main St.

In what promises to be one of the highlights of jazz November in Seattle, brilliant pianist Matt Williams leads a quartet of top shelf Seattle players. All four are headliners on their own and will contribute original compositions for the evening’s performance. This is a rare glimpse into Glynn’s originals, as the bassist rarely plays as a leader. Lecouturier and Williams are prolific composers in modern jazz, with Taylor one of the most seasoned players and composers on the scene.

From a purely instrumental point of view, it doesn’t get much better than this on the Seattle scene folks! It is wonderful to see Taylor more out and about these days–he is simply one of the finest alto players ever to performs in the city. Kudos to Williams for bringing this stellar configuration of stars together for a Friday night of music, fun and fellowship. https://seattlejazzfellowship.org/events

Photo Credit: Lisa hagen Glynn

Bruce Phares Trio

Sat Nov 15, 7:30 PM / Seattle Jazz Fellowship- 103 S. Main St.

Bassist Bruce Phares was a prominent figure on the Seattle jazz scene in the 1980s as a young, eclectic bassist performing with top Seattle stars Overton Berry, Diane Schuur and others. Due to focal dystonia, a neurological condition, he retired and focused on another career for a quarter century. In and around 2016, he made a comeback that highlighted a colorful final act in Berry’s career. Now back in full swing, Phares has been living on Vashon Island and producing the “Jam in the Atrium” series over there. For this evening at SJF, he reunites with old friends in pianist Randy Halberstadt and drummer John Bishop for a trio session. Halberstadt and Bishop are more than friends–they are two of the best to ever perform in Seattle, and a perfect match for Phares’ bass style that acts as an equal voice within the trio format. https://seattlejazzfellowship.org/events

Photo Credit: Lisa Hagen Glynn

Monday Night Jam at Seattle Jazz Fellowship

Monday Nights, 7:30 PM / Seattle Jazz Fellowship- 103 S. Main St.

The Monday night jam in Pioneer Square has been quite the thing since the third Monday in January 2025. The session has been a gathering spot for some of the best musicians in town, from seasoned professionals to ascending high school and college players. It has also become a focal point for gen z to gather socially outside of the shadow of technology and screen life. Each week the club is full, and a line ascends up the stairs, around the corner and down First Avenue. These young people arrived via a Tic Tok video with the idea of an all ages, cover free experience with new music performed honestly, in the moment. They became a jazz audience with much more reverence for the music than most sessions. They listen, applaud solos, cheer on their favorites and deeply enjoy the idea of musicians creating on the spot jam style. We long-time patrons of the art are right there alongside them and it is a true joy. The musicians, both in house band led by Thomas Marriott, and the jammers feel the vibe as well. The early start and end allows for those who have school and work the next day. If you are looking for a ray of hope in our city, this may be your gig. Show up by 7 PM and you should have a seat. Musicians enter at will as long as they sign up to play. https://seattlejazzfellowship.org/

Oscar Hernández & Alma Libre Quintet with special guest Thomas Marriott

Tue Nov 18 – Thu Nov 20, 7:30 PM / Jazz Alley

Pianist Oscar Hernandez is the long-time music director for the famed Spanish Harlem Orchestra. He has a Seattle connection that dates back to the Ballard Jazz Festival and recordings for the Seattle based Origin Records label. Along the way, Seattle trumpeter Thomas Marriott caught on with the band. Hernandez grew up in the South Bronx, absorbing the music of stars like Tito Puente, Eddie Palmieri, Ray Barretto and others. His piano style is rooted in that salsa style of Latin jazz. For this date, he leads a band featuring multi-reedist Katisse Buckingham, drummer Jimmy Branly, bassist Rene Camacho, percussionist Christian Moraga and Marriott on trumpet.

The music will be hip, the playing superb and the energy positive and renewing. https://www.jazzalley.com/www-home/artist.jsp?shownum=8710

Photo Credit: Lisa Hagen Glynn

Free Fall

Tue Nov 18, 7:30 PM / Seattle Jazz Fellowship- 103 S. Main St.

The free jazz collective Free Fall is a chord-less quartet supported by the strong back line of bassist Jeff Johnson and drummer John Bishop. Trumpeter Thomas Marriott calls the tunes, a variety of originals from band members. The moniker of being “free” may be a bit misleading, even though the art of improvisation is practiced in a free way, generally with compositions that support that ideal. But there is structure and the music takes on a life of its own in the moment. One of the best gigs in Seattle and on Tuesdays at SJF, it’s a free show. https://seattlejazzfellowship.org/

Photo Credit: Lisa Hagen Glynn

Tuesday Night Jam at the Owl

Tuesdays at 9:30 PM / Owl ‘n Thistle

The Tuesday night jam at the Owl is a Seattle tradition dating back to 1997, and a band known as Bebop and Destruction. It’s interesting, and often zany history includes wild antics, colorful characters and many a drop in from national touring musicians including Wynton Marsalis, Roy Hargrove, Branford Marsalis, Emmett Cohen and the Spanish Harlem Orchestra. Pianist Eric Verlinde guided the jam into more tranquil waters over his eighteen years directing the session, a tenure that recently ended. Pianist Matt Williams has now taken the reins, injecting a new found enthusiasm and freeing up Verlinde to come and hang and play! The 9:30 start enables musicians with gigs that evening to show up and play after the opening set that lasts forty five minutes or so.

The session is very important within the musical and social fabric of the Seattle jazz scene. The very interesting and often humorous history of the session is well documented in an article I wrote for All About Jazz a few years back. Link provided below.https://www.allaboutjazz.com/tuesday-night-jams-at-the-owl-a-25-year-legacy-in-seattle

Photo Credit: Lisa Hagen Glynn

Wednesdays at 7:30 PM / Seattle Jazz Fellowship- 103 S. Main St.

Through the end of the year, Seattle Jazz Fellowship presents free shows on Wednesdays, featuring two Seattle jazz hall of famers leading bands in SJF’s basement club in Pioneer Square. Each perfoms every other week with a chosen group of musicians, giving generations of Seattle jazz fans the opportunity to see these two masters work with musical alliances formed over decades in Seattle.

Photo Credit: Lisa Hagen Glynn

The music is free, the level of musicianship is high and the fellowship makes the evening special. Jay Thomas is the rare bird that plays both trumpet and saxophone, while Phil Sparks is one of the great bassists the city has offered over the past thirty years. https://seattlejazzfellowship.org/events

Jovino Santos Neto Quinteto

Thu Nov 20, 7:30 PM / Royal Room

Master Brazilian pianist Jovino Santos Neto leads his classic quinteto in a performance of originals and Brazilian classics, including the works of Hermeto Pascoal. Over the course of time, this band continues to deliver virtuosic interpretations of Brazilian classics, performed with an adventuresome spirit. Drummer Mark Ivester and percussionist Jeff Busch are a two-pronged percussive force, with electric bassist Tim Carey a strong undercurrent on the journey. Vibraphonist Ben Thomas is an almost telepathic melodic partner for Jovino, igniting sparks of joy and wisdom. I’ve never seen this band miss. If you haven’t seen them, it’s a must go situation. https://theroyalroomseattle.com/event/jovino-santos-neto-quinteto-5/

Photo Credit: Jim Levitt

Randy Halberstadt Trio

Fri Nov 21, 7:30 PM / Seattle Jazz Fellowship- 103 S. Main St.

Veteran Seattle pianist Randy Halberstadt has touched a lot of the major elements of what adds up to Seattle jazz over the past forty years. Whether teaching at Cornish or privately, the best of the best have come through his studio. As a musician, he has led stellar trios, acted as a noted sideperson in many of the city’s finest combos and in general, just plain stood out. He has a composer’s mind as an improviser, never wasting notes and ideas frivilously–there is always melodic intent in his playing.

For this SJF hit, Halberstadt teams up with two familiar faces in bassist Chris Symer and drummer Adam Kessler. The pianist likes to arrange his trios into an equal partnership, so the sparks will fly for these two sets. https://seattlejazzfellowship.org/events

Photo Credit: Lisa Hagen Glynn

Trevor Ford Sextet

Sat Nov 22, 7:30 PM / Seattle Jazz Fellowship- 103 S. Main St.

It’s been quite a past few months for bassist Trevor Ford. He has performed throughout Thomas Marriott’s Earshot residency, and shared a stage with the likes of Orrin Evans, Ray Vega, Ingrid Jensen and Sean Jones. When stepping out on his own, Ford has leaned towards the piano trio format in the past–this time he ventures into a larger ensemble performing his original compositions and skillful arrangements of jazz standards. Ford mentions Avishai Cohen as an example of composers he admires and will no doubt serve up one or two of his comps.

Joining the bassist will be rhythm section mates in pianist Dylan Hayes and drummer Sutton Marley. Guitarist Martin Budde, saxophonist Alex Dugdale and trombonist Beserat Tafesse complete this all-star gathering. A good night for Ford to step up to the front line at full speed! https://seattlejazzfellowship.org/

Photo Credit: Jim Levitt

Sidney Hauser Quartet

Fri Nov 28, 7:30 PM / Seattle Jazz Fellowship- 103 S. Main St.

Saxophonist Sidney Hauser is known for her work with the Seattle Repertory Jazz Orchestra. Here is an opportunity to see her perform outside of the big band environment, broken down to base elements leading a quartet. Hauser will be in good company in pianist Dylan Hayes and bassist Chris Symer. Drummer Joe Simpson is an on-the-rise presence on the Seattle scene.

Hauser is a versatile multi-reedist, performing on tenor, flute and clarinet. She is a trailblazing artist as the first female permanent hire with SRJO. The quartet will be debuting new originals, jazz standards and what she describes as “not so standards.” A cultural alternative and a little light on “Black Friday.” https://seattlejazzfellowship.org/events

Photo Credit: Lisa Hagen Glynn

Ryan Burns Trio

Sat Nov 29, 7:30 PM / Seattle Jazz Fellowship- 103 S. Main St.

Ryan Burns leads a trio performing new music from his 2025 release We Ditch Requests. The pianist is joined by bassist Geoff Harper and drummer Jacque Willis, the same personnel as the album. Burns is known for his versatility and comfort level with both piano and electronic keyboards. On this occasion, he dives into the traditional jazz piano trio with originals, standards and a comp from Harper.

Burns is a diverse artist at heart, leading the Burien School of Music and teaching guitar and bass in addition to keyboards. His interests include cartoon captioning (what?), which is somehow not surprising. The man has a fertile mind and imagination, resulting in interesting musical twists and turns incorporated into his spontaneous creativity. Applying this personality trait to an acoustic piano trio is an intriguing concept. https://seattlejazzfellowship.org/events

Brittany Davis – Black Thunder

Thu Dec 4, 7:30 PM / Jazz Alley

I will admit that the music of Brittany Davis has escaped me to this point, largely due to the fact that it had little to do with jazz, and was a narrative shrouded in produced music. Being a jazz writer, it never crossed my desk. Her new record, Black Thunder is an improvised, free flowing, one take affair between the pianist / vocalist with drummer D’Vonne Lewis and bassist Evan Flory-Barnes. The trio surrounds Davis’ poetry with a more grounded feel. In rhythmic terms, the music and narrative become one entity, with a vibe that is very much as if the three conversants were meeting and playing with each other for the first time. In Davis’ case, there is some truth to that and the recording benefits from that source of sponaneity. Lewis and Flory-Barnes have a long story together, from the time they were very young men, culminating in the Seattle powerhouse band, Industrial Revelation.

The music is rooted in Black and Afrocentric cultural influences. In stripping away the programmed nature of her previous work, and delving into a more organic environment, Davis’ work has reached a new level of expressionism. https://www.jazzalley.com/www-home/artist.jsp?shownum=8726

Mike Stern Band featuring Dennis Chambers, Janek Gwizdala, Bob Franceschini, and Leni Stern

Tue Dec 9 & Wed Dec 10, 7:30 PM

Guitarist Mike Stern has the unique ability to play with harmonic sensitivity of Jim Hall, then unleash a wholly different spectrum of sound more in the vein of John Abercrombie or Bill Connors. For we Seattleites, his first bout of recognition was in the early eighties with the Miles Davis band. Since then, he has been a regular at JA, always sporting an all-star collection of fusion players.

This begins quite a week of jazz guitar in Seattle, between Jazz Alley and Seattle Jazz Fellowship. Each performance presents a slightly different window into the art form. Stern seems to embody the entire tradition, from bebop to on the edge sonic research. Always a fun ride. https://www.jazzalley.com/www-home/artist.jsp?shownum=8713

Peter Bernstein Quartet

Thu Dec 11, 7:30 PM / Seattle Jazz Fellowship- 103 S. Main St.

This is one of those nights at SJF that features Seattle musicians playing with an international touring musician–in this case with one of the finest jazz guitarists you will ever care to see. Peter Bernstein has played Seattle quite a bit, most recently at Jazz Alley in his iconic trio with Bill Stewart and Larry Goldings. Bassist Michael Glynn and drummer Matt Jorgensen have been frequent partners with the guitarist, while pianist Tony Foster was added for the band’s last go-around at SJF. Foster’s presence frees the guitarist harmonically, allowing him to fully realize his presence. This is the high point of three straight nights featuring jazz guitarists at the basement room in Pioneer Square. https://seattlejazzfellowship.org/events

John Stowell & David Friesen

Sat Dec 12, 7:30 PM / Seattle Jazz Fellowship- 103 S. Main St.

A remarkable reunion for this duo that began in 1976 in New York, and migrated to the Portland area. The partnership drew international acclaim both on record and in live performances. They went their separate ways, both gaining international standing on their own. Friesen has recorded and toured prolifically with the likes of Joe Henderson, Billy Harper, Mal Waldron, Paul Horn and others. Stowell has guested with Friesen’s trio over the years, but this Seattle appearance as a duo represents either a glorious look back or a new beginning….or both. Either way, this is two master players in conversation in a perfect setting. https://seattlejazzfellowship.org/events

Frank Kohl Quartet

Sat Dec 13, 7:30 PM / Seattle Jazz Fellowship- 103 S. Main St.

The capper of a week-long celebration of jazz guitar, Frank Kohl leads a quartet of top Seattle players. Kohl plays in the Jim Hall vein of the guitar tradition, essentially speaking. His vast understanding of harmony and deep melodic sense is evident from the first note. He shares the stage for this performance with one of the best read-and-react players on the planet in bassist Jeff Johnson. It will be interesting and fun to see how Kohl meshes harmonically with Bill Anshell, one of the finest pianists to ever do it in this city. Drummer Max Holmberg is just plain swingin’, his best attribute by far. His swing has an ease to it that allows the band to find it’s groove. A must three nights for jazz guitar aficionados with Kohl following Peter Bernstein and John Stowell on the calendar! https://seattlejazzfellowship.org/events

Opinion/Editorial: The Time to Act is Now to Support Local Seattle Jazz

“Our mission is to build community, provide access to the mentorship cycle, incentivize excellence and to lower the barriers to access jazz for both performers and listeners.”

This quote from the original mission statement of the Seattle Jazz Fellowship states in no uncertain terms, the focus of the Seattle 401(c) 3 non-profit that has guided its journey from its point of inception in October 2021. This was when the fellowship initiated its “Fellowship Wednesdays” weekly affair at Vermillion Art Bar on Capitol Hill. While the non-profit has engaged in a variety of special events, the Wednesday series has presented live jazz featuring Seattle resident musicians with occasional out of town guests now for more than two years. It has provided a stage for Seattle jazz musicians to perform original music for an appreciative listening audience and be paid respectfully. While only one night a week, it has been a beacon of hope for the Seattle jazz scene that has lost its collective mainstages largely due to gentrification. The business model that guided jazz dinner clubs like the New Orleans Creole Restaurant in Pioneer Square and the iconic Tula’s Jazz Club in Belltown became obsolete. The price tag for the consumer became sky high, while the numbers needed to manage a successful business became impossible. An alternative was needed if the resident jazz scene in Seattle was to survive.

On Tuesday November 21, SJF founder Thomas Marriott announced that the December 6 edition of Fellowship Wednesdays would be the last staged at Vermillion, as the fellowship would be moving into its own space in Pioneer Square beginning in late January of 2024. The venue will be a pop-up affair in the historic Globe building near the intersection of First Avenue and Main St., smack dab in the middle of the neighborhood that not long ago was the heartbeat of Seattle nightlife. Programming will increase to “several” nights a week according to Marriott, increasing employment opportunities for musicians, and live jazz access for listeners. The non-profit’s logical next step is a large one, and will require a significant increase in support from the Seattle music community at large. Most importantly, it will require an “all in” support network from Seattle jazz musicians themselves. In an interview I conducted with Marriott that culminated in an All About Jazz article in February 2022, he stated, “It takes everybody showing up. It takes people getting off the bench and off the sidelines and saying,’I’m going to show up to this person’s gig because it’s good for all of us.’” 

Photo Credit: Jim Levitt

In essence, this is a calling to step up to the plate and hit it out of the park. The time is NOW. What is required is not a burden, but an act of love and respect for jazz music in Seattle, and the artists that provide the sounds. It is a call to the jazz audience to not only support the music with your dollars, but to show up and join in the fellowship and broad sense of community this music provides. 

Photo Credit: Lisa Hagen Glynn

You can purchase a membership using the link below. If your personal income allows you to make a donation beyond standard membership, now is the time to do so. If your working life puts you in contact with personal and/or corporate entities that are possibly willing to support this venture, now is the time to begin that conversation. We can create something beautiful and long-lasting if we so wish–it’s up to us as a community. Do we want local, fair paying gigs in an inclusive environment that welcomes the public without typical financial barriers to access? The answer is definitely yes. It is now officially in our hands.

Buy a membership, volunteer your time, make a donation, show up–this is what is required of you. The exploding moment we have all been waiting for is here. Nobody is going to show up and be the savior of the local Seattle jazz scene–we are collectively just that. Marriott has set the foundation. It’s “go time” to take it from there and build our community. https://seattlejazzfellowship.org/membership

Photo Credit: Jim Levitt
Photo Credit: Lisa Hagen Glynn
Photo Credit: Jim Levitt

Seattle Jazz Fellowship Presents: Orrin Evans & The Captain Black Big Band

“While the nonprofit has been acknowledged for providing a place for the resident Seattle jazz to thrive, it is equally important to note the Fellowship’s work in caring for the music itself.”

The Seattle Jazz Fellowship, a 501(c)(3) nonprofit founded by trumpeter Thomas Marriott, was created in response to the loss of viable jazz stages showcasing the vibrant resident jazz scene in Seattle. While local jazz musicians and fans alike mourned the downfall of longtime resident haunts such as the New Orleans club and Tula’s Jazz Club, Marriott and a supportive group of like-minded community members sought an alternative to the traditional jazz supper club personified by the aforementioned institutions. Gentrification of the downtown core of the city had driven rents to such a level that sustaining a club that could also serve as a community hub had become difficult at best. Food and liquor sales became the life blood of these attempts, driving up the price of access to jazz fans, while wages for musicians hung at early 1980’s levels. Worse yet, musicians had to rely on the door or ticket receipts to be paid at all. Like many jazz scenes around the country not based in New York City, the best musicians had to leave town to have any hope of earning a living as a professional jazz musician. The story of the Seattle Jazz Fellowship (SJF) and its guiding principles first appeared in All About Jazz in February, 2022, in the article Seattle Jazz Fellowship: A New Beginning For Live Resident Jazz . To continue reading, click here https://www.allaboutjazz.com/seattle-jazz-fellowship-presents-orrin-evans-and-the-captain-black-big-band-captain-black-big-band

Seattle Jazz Fellowship Photo Gallery: Alex Claffy Quintet and The Fellowship ‘Ceptet at the Royal Room

The Seattle Jazz Fellowship, the city’s 501 (c) (3) jazz non-profit, has taken a hiatus from their weekly dates at Vermillion until April 20, when the Wednesday night program will re-ignite for another six week run. In the meantime, the organization founded by Thomas Marriott has turned its focus to presenting performances featuring the Fellowship ‘Ceptet, a rotating gathering of the best of the Seattle jazz scene. The seven piece ensemble opened for New York based bassist Alex Claffy and his quintet on Tuesday, February 8 at the Royal Room in Columbia City. 

The ‘Ceptet performed compositions by trumpeter Marriott, along with a Thelonious Monk classic. Marriott was joined by a front line of altoist Alex Dugdale, tenorist Jackson Cotugno and trombonist David Marriott, Jr.. Pianist Marina Albero, bassist Trevor Ford and drummer D’Vonne Lewis held down the rhythm section.

Claffy’s quintet featured Portland born and raised tenorist Nicole Glover, and trumpeter Benny Benack III. The New York based band was all in on the hang in Seattle as well, attending both the Monday night jam at the Royal Room, and the Tuesday night jam at the Owl ‘n Thistle. 

Photographers Jim Levitt and Lisa Hagen Glynn were there to document the event with their stellar photographic skill sets. Enjoy the results! To further explore the goings on with the Seattle Jazz Fellowship, visit their website at https://seattlejazzfellowship.org/

Photo Credit:
Lisa Hagen Glynn
Photo Credit: Lisa Hagen Glynn
Saxophonist Jackson Cotugno
Photo Credit:
Lisa Hagen Glynn
l to r: Alex Dugdale, Thomas Marriott, Jackson Cotugno, David Marriott
Photo Credit: Lisa Hagen Glynn
l to r: Nicole Glover, Alex Claffy
Photo Credit:
Lisa Hagen Glynn
Bassist Alex Claffy
Photo Credit:
Lisa Hagen Glynn
pianist Marina Albero
Photo Credit: Lisa Hagen Glynn
Trunmpeter Benny Benack III
Photo Credit:
Lisa Hagen Glynn
Photo Credit:
Lisa Hagen Glynn
Guest drummer Ted Poor
Photo Credit:
Jim Levitt
Drummer D’Vonne Lewis
Photo Credit: Jim Levitt
Pianist Marina Albero
Photo Credit:
Jim Levitt
Trumpeter and SJF founder Thomas Marriott