Seattle Jazz Scene: Live Jazz Previews for Seattle

Lisa Fischer & Ranky Tanky

Thu July 25- Sun July 28, 7:30 & 9:30 PM / Jazz Alley

Vocalist Lisa Fischer has traveled a long road to prominence. After nearly four decades performing as a backup singer to such legends as Luther Vandross, The Rolling Stones, Chaka Khan and Tina Turner, she has become a shape-shifting vocalist that never quite settles into one, predicatable style. For this Jazz Alley date, she joins Gullah groovemasters Ranky Tanky, a band of lifelong friends from coastal South Carolina that artfully celebrate the traditions originated by African Americans in the coastal South during slavery that continue to present day.

While there is no doubt about Fischer’s prowess as a vocalist, what is truly impressive for this Jazz Alley run is how seamlessly she fits into the groove of this band, and of this music. The music is funky, soulful and passionate–this band is literally bringing Gullah music to the world, now with the indelible talents of Fischer in hand. Personal note: I sat stageside for their performance together last summer at the Detroit Jazz Festival and left the site as a happier person. https://www.jazzalley.com/www-home/artist.jsp?shownum=7551

Photo Credit: Jim Levitt

Jessica Lurie Quintet

Fri July 26, 7:30 PM / Seattle Jazz Fellowship- 109 S. Main St.

Saxophonist/Flutist Jessica Lurie has maintained a level of excellence over the years while moving forward without fear into a variety of musical environments. Her playing is strongly influenced by jazz, fusion, klezmer and rock, and her ability to react within the moment assertively and melodically. 

Lurie is a bi-coastal resident these days, between New York and her native digs in the PNW. For this date she teams up with Barcelona born piano star, Marina Albero for a foray into original sounds. Bassist Kelsey Mines, saxophonist Kate Olson and drummer D’Vonne Lewis join to create a band with great familiarity with each other- Lurie’s Seattle crew! All five musicians entered the jazz world through different portals, opening the music up to a variety of intriguing possibilities. The possibilities for an all-star hang is out there as well, a highly recommended evening at 109 S. Main. https://seattlejazzfellowship.org/events

Wayne Horvitz Methodolatry Quartet with Skerik, Geoff Harper & D’Vonne Lewis

Sat July 27, 7:30 PM / Seattle Jazz Fellowship- 109 S. Main St.

Methodolatry denotes an adherence to research methods over interpretation, which is befuddling to music fans looking for meaningful interpretative playing from musicians like Wayne Horvitz and Skerik. Add the fluid adaptability of bassist Geoff Harper and the read and react abilities of drummer D’Vonne Lewis and the interpretation becomes the research. A Saturday night at SJF adds to the attraction here, a fifty seat room with standing room of perhaps twenty. The vibe is a listening environment that is music first. A quartet of this sort deserves that kind of attention. https://seattlejazzfellowship.org/events

109 S. Main St. / Mondays at 7:30 PM

It’s good news to hear that the Seattle Jazz Fellowship will host a jazz jam session on Monday nights. The all ages weekly session will provide that vital opportunity for mentorship between generations of players, and just as importantly, a chance for the Seattle jazz community to gather and just hang out. The weekly tilt is needed to continue the tradition of jazz jam sessions in the city. Not only are Mondays the least active evening for musicians playing gigs, the 7:30 start time should bring in a wider swath of the scene. The all ages component helps as well. If Thomas Marriott’s curation of sessions in the past is any indicator, the session will start with a house band playing a few tunes, and then the session begins. The cherry on top for the new session is that a good piano is employed. Most importantly, it will be FUN!https://seattlejazzfellowship.org/events

Photo Credit: Jim Levitt

Underground Sounds with Thomas Marriott, Rick Mandyck, Jeff Johnson & John Bishop

Tuesdays 8 PM / Underbelly

Trumpeter Thomas Marriott leads this band of long time mates with a strong intuitive connection. The author of fourteen albums as a leader and a recent inductee into the Seattle Jazz Hall of Fame is joined by the incomparable duo of bassist Jeff Johnson and drummer John Bishop. Saxophonist Rick Mandyck has switched to alto, but bears the sound and approach of some of the great tenor players in jazz. The band plays originals from Marriott, Mandyck and Johnson, along with a few standards. The vibe in the room is relaxed, the drinks are first class and there is a very cute puppy in the house to add to the charm. The house screens classic films and cartoons as well! A highly recommended hang on Tuesday nights.

Underbelly, the quaint cellar bar on First Avenue in Pioneer Square sits directly across the street from what was the New Orleans club, a former hub of local Seattle jazz. That vibe lives on Tuesday nights in the former burlesque venue, with four of the city’s top jazz musicians colliding in an explosive chordless quartet that at times has been known as Free Fall. This is an opportunity to witness great jazz in an informal environment with no cover. 

Paul Richardson Trio with Steve Kim & Steven Banks

Thu Aug 1, 7:30 PM / Seattle Jazz Fellowship- 109 S. Main St.

Unless you’re a regular at El Gaucho in Seattle, you may have never heard pianist Paul Richardson, even though he logs more hours than most behind the keyboard. It’s true that if you are out on the Seattle jazz scene as a listener, his gigs in different venues may escape your view. That would make it even more important for you as a jazz fan to hit this date at 109 S. Main. The Seattle Jazz Fellowship is music first, and Richardson will perform with a formidable trio of Seattle music veterans. The difference here is that people will listen without the distraction restaurant and club gigs tend to have. 

Richardson is a player with wonderful technique, a great sense of feel for the lyrical value of a tune, and a veteran onstage persona. He is joined by bassist Steve Kim and drummer Steven Banks, two players with some serious Seattle history. One can recall Kim on gigs with Larry Coryell, Carter Jefferson and Jay Thomas to note but a few. His versatility on electric bass has brought him to play with such diverse musical characters as Garth Hudson of The Band. Ditto for Banks, who has gigged with jazz artists Julian Priester, Eddie Harris and Herbie Hancock, and soul legends Donny Hathaway, Peter Tosh and Earth, Wind and Fire. 

Richardson over the past decade or so, has not played much at places like Tula’s, The Royal Room, Jazz Alley or for that matter, the three year history of the Seattle Jazz Fellowship. He has largely slipped by that particular mooring. SJF is all about giving Seattle jazz artists a stage, and removing barriers of access to see them. This is a great example of just that. https://seattlejazzfellowship.org/events

Photo Credits: Lisa Hagen Glynn

Meridian Odyssey

with Noah Halpern, Xavier Lecouturier, Dylan Hayes, Ben Feldman, Martin Budde & Santosh Sharma

Fri & Sat Aug 2-3, 7:30 PM / Seattle Jazz Fellowship- 109 S. Main St.

Meridian Odyssey is a band born in brotherhood in Seattle, bonded during the pandemic in Alaska, and now with two albums to their credit, a bi-coastal phenomena. All from the new wave of jazz excellence in Seattle, the band plays with a group mind that has developed over the relatively short time the six players have been playing professionally. Drummer Xavier Lecouturier, pianist Dylan Hayes and guitarist Martin Budde are virtual stalwarts on the current scene in Seattle. All three have a penchant for composition as well, resulting in recordings on the highly regarded Origin Records label. 

Bassist Ben Feldman has been a known quantity in Seattle since his high school days at Garfield. He is now in his fifth year in New York, in the master’s program at Julliard after graduating from the Manhattan School of Music. In the middle of his studies, he is a rising star on the scene in Gotham, His talents have been recently on display at SJF with his work during Lecouturier’s residency and his recent performance with the Friendship Trio. Trumpeter Noah Halpern has a beautiful trumpet sound, a probing and melodic approach to improvisation and an emotive imagination that resonates strongly in the here and now. He recently won The 2023 Carmine Caruso International Jazz Trumpet Solo Competition, a prestigious title indeed. Halpern’s playing and that of frontline mate Santosh Sharma is what makes this band sing when playing at its peak. Sharma’s amazing skillset is technically brilliant without doubt, but is as well in the service of seeking out and finding the beauty and primary emotion of a tune. 

This is a weekend not to miss at 109 S. Main.  https://seattlejazzfellowship.org/events

KNKX Presents: Kiki Valera y su Son Cubano “Vacilón Santiaguero” Album Release 

Fri Aug 2, 7:30 PM / Royal Room

Son Cubano master, Kiki Valera, celebrates the release of his second album since arriving in Seattle. The Cuban cuatro pioneer approaches this music from the eastern hill country of Cuba with a jazz improvisors mind, creating a seamless collision between traditional Son Cubano and modern improvisational forms. It is quite remarkable to have Valera in Seattle, considering his standing as a member of one of the most influential bands of the genre, La Familia Valera Miranda. Seattle’s own Carlos Cascante will be featured on vocals, well known to Latin jazz fans as the lead singer of the Spanish Harlme Orchestra.

It is true that this music is not jazz per se, but it is part of Cuban music that has roots in both Spanish and Bantu traditions. The jazz community has supported Kiki’s music, appreciating not only the tradition and the sound, but the high degree of excellence in his playing and his sheer artistry. https://theroyalroomseattle.com/event/kiki-valera-y-su-son-cubano-vacilon-santiaguero-album-release/

Photo Credit: Jim Levitt

FreeFall with Jeff Johnson

featuring Thomas Marriott, Rick Mandyck & John Bishop

Thu Aug 8, 7:30 PM / Seattle Jazz Fellowship- 109 S. Main St.

Anytime this quartet plays in public, you should take advantage of it. While the band has a weekly date down the block at Underbelly, this appearance comes with the guarantee that the original four–the only true version of this non-chordal juggernaut, will be on the gig. The idea for this band dates back to the 1990’s, when the trio of saxophonist Rick Mandyck, drummer John Bishop and bassist Jeff Johnson covered a Tuesday night gig at the Old Town Ale House in Ballard for eight years. Mandyck had been performing with Billy Hart, Mark Murphy and Carter Jefferson among others. Johnson had played with Philly Joe Jones, Jessica Williams and Hal Galper while Bishop was appearing on dozens of albums and tour dates on a national scale. Multi-reedist Hans Teuber became the fourth frequent participant, while saxophonist Rich Cole and guitarist John Stowell would drop in as well. 

Photo Credit: Jim Levitt

The current iteration includes trumpeter Thomas Marriott. The author of fourteen albums as a leader adds a different sonic presence to the band. Johnson and Bishop have since been the groundbreaking presence in Galper’s rubato revolution, and are the tidal force that allows both Mandyck and Marriott to blast off. Unencumbered by chordal harmony, all four players are equal participants in terms of soloing. The format does put great dependence on the abilities of the bassist and drummer, again stating the importance of the foundational presence of original members Johnson and Bishop. The quartet plays originals from Johnson and Mandyck that are open conduits to exploration. Toss in Marriott’s formidable tunes, and adventurous interpretations of standards and you have Free Fallhttps://seattlejazzfellowship.org/events

Photo Credit: Jim Levitt

George Colligan

Fri Aug 9, 7:30 PM / Seattle Jazz Fellowship- 109 S. Main St.

Pianist George Colligan is Portland based and world class in every way. Family and a professorship at Portland State brought him here, but the pianist is an on demand player as a sideman and a leader. Originally a classical trumpet major and a drummer to boot, Colligan came to the piano last, and found a medium to play orchestrally. His talents have placed him on tour and in the studio with Jack DeJohnette, Buster Williams, Gary Bartz, Cassandra Wilson, Christian McBride and a host of others. 

To see a musician of this status in a small room is a rarity and a great chance for Seattle jazz fans to witness virtuosity up close. Colligan played the SJF weekley at Vermillion in 2023, and the room was full early on this first come, first served event. Same deal down in Pioneer Square, so get there early. Band and program TBAhttps://seattlejazzfellowship.org/events

John Pizzarelli Trio

Thu Aug 8 – Sun Aug 11, 7:30 & 9:30 PM / Jazz Alley

Guitarist and vocalist John Pizzarelli arrives in town toting a trio, and a set list of tunes derived from the stage and screen. If guitar and vocal jazz is your thing, it frankly doesn’t get a lot better than this. Pizzarelli is equally top shelf with both of his crafts, and delivers them intimately with a trio that does not include drums. Pianist J. Thompson and bassist Mike Karn join for this four night, six show run. The veteran guitarist is well known for his career-long deep dive into the Great American Songbook and delivers on that premise with artful precision. No chance of this gig going out on the edge- there is no edge, just a leisurely, brisk drive down the center lane. https://www.jazzalley.com/www-home/artist.jsp?shownum=7558

Jovino Santos Neto Quinteto

Tue & Wed Aug 20 – 21, 7 :30 PM / Jazz Alley

Jovino Santos Neto has been a musical force since arriving in Seattle from his native Brazil. His career-long association with Brazilian music legend Hermeto Pascoal has been a light that he has carried and added to. A brilliant pianist and composer, his quintet is given a proper stage at Jazz Alley. Over decades of time, Jovino’s performances have been dynamic, virtuosic and highly on point in terms of being a sure thing. 

Jovino is joined by drummer Mark Ivester, percussionist Jeff Busch, vibraphonist Ben Thomas and bassist Tim Carey. The tenure of the band has built a precision and ease that can only be honed with time and love. The partnership between Ivester and Busch is a true connection that acts as one mind. Thomas and Jovino have a special voice on voice collective spirit that fronts the band’s unique sound. Carey was given the unenviable task of taking over the bass duties of the band upon the passing of the great Chuck Deardorf. His work on electric bass has not only been excellent, he has gathered the spirit of the music and become a driving force. https://www.jazzalley.com/www-home/artist.jsp?shownum=7556

Jose “Juicy” Gonzalez Trio with Matt Jorgensen & Michael Marcus

Sat Aug 24, 7 PM / Egan’s Ballard Jam House

Jose Gonzalez is an artist of immense expression in so many ways. A skilled jazz pianist, his artistry is tied to theater as well, not to mention his creative approach to gardening. I could go on and on–but what honestly drives the man is passion, whether playing interpretations of standards or original material written by himself and his bandmates. This particular trio has history between them as well, making an evening spent with them at this intimate forty five seat house in Ballard, time well spent.

Matt Jorgensen has been one of the driving forces on the Seattle jazz scene over the past twenty five years or so. A jazz drummer of the highest degree, Jorgensen is well known for his compositional skills as well, both as a jazz bandleader and for programming at PBS and NPR. He is as well a principal of the highly regarded Origin Records label, a festival presenter and the founder of these very pages. He has a long resume of album appearances, including eleven as a leader or co-leader. His connection with Gonzalez runs deep, adding dynamic color only achievable over time. Bassist Michael Marcus rounds out the trio, adding a third tenured element to the band. The trio is unafraid to explore other genres from a jazz perspective, including the music of The Beatles. [email protected]

Photo Credit: Jim Levitt

Seattle Repertory Jazz Orchestra

Tue & Wed Aug 27- 28, 7:30 PM / Jazz Alley

For the life of me, I have never understood why the Seattle Repertory Jazz Orchestra doesn’t play regularly at Jazz Alley. The band has always been able to fill seats at the smaller recital hall at Benaroya Hall, some 550 seats. It has been evident that at times, it could sell more, but not enough to fill the main concert hall at Benaroya. Jazz Alley seats close to 400, so a two night stand should allow their audience to fully attend, and see the band play on the city’s most historic stage for jazz. The nightclub vibe is a departure from the digs at Benaroya, and a vibe more suitable to jazz performance. I’m not criticizing Benaroya, and I understand the notion that jazz organizations and individual musicians deserve the status of virtuosity and sophistication enjoyed by classical musicians. Of course, continuing their tradition at the vaunted concert hall is a good thing for jazz music in general. But why not reach out to not only their regular audience, but the Seattle jazz audience at large who may be more inclined to attend a gig at Jazz Alley?

Director Michael Brockman seems to be getting out a little more as a musician, performing with local artists. Maybe he feels it’s time for the band to do the same. Lot’s of TBA’s on the roster for these performances, but stalwarts Jay Thomas, Phil Sparks, D’Vonne Lewis, Sidney Hauser, Randy Halberstadt, Dan Marcus, Travis Raney Audrey Strangland, Brad Allison and Dan Marcus remain alongside Brockman. SRJO is in their 30th season now–these dates are a good way to start the celebration.https://www.jazzalley.com/www-home/artist.jsp?shownum=7576

Duende Libre Trio

Tue Aug 30, 7 PM / Egan’s Ballard Jam House

A jazz piano trio with an international bent, Duende Libre hits the tiny Ballard club for an up close perfromance. The band uses jazz as a vehicle to explore international music, with pianist Alex Chadsey leading the charge. There is but one drummer/percussionist in Seattle that can follow this path guided with real life knowledge and experience, and that is Jeff Busch. Electric bassist Farko Dosumov uses his instrument as a lead player as much as he does as a groove master. The trio manages to not fall victim to rigid rhythmic traps, maintaining a level of freedom throughout the performance.

This is a trio with a group mind that is fully engaged, honed by years of performing together in a band that is unique in its sound and approach. Seeing the trio version of the band lifts the limitations attached to its fun, danceable, vocal incarnation, making the small, seated performance venue appropriate. Seated or not, you will be moving. https://www.ballardjamhouse.com/schedule.html

Boss Tenors with Cliff Colon & Ted Dortch

Thu Sept 5, 7:30 PM / Seattle Jazz Fellowship- 109 S. Main St.

In jazz, the term “boss tenors” comes from the title of an album recorded by the tenor duo of Gene Ammons and Sonny Stitt, a pair of tenor saxophonists whose style is strong, up front and blaringly without fear. Any jazz fan in the PNW would place that same designation on Tacoma tenorman Cliff Colon. His work across a broad spectrum of local bands backs that notion up without any doubt. Colon has a stylistic brother in this aggressive, bluesy approach in fellow tenor saxophonist Ted Dortch. All we need now is a rhythm section that can support this pair of fearless flyers.

Hammond B-3 master Joe Doria is definitely up to the task, and has a musical personality that bears similar traits. With drummer Max Holmberg added to the mix, you know the music will be swingin ‘. It goes without saying that this quartet will light up the already sonically charged room at 109 S. Main.  https://seattlejazzfellowship.org/events

Photo Credit: Lisa Hagen Glynn

Greta Matassa Birthday Celebration

Thu Sept 5, 7:30 PM / Triple Door

Seattle’s legendary jazz vocalist has a birthday coming up, and she’s going all out to celebrate it this year. Greta Matassa brings a forty year hall of fame career to the stage at the Triple Door, for a special performance backed by her long-time band. A natural singer whose approach is fearless and adventure bound, the years have only added to her skillset in probing classic vocal standards as well as tunes more commonly perfiormed instrumentally. 

Joined by her partner in music and life, bassist Clipper Anderson, Matassa’s sets are always fresh, inspired and intimately personal. With tenor saxophonist Alexey Nilolaev added as a second voice, the band is a phenomenon in itself. Pianist David Joyner and drummer Mark Ivester round out an ensemble that is a perfect fit with the iconic vocalist. It is, of course, wonderful to see Matassa on a stage of prominence in Seattle. https://thetripledoor.net/event/5591408/681233902/greta-matassa-s-birthday-party

Photo Credit: Jim Levitt

New Stories with Marc Seales, John Bishop & Doug Miller

Fri & Sat Sept 6-7, 7:30 PM / Seattle Jazz Fellowship- 109 S. Main St.

New Stories is a piano trio that dates back to the late 1980’s and the beginnings of Origin Records in the late ‘90’s in Seattle. Over that period of time, the trio has served as an expert rhythm section for some of the best players in jazz, as well as an innovative, forward thinking trio within itself. 

A trio of equal partners, pianist Marc Seales, drummer John Bishop and bassist Doug Miller have all made names for themselves as leaders and sidemen. This serves to add a wide variety of ideas to the mix. The trio has four albums of their own, six with legendary saxophonist Don Lanphere and the Grammy nominated Song For the Geese with Mark Murphy. They frequently perform with tenor legend Ernie Watts, including a great performance at the Ballard Jazz Festival in 2019. 

Miller resides near San Francisco these days, so he is a bit more of a mystery to current Seattle jazz fans than Seales and Bishop, who frequently perform around the city in a variety of settings. Early arrival is recommended, as this smallish room in Pioneer Square is first come, first served and fills quickly. This is one not to miss.  https://seattlejazzfellowship.org/events

Thomas Marriott Album Release: “Live From the Heatdome”

The Thomas Marriott Quartet featuring Orrin Evans, Essiet Essiet and Mark Whitfield, Jr. play to a full house at Jazz Alley

Photo Credit: Jim Levitt

Night after night, week after week, jazz performances take place in the city of Seattle that inspire the local jazz community. They take place in clubs, dive bars, theaters and concert halls, featuring national and international jazz artists as well as prominent resident artists from the dynamic Seattle jazz scene. On occasion, an individual jazz performance serves as a signpost of things to come. The September 26 performance of the Thomas Marriott Quartet at Jazz Alley was all of the above. Marriott had assembled a stellar quartet to celebrate the release of his fourteenth album as a leader, Live From the Heatdome (Imani, 2022).

The stage at Jazz Alley has seen the best of the best since its opening in 1980 as an intimate bistro in the University District. For the first six years of the club, it was common to see an artist of international prominence perform with a supporting cast of Seattle jazzers such as Chuck Deardorf, Dean Hodges, Marc Seales and Jerry Granelli among others. After moving to its more spacious digs downtown in 1986, full touring bands were and are featured, with Seattle based performances becoming less common. Over the years, there have been periods when Monday nights were reserved for the local scene, either in the form of an individual artist’s show, or a jam session that featured top Seattle players such as Hadley Caliman and Don Lanphere. Taking on Marriott’s album release was a rarity that needed support from the Seattle jazz community. That support was received in abundance with the club nearly full house. 

Photo Credit: Jim Levitt

Marriott has had a musical connection with Philadelphia based pianist Orrin Evans since a chance meeting at a jazz festival in Idaho over a decade ago. Live From the Heat Dome is the fourth release from the trumpeter that features Evans. His appearance, along with legendary bassist Essiet Essiet and sensational drummer Mark Whitfield, Jr., gave the performance a huge kickstart, with Marriott delivering a top flight performance of original tunes and a triad of well chosen standards. 

The quartet started with Marriott’s “Tale of Debauchery,” extracted from his Urban Folklore (Origin, 2014) album that featured Evans on piano. On this evening, it served as a vehicle for Marriott to find his sound and cadence, serving up a long solo that began with longer tones and finished with a flurry of rapid fire runs. Evans, Essiet and Whitfield were immediately playful with the tune, something that would continue throughout the ninety minute set in plenitud. 

Orrin Evans and Thomas Marriott. Photo Credit: Jim Levitt

“Front Row Family,” an ode to Marriott’s uber-supportive family over the years, was a mood changer that featured his ultra refined trumpet tonality that served as a warm invite for the audience to join in the intimacy of the moment. Essiet’s solo was a telltale sign of his unique artistry, his exquisite sound framing intricate passages and chordal brilliance. Marriott for his part appeared to be just getting started, not quite unleashing the hounds, so to speak. 

“Mo-Joe,” Marriott’s homage to vibraphonist Joe Locke pushed the set forward into an uptempo, swinging foray into his post-bop, modernist leanings. His solo and that of Evans were telltale statements of their deep connection to the blues and the swing rhythm that defines the Black American art form they so ably express. Just as strongly, Evans launched into a quiet, beautifully harmonic intro to Marriott’s “Chick’s Lullaby,” serving as a beautiful interlude of quiet focus and meditative thought. In a tune dedicated to his wife, Marriott’s muted soliloquy was embracingly romantic and had a magical impact on the audience, roping them into the emotional aspect of the performance.

Photo Credit: Jim Levitt

Essiet’s thunderous intro to Wayne Shorter’s “General Assembly,” served as a passageway to melodic freedom for the quartet, with Marriott’s searing solo setting the bar high for his positively respondent bandmates. Evans has always had a percussive aspect to his playing that has supplied a degree of separation between him and the majority of pianists in modern jazz. His solo seemed to ignite Whitfield on drums, whose focused intensity and supportive dynamics were unabashedly a highlight of the entire performance. In essence, Shorter’s thunderous composition seemed to light the fuse for the next few tunes. Easing into Vernon Duke’s classic, “I Can’t Get Started,” the quartet seemed to settle into a comfortable place with Evan’s playfully daring solo and Essiet’s beautifully pensive offering leading the way. 

Jazz great Julian Priester stageside at Jazz Alley Photo Credit: Jim Levitt

“The Joint Chiefs,” which appears on Live From the Heatdome, and “Both Sides of the Fence,” the title track from Marriott’s 2007 release, operated at an elevated degree of intensity and featured Whitfield’s spirited playing. Marriott and Evans exchanged glancing blows back and forth with the young drummer, the spirited response of the near capacity crowd seemingly lifting the roof off the place. The finale, Duke Ellington’s “Things Ain’t What They Used to Be,” was a fitting ending for the band, wrapping up their fourth consecutive night on a high. The foursome had spent two nights at Frankie’s in Vancouver, followed by a night in Bellingham. They had earned their repose. 

Thomas Marriott Photo Credit: Jim Levitt

Jazz Alley has never been much of a “hang” spot after a gig since the U District days when it was all of that. This evening was an exception, with an audience that represented a broad cross-section of the Seattle jazz community. It seemed everyone wanted a piece of the trumpeter, a prime indicator of the love and respect that Marriott inspires in his home town. With community elders like Julian Priester, Jim Wilkie and Marvin Thomas in the room and many of the city’s prominent jazz musicians as well, the respect factor was plainly evident. As far as the love factor, that was something felt upon entering the room, was elevated by the performance, and expressed with warm embraces post-show. For anyone that has spent any amount of time on the Seattle jazz scene, and at Jazz Alley in particular, this was a beautiful and welcoming sight. Let’s hope it portends to a re-ignited relationship between Seattle’s best jazz musicians, and its city’s most renowned stage. 

On the hang: Thomas Marriott, Lisa Chick, Orrin Evans. Photo Credit: Jim Levitt

Live Review: The Cookers at Jazz Alley- 9/22/2021

Performance Photos by Lisa Hagen Glynn

The Cookers at Jazz Alley on 9/22/2021

The third week of September turned out to be quite the week for jazz in Seattle. On Tuesday September 21, Herbie Hancock appeared at the Paramount Theatre, performing a thrilling two hour set with bassist James Genus, flutist Elena Pinderhughes and drummer Justin Tyson. The following night, The Cookers were at Jazz Alley, and I went not only to hear some great jazz music, put to pay homage to a group of jazz elders that are hugely influential in the music I had come to be passionate about. This was personal and I wasn’t alone in that feeling. Pianist George Cables is not only one of the great jazz pianists of our time, he is a man with tremendous humility and humanity. Eddie Henderson is on the list of most underappreciated trumpeters historically, with his brilliant melodic sense and tonal elegance. Drummer Billy Hart is still, at age eight one, a force of nature. Mr. Cecil Mc Bee? The master bassist is on records I have come to treasure that date back to the early sixties. Just seeing the great McBee enjoying a glass of wine after the gig was a bit of a surreal experience in itself for an admittedly over-the-top jazz fan like myself. 

I was insistent on attending the performance as a civilian–I wanted to enjoy these master musicians without checking on a set list, without jotting down notes. I was however, accompanied by photographer Lisa Hagen Glynn, who wanted to document the event with her very fine skills as a live performance photographer. She knew the room well, so her plan of attack would no doubt bring excellent results. As you can see from the photgraphs below, that indeed was the case. 

A review might simply point out that Billy Harper is still letting it fly on tenor, that Cables is playing as well, or better than he ever has. It would state the obvious that Hart would set the pace with his physical and articulate style. It would cite McBee as the foundational impulse of the band, playing with understated elegance. It would mention that Donald Harrison would bring a bit of New Orleans with him, acting as a tonal counterpoint to Harper’s snarling, biting attack. David Weiss would fill in the gaps, solo madly and be the band’s designated spokesman. 

For the audience, there was a prominent feeling of  rebirth, that somehow through the fog of now almost two years of social isolation, these jazz apostles are still on the road, still sharing their gifts with us. We felt not only joyous, but fortunate to be sharing space with them. 

Our friend, the iconic trombonist Julian Priester, sat at a table right up against stage left. It occured to me that three members of Hancock’s Mwandishi Band would be in the house, after having seen Hancock the night before. Priester was there unbeknowst to his Mwandishi brothers, Hart and Henderson. As the Cookers were being announced and entering the stage, Hart spotted Priester and got down on his knees to lean over the stage and embrace his old friend. The emotion of the moment was only surpassed by its beauty. 

Julian Priester (L) and Bill Hart (R)    Lisa Hagen Glynn photo

The hang is always the thing–an unequivocal fact in the jazz community, that somehow felt even more relevant that evening. To be seated with Priester, Hart and Henderson, or sharing a drink with McBee is an honor. Young musicians, such as saxophonist Jackson Cotugno, were able to meet and briefly chat with these legendary and historic musicians. That generational bridge is always something wonderful to behold. 

As for my friend Lisa Hagen Glynn, she captured the energy of the evening perfectly. Many, many thanks to her for sharing this treasure trove of jazz history with us. You can catch and support her fine work covering the music scene in Seattle, both inside jazz and out, at her new blogsite https://hardlyraining.com

Tenor saxophonist Billy Harper and bassist Cecil McBee      Lisa Hagen Glynn photo

The great Billy Hart                            Lisa Hagen Glynn photo 

Alto saxophonist Donald Harrison       Lisa Hagen Glynn photo

Bassist, the great Cecil McBee           Lisa Hagen Glynn photo

George Cables with the Cookers at Jazz Alley, 9/22/2021          Lisa Hagen Glynn photo
L to R- George Cables, Billy Harper, David Weiss, Eddie Henderson, Cecil McBee, Donald Harrison, Billy Hart  at Jazz Alley 9/22/2021         LIsa Hagen Glynn photo
Cecil McBee (bass) and Eddie Henderson (trumpet)     Lisa Hagen Glynn photo
Billy Hart drum solo at Jazz Alley with the Cookers- 9/22/2021    Lisa Hagen Glynn photo
Dr. Eddie Henderson        Lisa Hagen Glynn photo

The great George Cables       Lisa Hagen Glynn photo


Mwandishi brothers- Julian Priester, Billy Hart, Eddie Henderson       Ken Steiner photo

A Night On the Town with The Delvon Lamarr Organ Trio

DLO 3 on stage with friends at Jazz Alley. Photo Credit: Lisa Hagen Glynn


The stage at the esteemed Seattle jazz club, Dimitriou’s Jazz Alley, holds special meaning for local musicians who are brought up through the traditions of the city’s historically vibrant jazz scene. The majority of the performers who grace the Belltown nightspot’s hallowed podium are national and international touring artists, who over the years have included Dexter Gordon, Art Blakey and the Jazz Messengers, Chick Corea, Branford Marsalis, Betty Carter and Cecile McLorin Salvant to mention but a few. On occasion, the club has set aside nights for its resident jazz elite, including the great Ernestine Anderson.

Delvon Lamarr at Jazz Alley. Photo Credit: Lisa Hagen Glynn

Before the worldwide pandemic brought the live performance world to a screeching halt, Jazz Alley began featuring resident artists on Monday nights (the reference to ‘resident’ artists as opposed to ‘local’ was inspired by Seattle jazz great Julian Priester, who explained that the term local could be interpreted as pedestrian). With live music at the club re-igniting in the summer of 2021, the club decided to take a chance on Seattle’s best, booking Thomas Marriott, Greta Matassa, Marc Seales and Ari Joshua with positive results both in terms of performance and attendance. It was quite striking to see a full club in on every note for Seattle veteran pianist Seales for example, with a band that featured Seattleites Marriott and Jeff Johnson. 

The Seattle based Delvon Lamarr Organ Trio took to the Jazz Alley stage to begin a two night, sold out engagement on August 24th, a Tuesday evening with a full house on hand. Many in the audience were about to experience live music for the first time since the pandemic induced shutdown. There was a sense of rejuvenation, of celebration in the room, as Lamarr escorted his mother, brother and sister in law to their table suspended over the stage in the front of the balcony. The soulful R&B and blues guitarist Jimmy James was his usual sharp witted and comical self. “Do you know how to tell if someone is not from Seattle,” he quipped. “When they ask how to get on THE five!” James is all south end Seattle, just as Lamarr’s roots run deep in the Emerald City. New drummer Dan Weiss, who hails from Reno, was getting a full dose of the immensity of the moment, of his Seattle bandmates about to take stage on the city’s most prestigious jazz precipice. The trio had enjoyed a degree of commercial success prior to the shutdown, and had drawn well in their previous visit to the club. 

DLO3 at jazz Alley. Photo Credit: Lisa Hagen Glynn

Seattle’s reputation of being a remote and unique cultural outpost is perhaps a bit outdated in its modern incarnation, but nonetheless steeped in historical accuracy. When Jazz Alley opened, it would often feature a national touring artist accompanied by Seattle musicians. In the seventies and eighties, it was common to see such Seattle stalwarts as Chuck Deardorf and Dean Hodges manning the rhythm section for notables like Kenny Burrell or Mose Allison. The resident artists could be found full time at clubs like The New Orleans, or Tula’s beginning in the nineties. But headliners at the old Jazz Alley on University Way, or the current Belltown location, were clearly the exception, not the rule.

Lamarr is what some might refer to as a “natural” musician, one that has an innate understanding of music as a base point for his personal musical progression. In middle school, he came to play in the band by chance, by clearly showing his teacher and mentor Sam Chambliss his ability. 

“One day I saw a horn on the floor, and didn’t even know what it was. I told Mr. Chambliss, ‘I can play that.’ He said, ‘Good, I’ll put you in band.’ It was a baritone horn. I picked it up and played it naturally right away. I couldn’t read music, so I would just copy the person next to me. Whatever they played, I played,” he recalls. 

Lamarr settled on B-3 after playing drums in the band of Seattle B-3 master, Joe Doria. A year of simply observing his bandleader from behind the kit, allowed him to casually sit down and play the complex instrument.

“I had been watching Joe play it for a year, and literally sat down and played it like I had been playing it my whole life,” says Lamarr.

Lamarr was, and is, a jazz first musician no matter what musical tradition he employs. There is an intuitive eclecticism about his art that transcends form. The influences of his first love, R&B and soul, speaks through his music as well. Taking those elements of his musical personality, and creating a concept that not only would be sufficiently expressive for a genius musician like Lamarr, and as well supply ample opportunity to make a living, eventually became the domain of Amy Novo, Lamarr’s wife, life partner and manager. 

“She literally owns DLO3,” exclaimed Lamarr from the Jazz Alley stage that night. “She came up with the idea, and made it happen in every way. I just have to play music.”

Novo worked tirelessly, while her husband created music that would land them with the esteemed Kurland Agency. They found an audience that, like the music, transcended genre. The potent recipe of jazz, rhythm and blues and rock pulled in a sizable crowd that enabled the band to play venues like the Blue Note in New York, worldwide festivals and of course, Seattle’s Jazz Alley. Guitarist James provided the punch that incorporated that which encompasses all of Lamarr’s stylistic indulgences- the blues. The band’s sound has been represented well on the studio albums Close But No Cigar (Colemine, 2018) and I Told You So (Colemine,2021) for Colemine Records, and the live offering Live at KEXP (Colemine, 2018). 

Guitarist Jimmy James and drummer Dan Weiss at Jazz Alley with DLO3. Photo Credit: Lisa Hagen Glynn

That “sound” has a historical lineage, perhaps unknown to Lamarr at the beginning stages of the band’s development. In the fifties and sixties, Seattle Hammond B-3 artist Dave Lewis had a multitude of hit records with what was being referred to at the time as the “Seattle Sound.” It was instrumental, organ based music, that had markings of  jazz, rhythm and blues and the hybrid form taking hold of the airwaves in those days– rock and roll. Lewis’ band would eventually have a huge impact sociologically by playing north end gigs that were the exclusive domain of white bands. This would put an end to musical segregation in the city, which included separate unions for white and black musicians. The unity exhibited by late night jam sessions on Jackson St., now had legal and ethical legitimacy by practice among venue owners. The “sound” would have an impact on Seattle jazz, as well as artists in all blues based styles, including Jimi Hendrix. DLO3 has received a large degree of popularity and commercial success with their own unique organ based sound, that much like Lewis’ combo, is an open door for guest artists to enter and leave their mark. It is a style that is constantly in motion and inviting new musical notions. Whether performing for a sit down audience at Jazz Alley, or accommodating a dance crowd, the band has the unique ability to satisfy multiple audiences, a luxury seldom afforded by jazz artists. 

Lamarr’s solo work, and his minimalist comping style, are unmistakingly tied to his roots as a jazz musician. His dual persona in a way, is like an artistic aperture allowing the entire blues tradition into the mix. So much is the same, so much is different. “When I play DLO3 music versus swinging jazz, the approach is completely different. I intertwine the soul with jazz and make sense of it,” he explains. It is not, however, groove dance music, no matter how thick and comfortable drummer Weiss makes that pocket seem. Lamarr’s thought processes arrive musically from the jazz lexicon, smothered in blues based soul and funk. “It’s undeniable that music is better when it speaks to somebody’s soul instead of just hearing a beat,” he points out. 

The trio’s open door welcomed in India Arie bassist Khari Simmons, and Polyrhythmic’s guitarist Ben Bloom on this Tuesday evening engagement in Seattle. Relieved of bass line duties, Lamarr is able to ascend as a soloist to new heights, and for two tunes, as a vocalist. Until this opening night in Seattle, Lamarr had never dared to sing in public. He soulfully rendered two new compositions to accommodate this new, very personal revelation. “No Walk in the Park,” and “Can’t Win For Losing,” unmasked the organist’s inner creative sanctum, leaving himself completely vulnerable to an audience that included family, long time friends and some of the city’s top music scribes. That comfortable vibe, that which one feels when surrounded by loved ones, by being home, gathered all the loose ends of the evening into one, enlightened space. The jovial nonchalance of Lamarr’s outward personality, and his deep, soul searching inner musical self came to a singular state of being. This wasn’t another ordinary stop on a long tour–it was Seattle, it was Jazz Alley, this was about neighborhood and being home.

Delvon Lamarr at the Owl jam session. 8/24/21

The afternoon preceding DLO3’s opener at Jazz Alley, Lamar and Novo set up a B-3 at the Owl ‘n Thistle, an Irish dive bar in Seattle’s Pioneer Square, with intentions of returning after the Jazz Alley hit to attend a weekly jam session that has taken place at the Owl for more than two decades. The jam is the social focal point of the Seattle jazz scene, and where Lamarr would come to match his chops with the best players in town. In those days, the young Lamarr would play trumpet and drums at the session. Two weeks prior, he had dropped in at the Owl after a gig at Woodland Park, with Novo and Simmons in tow. He played drums a bit, but mostly just enjoyed the hang tremendously. He realized how shut in socially he could be, between touring and ultimately, due to Covid-19. Knowing that he would be playing the house B-3 at Jazz Alley, he set up his own equipment at the Owl, and arrived around 10 PM, just as the house band led by pianist Eric Verlinde was finishing up its set. The trio played a few tunes for the jam packed (pun intended) audience in the small, brick lined room. Soon, Lamarr was at the organ with a rapidly changing cast of musicians at the open session, clearly enjoying himself. While Lamarr is an affable sort, his normal positive self seemed to play into a state of heightened joy and repose. Novo as well sported a look of knowing she was in the right place at the right time. Normally a whirlwind during a gig, dealing with the business portion of the band, she as well could just revel in the sense of normalcy, of fellowship and community, that was so clearly at hand. 

DLO 3 plays the Owl jam session, after their opening night set at Jazz Alley 8/24/21 Photo Credit: Lisa Hagen Glynn

Of course, the evening would end with Lamarr and Novo once again loading one hulk of a musical instrument into their van. There was another night at Jazz Alley to traverse, and whatever else comes literally down the road as things slowly return to normal. There is the uncertainty of the Delta variant, of course, yet over two nights at their city’s most esteemed club, every seat is full, every audience member engaged and content. There is hope in the air, that we will rise above a two year pandemic hiatus, and find our stride musically, and inevitably, socially.

Drummer Dan Weiss in the pocket at Jazz Alley with DLO3 Photo Credit: Lisa Hagen Glynn


A single evening saw the Delvon Lamarr Organ Trio in front of a full house, and then immersed in the hang, that which in the end really matters. A return to normalcy means so much more than audience being reunited with artist. Rising above the fray of a worldwide pandemic, that place where none of us had ever resided, is more about being reunited with each other. Of feeling that embrace. On one Tuesday evening in Seattle, the Delvon Lamarr Organ Trio and family felt the embrace that only home can bring. —Paul Rauch

Photo Review: Marc Seales Quintet at Jazz Alley- 8/17/2021

Pianist Marc Seales. Lisa Hagen Glynn photo

One of the recent positive marks on the Seattle jazz scene is that Jazz Alley, the city’s premier spot for touring acts, has been featuring some resident artists. The shows have been well attended, featuring iconic Seattle artists such as Greta Matassa, Marc Seales, Thomas Marriott and Delvon Lamarr. 

The Seattle jazz community has been well documented in recent years photographically, thanks in large part to veteran jazz photog, Jim Levitt. Long known for his work for the Ballard Jazz Festival, Seattle Repertory Jazz Orchestra and Jazz Port Townsend, Levitt can often be found at a gig near you. He may be hiding behind a curtain, or slithering along the ground like a shutterbug snake. He may find the empty chair at your table, taking a few shots before disappearing again, toting his stuffed to the gills bag of camera equipment. 

Levitt has mentored the next gen photog on the scene, Lisa Hagen Glynn, who as well can often be found working around stages and audiences in several genres of the city music scene, most notably the jazz world where she typically resides. Her initial interest in photographing jazz performances came by attending gigs played by her husband, Seattle first call bassist, Michael Glynn. She has a unique, perhaps innate sense of the moment, often catching musicians at the height of their emotional arc. Her remarkable ability to seem almost invisible, yet find superior angles to shoot, makes her work stand out much in the way of her mentor. Many thanks to Jim and Lisa for bringing the music to life in pictures. 

L to R- guitarist Jesse Seales, drummer Moyes Lucas, bassist Jeff Johnson, pianist Marc Seales and trumpeter Thomas Marriott. Lisa Hagen Glynn photo’

The tall stranger- bassist Jeff Johnson. Lisa Hagen Glynn photo


Thomas Marriott on flugelhorn. Lisa Hagen Glynn photo

Marc Seales and Thomas Marriott. Jim Levitt photo

Jeff Johnson and Marc Seales. Jim Levitt photo

The always expressive Marc Seales. Jim Levitt photo

Drummer Moyes Lucas. Lisa Hagen Glynn photo.


Guitarist Jesse Seales and drummer Moyes Lucas. Lisa Hagen Glynn photo

Marc Seales Quintet at Jazz Alley

All eyes on the leader. Jim Levitt photo


Tuesday Jazz

TULA’S JAZZ CLUB: Music Works Big Band

JAZZ ALLEY: Ed Reed and the Peck Allmond Quartet

NEW ORLEANS: Holotradband

EGAN’S BALLARD JAM HOUSE:
7pm – Boston to Austin, with Liz Stahler and Brianna Lane
9pm – Victor Noriega Trio Plus 2, with Victor Noriega (piano), Jay Thomas (horns), Mark Taylor (alto sax), Willie Blair (bass) and Kassa Overall (drums)

DEXTER AND HAYES: Tim Kennedy Trio

MARTIN’S ON MADISON: Karin Kajita

MIX: Don Mock, Steve Kim & Charlie Nordstrom

OWL ‘N THISTLE: Jam Session

Saturday Jazz

TULA’S JAZZ CLUB: Susan Pascal Quartet

JAZZ ALLEY: Earl Klugh

THE TRIPLE DOOR MUSICQUARIUM: Red Eye Flight

EGAN’S BALLARD JAM HOUSE:
7pm – Island Jazz Quintet, Maggie Laird (vocals/melodica), Richard Person (trumpet/flugelhorn), Tom Wilkins (piano), Todd Zimberg (drums), Todd Gowers (bass)
9pm – Steve Korn Group with Steve Korn (drums), Mark Taylor (sax), Marc Seales (piano) and John Hamar (bass)

CHAPEL PERFORMANCE SPACE: Ziggurat Ensemble 
Good Shepherd Center, 4649 Sunnyside Ave N, 8pm

SERAFINA: Leo Raymundo w/ Sue Nixon

GRAZIE: Michael Powers Group

BAKE’S PLACE: Kelley Johnson Quartet

SORRENTO HOTEL: Katy Bourne Trio

PAMPAS ROOM: Brian Nova w/ Stephanie Porter

Sunday Jazz

BUDDY CATLETT FUNDRAISER: The Pampas Room under El Gaucho.
5:00pm – 11:00pm. 90 Wall St., Belltown.

SEATTLE DRUM SCHOOL: Byron Vannoy’s Meridian
12510 15th Ave NE, Seattle, WA 98125, Tel:(206)364-8815

JAZZ ALLEY: Robben Ford

TULA’S JAZZ CLUB:
3:00pm: Jazz Police
8:00pm: Jim Cutler Jazz Orchestra

BAKE’S PLACE: Pearl Django

TRIPLE DOOR MUSICQUARIUM: Sunday Night Salsa: Fred Hoadley Trio

TUTTA BELLA WALLINGFORD: Casey McGill’s Blue 4 Trio

SERAFINA:
11am – 1:30pm: Jazz Brunch with the Conlin Roser Duo
6:30 – 9:00pm: Jerry Frank Solo Piano

La SPIGA: Gail Pettis Trio

Saturday Jazz

TULA’S JAZZ CLUB: Andrienne Wilson Farewell Concert

JAZZ ALLEY: Robben Ford

TRIPLE DOOR MUSICQUARIUM: The New Architects

BAKE’S PLACE: Karin Plato Quartet

EGAN’S BALLARD JAM HOUSE:
7pm – Student Loan. Julio Appling (bass/vocals), Liz Chibucos (guitar/violin/vocals), Mark Gerolami (banjo/guitar/vocals) and Chad Kimbler (mandolin/vocals)
9pm – Elise Kloter w/ Karin Kajita
11pm – Rachel Bade-McMurphy Quartet. Rachel Bade-McMurphy (vocals/sax/composer) and Brendan McMurphy (trumpet/drums)

SERAFINA: Jazzuhka

GRAZIE: Andre Thomas and Quiet Fire

PAMPAS ROOM: Brian Nova Quartet

Sunday Jazz

The Pony Boy Jazz Picnic is the biggest game in town today…sure hope you don’t need a last minute sub for those other gigs!

PONY BOY RECORDS 5TH ANNUAL JAZZ PICNIC: Noon-5pm
Sandpoint Magnuson Park Amphitheatre, 7400 Sandpoint Way, NE, Seattle. For more information visit the Pony Boy Records website. (See previous post.)

JAZZ ALLEY: Chuck Mangione

TULA’S JAZZ CLUB:
3:00pm: Reggie Goings / Hadley Caliman
8:00pm: Jim Cutler Jazz Orchestra

TRIPLE DOOR MAINSTAGE: Afrissippi

TUTTA BELLA WALLINGFORD: Casey McGill’s Blue 4 Trio

SERAFINA:
11am – 1:30pm: Jazz Brunch with the Conlin Roser Duo
6:30 – 9:00pm: Ann Reynolds / Tobi Stone Duo

La SPIGA: Makini and the Killer Bees

KWJZ JAZZ BRUNCH CRUISE: Susan Pascal Quartet, 12-2pm.
More info: 206-623-1445

Saturday Jazz

TULA’S JAZZ CLUB:
3:00 – Andrienne Wilson Vocal Showcase
8:30 – Greta Matassa Quartet

JAZZ ALLEY: Chuck Mangione

BAKE’S PLACE: Jeanie Bryson Quartet

SORRENTO HOTEL: Katy Bourne w/ Hans Brehmer and Chuck Kistler
900 Madison St., Seattle, 206-622-6400

TRIPLE DOOR MAINSTAGE: Jacqui Naylor
TRIPLE DOOR MUSICQUARIUM: Vunt Foom

EGAN’S BALLARD JAM HOUSE:
7pm and 9pm- Overton Berry Trio CD Release Party

SERAFINA: Leo Raymundo w/ Sue Nixon

GRAZIE: Blues Union

PAMPAS ROOM: Brian Nova Quartet w/ Stephanie Porter

Friday Jazz

TULA’S JAZZ CLUB: Katie King Quartet

JAZZ ALLEY: Chuck Mangione

TRIPLE DOOR MAINSTAGE: Cuchata and Nationbeat (world music)
TRIPLE DOOR MUSICQUARIUM: Joe Doria Trio

EGAN’S BALLARD JAM HOUSE:
7pm – Dylan Heaney Group, with Dylan Heaney (sax), Andy Coe (guitar), Keith Judelman (bass) and Phil Parisot (drums)
9pm – Like Minds, jazz guitar duo with Greg Glassman and Ron Peters

HIROSHI’S: Gene Argel / Jay Thomas / Greg Williamson

LATONA PUB: Phil Sparks / Leif Todasek

SERAFINA: Jose Gonzales Trio

GRAZIE: Blues Union

PAMPAS ROOM: Brian Nova Quartet

Thursday Jazz

TULA’S JAZZ CLUB: Greta Matassa Vocal Workshop

EGAN’S BALLARD JAM HOUSE:
7pm – Sunship, with Brian Heaney (guitar), Michael Monhart (saxophone), David Revelli (drums), Andrew Luthringer (bass) and Stuart Dempster (trombone)
9pm – Tom Baker Quartet, with Tom Baker (guitar and fretless guitar), Greg Cambell (drums), Jesse Canterbury (clarinet) and Brian Cobb (bass)

JAZZ ALLEY: Holly Cole

TRIPLE DOOR MUSICQUARIUM: Monarch Duo

NEW ORLEANS: The Ham Carson Quintet

ASTEROID CAFE: Tim Kennedy & Friends

THAIKU: Jon Alberts / Jeff Johnson / Tad Britton

LO-FI: The Teaching

MARTIN’S OFF MADISON: Karin Kajita

MAY: Hans Teuber Trio

Wednesday Jazz

JAZZ ALLEY: Umalali: The Garifuna Women’s Project

TRIPLE DOOR MUSICQUARIUM: Monarch Duo / Ramana Viera

TULA’S JAZZ CLUB: The Teaching w/ Jeremy Jones, Josh Rawlings, Evan Flory-Barnes

NEW ORLEANS: The Legend Band w/ Clarence Acox

GALLERY 1412: More Zero w/ Chris Stover, Jeff Norwood, Ben Thomas,  Matt Jorgensen, Stuart McDonald

THAIKU: Ron Weinstein Trio

EGAN’S BALLARD JAM HOUSE:
7pm – Beth Wulff (piano) and Jim Wulff (vocals/drums)
9pm – Vocal jazz jam session

WHISKEY BAR: Ronnie Pierce

Tuesday Jazz

JAZZ ALLEY: Phoebe Snow

TULA’S JAZZ CLUB: Jay Thomas Big Band

NEW ORLEANS: Holotradband

TRIPLE DOOR MUSICQUARIUM: PGM Trio

EGAN’S BALLARD JAM HOUSE:
7pm – Chuck Ogmund Quintet, with Hans Brehmer (piano), Chris Symer (bass), Patty Padden (drums) and Tony Rondolone (sax).

MIX: Don Mock, Steve Kim & Charlie Nordstrom

MARTIN’S OFF MADISON: Karin Kajita

Anything else? As always, send us a note and let us know!

Sunday Jazz

JAZZ ALLEY: Lee Ritenour and Friends with Patrice Rushen, Melvin Davis and Will Kennedy

TULA’S JAZZ CLUB:
3:00pm: Easy Street Jazz Band
8:00pm: Jim Cutler Jazz Orchestra

TRIPLE DOOR MUSICQUARIUM: Sunday Night Salsa: Rumbeggae

TUTTA BELLA WALLINGFORD: Casey McGill’s Blue 4 Trio

SERAFINA:
11am – 1:30pm: Jazz Brunch with the Conlin Roser Duo
6:30 – 9:00pm: Ann Reynolds / Tobi Stone Duo

La SPIGA: Gail Pettis Trio

BUMBERSHOOT: today and Monday. For more information, visit www.bumbershoot.org.

ANACORTES JAZZ FESTIVAL: today and Monday.
For more info, visit http://www.anacortes.org/jazz-08.cfm
11:30 – Pocket Change
1:00 – Clarenence Acox
2:30 – Jeanie Bryson
4:30 – Dr. Lonnie Smith
8:00- Anacortes Jazz Walk w/ Joe Doria, Fidalgo Swing, Bassic Sax

Saturday Jazz

Start early and get to at least one thing on this long list today!

JAZZ ALLEY: Lee Ritenour and Friends with Patrice Rushen, Melvin Davis and Will Kennedy

BAKE’S PLACE: Crossing Borders featuring Jennifer Scott and Kristen Strom

TRIPLE DOOR MUSICQUARIUM: Red Eye Flight

TULA’S JAZZ CLUB: Isabella du Graf Quartet

EGAN’S BALLARD JAM HOUSE:
7pm – Eric Apoe and Baby Gramps
9pm – Shauna Wu (vocals) and Randy Halberstadt (piano)
11pm – Gryphon, with Brian Murray on (vox/rhythm guitar), Ben “Mudslide” Davis (lead guitar), Jake Melius (bass) and Pax Allen on (drums)

SERAFINA: Jose Gonzales Trio

GRAZIE: Greta Matassa

PAMPAS ROOM: Brian Nova Quartet w/ Fred Radke

ANACORTES JAZZ FESTIVAL: today, Sunday and Monday.
For more info, visit http://www.anacortes.org/jazz-08.cfm
11:30 – Trish Hatley
1:00 – Doug Wamble and Bill Frisell
2:30 – SRJO
4:30 – Kevin Mahogany
6:00 – The Pony Boy All-Star Mini Big Band
9:00- Anacortes Jazz Walk w/ Dina Blade, Tom Marriott, Dan Heck, Ryan Burns, Lee Pence, Frankly Moanin’, Cambalache

Oh, and there’s that other big music festival this weekend. What was the name of that again? Right. Bumbershoot (www.bumbershoot.org)

Sunday Jazz

JAZZ ALLEY: Count Basie Orchestra

TRIPLE DOOR MUSICQUARIUM: Sunday Night Salsa: Salsariba

TULA’S JAZZ CLUB:
3:00pm: Fairly Honest Jazz Band
8:00pm: Jim Cutler Jazz Orchestra

TUTTA BELLA WALLINGFORD: Miss Rose and Her Rhythm Percolators

SERAFINA:
11am – 1:30pm: Jazz Brunch with the Conlin Roser Duo
6:30 – 9:00pm: Jerry Frank solo piano

La SPIGA: Eli Rosenblatt solo guitar 

Gallery 1412: Monsters of the Accordian, master class, 12:30pm

Saturday Jazz

It’s like the Jazz Olympics today.

TULA’S JAZZ CLUB: Kelley Johnson Quartet

JAZZ ALLEY: Count Basie Orchestra

TRIPLE DOOR MUSICQUARIUM: The Boogilistics

EGAN’S BALLARD JAM HOUSE:
7pm – Rupert Wates and Kate Graves
9pm – Vocal Jazz and Latin music from Finn Hill Jazz, featuring Kay Bailey, with Rob Silver (guitar), Peter Rockas (tenor sax), Jamael Nance (drums) and Will Stump (bass)
11pm – Jim Knodle and The Distract Band (plus special guests), with Jim Knodle (trumpet), Mike Dodge (tenor sax), Mike Owcharuk (piano), Nate Omdal (bass) and Don Berman (drums) [

SERAFINA: Voodoo Trio

GRAZIE: Michael Powers Group

BAKE’S PLACE: Amandah Jantzen Quartet

PAMPAS ROOM: Brian Nova w/Mike West

VERRAZANOS: Katy Bourne w/Randy Halberstadt and Doug Miller
28835 Pacific Highway S., Federal Way, 253-946-4122

GALLERY 1412: Unused Lexical Variable

SOUNDS OUTSIDE AT CAL ANDERSON PARK
1:00 Floss featuring Zachary Watkins
2:30 Reptet
4:00 Aram Shelton + Special O.P.S.
5:30 Ahamefule J. Oluo and the New seattle Brass Ensemble
7:00 The Wally Shoup Free Three

Cal Anderson Park
1635 11th Ave (bet. East Denny Way and East Pine St.)
http://www.soundsoutside.com/

Sunday Jazz

JAZZ ALLEY: Habib Koite and Bamada

TRIPLE DOOR MUSICQUARIUM: Sunday Night Salsa: Rhythm Syndicate

TULA’S JAZZ CLUB:
3:00pm: Jay Thomas Big Band
8:00pm: Jim Cutler Jazz Orchestra

TUTTA BELLA WALLINGFORD: Miss Rose and Her Rhythm Percolators

SERAFINA:
11am – 1:30pm: Jazz Brunch with the Conlin Roser Duo
6:30 – 9:00pm: Ann Reynolds and Tobi Stone

La SPIGA: Leif Totusek Duo

MT. HOOD JAZZ FESTIVAL: Matt Jorgensen +451
www.mthoodjazz.org, Gresham, Oregon. 2-3pm.