Live Review: The Cookers at Jazz Alley- 9/22/2021

Performance Photos by Lisa Hagen Glynn

The Cookers at Jazz Alley on 9/22/2021

The third week of September turned out to be quite the week for jazz in Seattle. On Tuesday September 21, Herbie Hancock appeared at the Paramount Theatre, performing a thrilling two hour set with bassist James Genus, flutist Elena Pinderhughes and drummer Justin Tyson. The following night, The Cookers were at Jazz Alley, and I went not only to hear some great jazz music, put to pay homage to a group of jazz elders that are hugely influential in the music I had come to be passionate about. This was personal and I wasn’t alone in that feeling. Pianist George Cables is not only one of the great jazz pianists of our time, he is a man with tremendous humility and humanity. Eddie Henderson is on the list of most underappreciated trumpeters historically, with his brilliant melodic sense and tonal elegance. Drummer Billy Hart is still, at age eight one, a force of nature. Mr. Cecil Mc Bee? The master bassist is on records I have come to treasure that date back to the early sixties. Just seeing the great McBee enjoying a glass of wine after the gig was a bit of a surreal experience in itself for an admittedly over-the-top jazz fan like myself. 

I was insistent on attending the performance as a civilian–I wanted to enjoy these master musicians without checking on a set list, without jotting down notes. I was however, accompanied by photographer Lisa Hagen Glynn, who wanted to document the event with her very fine skills as a live performance photographer. She knew the room well, so her plan of attack would no doubt bring excellent results. As you can see from the photgraphs below, that indeed was the case. 

A review might simply point out that Billy Harper is still letting it fly on tenor, that Cables is playing as well, or better than he ever has. It would state the obvious that Hart would set the pace with his physical and articulate style. It would cite McBee as the foundational impulse of the band, playing with understated elegance. It would mention that Donald Harrison would bring a bit of New Orleans with him, acting as a tonal counterpoint to Harper’s snarling, biting attack. David Weiss would fill in the gaps, solo madly and be the band’s designated spokesman. 

For the audience, there was a prominent feeling of  rebirth, that somehow through the fog of now almost two years of social isolation, these jazz apostles are still on the road, still sharing their gifts with us. We felt not only joyous, but fortunate to be sharing space with them. 

Our friend, the iconic trombonist Julian Priester, sat at a table right up against stage left. It occured to me that three members of Hancock’s Mwandishi Band would be in the house, after having seen Hancock the night before. Priester was there unbeknowst to his Mwandishi brothers, Hart and Henderson. As the Cookers were being announced and entering the stage, Hart spotted Priester and got down on his knees to lean over the stage and embrace his old friend. The emotion of the moment was only surpassed by its beauty. 

Julian Priester (L) and Bill Hart (R)    Lisa Hagen Glynn photo

The hang is always the thing–an unequivocal fact in the jazz community, that somehow felt even more relevant that evening. To be seated with Priester, Hart and Henderson, or sharing a drink with McBee is an honor. Young musicians, such as saxophonist Jackson Cotugno, were able to meet and briefly chat with these legendary and historic musicians. That generational bridge is always something wonderful to behold. 

As for my friend Lisa Hagen Glynn, she captured the energy of the evening perfectly. Many, many thanks to her for sharing this treasure trove of jazz history with us. You can catch and support her fine work covering the music scene in Seattle, both inside jazz and out, at her new blogsite https://hardlyraining.com

Tenor saxophonist Billy Harper and bassist Cecil McBee      Lisa Hagen Glynn photo

The great Billy Hart                            Lisa Hagen Glynn photo 

Alto saxophonist Donald Harrison       Lisa Hagen Glynn photo

Bassist, the great Cecil McBee           Lisa Hagen Glynn photo

George Cables with the Cookers at Jazz Alley, 9/22/2021          Lisa Hagen Glynn photo
L to R- George Cables, Billy Harper, David Weiss, Eddie Henderson, Cecil McBee, Donald Harrison, Billy Hart  at Jazz Alley 9/22/2021         LIsa Hagen Glynn photo
Cecil McBee (bass) and Eddie Henderson (trumpet)     Lisa Hagen Glynn photo
Billy Hart drum solo at Jazz Alley with the Cookers- 9/22/2021    Lisa Hagen Glynn photo
Dr. Eddie Henderson        Lisa Hagen Glynn photo

The great George Cables       Lisa Hagen Glynn photo


Mwandishi brothers- Julian Priester, Billy Hart, Eddie Henderson       Ken Steiner photo

A Night On the Town with The Delvon Lamarr Organ Trio

DLO 3 on stage with friends at Jazz Alley. Photo Credit: Lisa Hagen Glynn


The stage at the esteemed Seattle jazz club, Dimitriou’s Jazz Alley, holds special meaning for local musicians who are brought up through the traditions of the city’s historically vibrant jazz scene. The majority of the performers who grace the Belltown nightspot’s hallowed podium are national and international touring artists, who over the years have included Dexter Gordon, Art Blakey and the Jazz Messengers, Chick Corea, Branford Marsalis, Betty Carter and Cecile McLorin Salvant to mention but a few. On occasion, the club has set aside nights for its resident jazz elite, including the great Ernestine Anderson.

Delvon Lamarr at Jazz Alley. Photo Credit: Lisa Hagen Glynn

Before the worldwide pandemic brought the live performance world to a screeching halt, Jazz Alley began featuring resident artists on Monday nights (the reference to ‘resident’ artists as opposed to ‘local’ was inspired by Seattle jazz great Julian Priester, who explained that the term local could be interpreted as pedestrian). With live music at the club re-igniting in the summer of 2021, the club decided to take a chance on Seattle’s best, booking Thomas Marriott, Greta Matassa, Marc Seales and Ari Joshua with positive results both in terms of performance and attendance. It was quite striking to see a full club in on every note for Seattle veteran pianist Seales for example, with a band that featured Seattleites Marriott and Jeff Johnson. 

The Seattle based Delvon Lamarr Organ Trio took to the Jazz Alley stage to begin a two night, sold out engagement on August 24th, a Tuesday evening with a full house on hand. Many in the audience were about to experience live music for the first time since the pandemic induced shutdown. There was a sense of rejuvenation, of celebration in the room, as Lamarr escorted his mother, brother and sister in law to their table suspended over the stage in the front of the balcony. The soulful R&B and blues guitarist Jimmy James was his usual sharp witted and comical self. “Do you know how to tell if someone is not from Seattle,” he quipped. “When they ask how to get on THE five!” James is all south end Seattle, just as Lamarr’s roots run deep in the Emerald City. New drummer Dan Weiss, who hails from Reno, was getting a full dose of the immensity of the moment, of his Seattle bandmates about to take stage on the city’s most prestigious jazz precipice. The trio had enjoyed a degree of commercial success prior to the shutdown, and had drawn well in their previous visit to the club. 

DLO3 at jazz Alley. Photo Credit: Lisa Hagen Glynn

Seattle’s reputation of being a remote and unique cultural outpost is perhaps a bit outdated in its modern incarnation, but nonetheless steeped in historical accuracy. When Jazz Alley opened, it would often feature a national touring artist accompanied by Seattle musicians. In the seventies and eighties, it was common to see such Seattle stalwarts as Chuck Deardorf and Dean Hodges manning the rhythm section for notables like Kenny Burrell or Mose Allison. The resident artists could be found full time at clubs like The New Orleans, or Tula’s beginning in the nineties. But headliners at the old Jazz Alley on University Way, or the current Belltown location, were clearly the exception, not the rule.

Lamarr is what some might refer to as a “natural” musician, one that has an innate understanding of music as a base point for his personal musical progression. In middle school, he came to play in the band by chance, by clearly showing his teacher and mentor Sam Chambliss his ability. 

“One day I saw a horn on the floor, and didn’t even know what it was. I told Mr. Chambliss, ‘I can play that.’ He said, ‘Good, I’ll put you in band.’ It was a baritone horn. I picked it up and played it naturally right away. I couldn’t read music, so I would just copy the person next to me. Whatever they played, I played,” he recalls. 

Lamarr settled on B-3 after playing drums in the band of Seattle B-3 master, Joe Doria. A year of simply observing his bandleader from behind the kit, allowed him to casually sit down and play the complex instrument.

“I had been watching Joe play it for a year, and literally sat down and played it like I had been playing it my whole life,” says Lamarr.

Lamarr was, and is, a jazz first musician no matter what musical tradition he employs. There is an intuitive eclecticism about his art that transcends form. The influences of his first love, R&B and soul, speaks through his music as well. Taking those elements of his musical personality, and creating a concept that not only would be sufficiently expressive for a genius musician like Lamarr, and as well supply ample opportunity to make a living, eventually became the domain of Amy Novo, Lamarr’s wife, life partner and manager. 

“She literally owns DLO3,” exclaimed Lamarr from the Jazz Alley stage that night. “She came up with the idea, and made it happen in every way. I just have to play music.”

Novo worked tirelessly, while her husband created music that would land them with the esteemed Kurland Agency. They found an audience that, like the music, transcended genre. The potent recipe of jazz, rhythm and blues and rock pulled in a sizable crowd that enabled the band to play venues like the Blue Note in New York, worldwide festivals and of course, Seattle’s Jazz Alley. Guitarist James provided the punch that incorporated that which encompasses all of Lamarr’s stylistic indulgences- the blues. The band’s sound has been represented well on the studio albums Close But No Cigar (Colemine, 2018) and I Told You So (Colemine,2021) for Colemine Records, and the live offering Live at KEXP (Colemine, 2018). 

Guitarist Jimmy James and drummer Dan Weiss at Jazz Alley with DLO3. Photo Credit: Lisa Hagen Glynn

That “sound” has a historical lineage, perhaps unknown to Lamarr at the beginning stages of the band’s development. In the fifties and sixties, Seattle Hammond B-3 artist Dave Lewis had a multitude of hit records with what was being referred to at the time as the “Seattle Sound.” It was instrumental, organ based music, that had markings of  jazz, rhythm and blues and the hybrid form taking hold of the airwaves in those days– rock and roll. Lewis’ band would eventually have a huge impact sociologically by playing north end gigs that were the exclusive domain of white bands. This would put an end to musical segregation in the city, which included separate unions for white and black musicians. The unity exhibited by late night jam sessions on Jackson St., now had legal and ethical legitimacy by practice among venue owners. The “sound” would have an impact on Seattle jazz, as well as artists in all blues based styles, including Jimi Hendrix. DLO3 has received a large degree of popularity and commercial success with their own unique organ based sound, that much like Lewis’ combo, is an open door for guest artists to enter and leave their mark. It is a style that is constantly in motion and inviting new musical notions. Whether performing for a sit down audience at Jazz Alley, or accommodating a dance crowd, the band has the unique ability to satisfy multiple audiences, a luxury seldom afforded by jazz artists. 

Lamarr’s solo work, and his minimalist comping style, are unmistakingly tied to his roots as a jazz musician. His dual persona in a way, is like an artistic aperture allowing the entire blues tradition into the mix. So much is the same, so much is different. “When I play DLO3 music versus swinging jazz, the approach is completely different. I intertwine the soul with jazz and make sense of it,” he explains. It is not, however, groove dance music, no matter how thick and comfortable drummer Weiss makes that pocket seem. Lamarr’s thought processes arrive musically from the jazz lexicon, smothered in blues based soul and funk. “It’s undeniable that music is better when it speaks to somebody’s soul instead of just hearing a beat,” he points out. 

The trio’s open door welcomed in India Arie bassist Khari Simmons, and Polyrhythmic’s guitarist Ben Bloom on this Tuesday evening engagement in Seattle. Relieved of bass line duties, Lamarr is able to ascend as a soloist to new heights, and for two tunes, as a vocalist. Until this opening night in Seattle, Lamarr had never dared to sing in public. He soulfully rendered two new compositions to accommodate this new, very personal revelation. “No Walk in the Park,” and “Can’t Win For Losing,” unmasked the organist’s inner creative sanctum, leaving himself completely vulnerable to an audience that included family, long time friends and some of the city’s top music scribes. That comfortable vibe, that which one feels when surrounded by loved ones, by being home, gathered all the loose ends of the evening into one, enlightened space. The jovial nonchalance of Lamarr’s outward personality, and his deep, soul searching inner musical self came to a singular state of being. This wasn’t another ordinary stop on a long tour–it was Seattle, it was Jazz Alley, this was about neighborhood and being home.

Delvon Lamarr at the Owl jam session. 8/24/21

The afternoon preceding DLO3’s opener at Jazz Alley, Lamar and Novo set up a B-3 at the Owl ‘n Thistle, an Irish dive bar in Seattle’s Pioneer Square, with intentions of returning after the Jazz Alley hit to attend a weekly jam session that has taken place at the Owl for more than two decades. The jam is the social focal point of the Seattle jazz scene, and where Lamarr would come to match his chops with the best players in town. In those days, the young Lamarr would play trumpet and drums at the session. Two weeks prior, he had dropped in at the Owl after a gig at Woodland Park, with Novo and Simmons in tow. He played drums a bit, but mostly just enjoyed the hang tremendously. He realized how shut in socially he could be, between touring and ultimately, due to Covid-19. Knowing that he would be playing the house B-3 at Jazz Alley, he set up his own equipment at the Owl, and arrived around 10 PM, just as the house band led by pianist Eric Verlinde was finishing up its set. The trio played a few tunes for the jam packed (pun intended) audience in the small, brick lined room. Soon, Lamarr was at the organ with a rapidly changing cast of musicians at the open session, clearly enjoying himself. While Lamarr is an affable sort, his normal positive self seemed to play into a state of heightened joy and repose. Novo as well sported a look of knowing she was in the right place at the right time. Normally a whirlwind during a gig, dealing with the business portion of the band, she as well could just revel in the sense of normalcy, of fellowship and community, that was so clearly at hand. 

DLO 3 plays the Owl jam session, after their opening night set at Jazz Alley 8/24/21 Photo Credit: Lisa Hagen Glynn

Of course, the evening would end with Lamarr and Novo once again loading one hulk of a musical instrument into their van. There was another night at Jazz Alley to traverse, and whatever else comes literally down the road as things slowly return to normal. There is the uncertainty of the Delta variant, of course, yet over two nights at their city’s most esteemed club, every seat is full, every audience member engaged and content. There is hope in the air, that we will rise above a two year pandemic hiatus, and find our stride musically, and inevitably, socially.

Drummer Dan Weiss in the pocket at Jazz Alley with DLO3 Photo Credit: Lisa Hagen Glynn


A single evening saw the Delvon Lamarr Organ Trio in front of a full house, and then immersed in the hang, that which in the end really matters. A return to normalcy means so much more than audience being reunited with artist. Rising above the fray of a worldwide pandemic, that place where none of us had ever resided, is more about being reunited with each other. Of feeling that embrace. On one Tuesday evening in Seattle, the Delvon Lamarr Organ Trio and family felt the embrace that only home can bring. —Paul Rauch

Photo Review: Marc Seales Quintet at Jazz Alley- 8/17/2021

Pianist Marc Seales. Lisa Hagen Glynn photo

One of the recent positive marks on the Seattle jazz scene is that Jazz Alley, the city’s premier spot for touring acts, has been featuring some resident artists. The shows have been well attended, featuring iconic Seattle artists such as Greta Matassa, Marc Seales, Thomas Marriott and Delvon Lamarr. 

The Seattle jazz community has been well documented in recent years photographically, thanks in large part to veteran jazz photog, Jim Levitt. Long known for his work for the Ballard Jazz Festival, Seattle Repertory Jazz Orchestra and Jazz Port Townsend, Levitt can often be found at a gig near you. He may be hiding behind a curtain, or slithering along the ground like a shutterbug snake. He may find the empty chair at your table, taking a few shots before disappearing again, toting his stuffed to the gills bag of camera equipment. 

Levitt has mentored the next gen photog on the scene, Lisa Hagen Glynn, who as well can often be found working around stages and audiences in several genres of the city music scene, most notably the jazz world where she typically resides. Her initial interest in photographing jazz performances came by attending gigs played by her husband, Seattle first call bassist, Michael Glynn. She has a unique, perhaps innate sense of the moment, often catching musicians at the height of their emotional arc. Her remarkable ability to seem almost invisible, yet find superior angles to shoot, makes her work stand out much in the way of her mentor. Many thanks to Jim and Lisa for bringing the music to life in pictures. 

L to R- guitarist Jesse Seales, drummer Moyes Lucas, bassist Jeff Johnson, pianist Marc Seales and trumpeter Thomas Marriott. Lisa Hagen Glynn photo’

The tall stranger- bassist Jeff Johnson. Lisa Hagen Glynn photo


Thomas Marriott on flugelhorn. Lisa Hagen Glynn photo

Marc Seales and Thomas Marriott. Jim Levitt photo

Jeff Johnson and Marc Seales. Jim Levitt photo

The always expressive Marc Seales. Jim Levitt photo

Drummer Moyes Lucas. Lisa Hagen Glynn photo.


Guitarist Jesse Seales and drummer Moyes Lucas. Lisa Hagen Glynn photo

Marc Seales Quintet at Jazz Alley

All eyes on the leader. Jim Levitt photo


On the Scene: Live Music Previews for September

Grace Kelly 

9/1- 7:30 PM/ Jazz Alley

Since her appearance at the inauguration of President Barak Obama at age 16, alto saxophonist Grace Kelly has been turning heads in the jazz world. Starting out more in the bebop tradition in the musical lineage of alto predecessors Charlie Parker and Cannonball Adderly, Kelly has added electronics, vocals and dance moves to her resume, amping up her pop image within the jazz genre. Kelly is still an impressive technician of her instrument, whether or not you admire the new aspect to her performance will determine whether or not this gig is for you. https://www.jazzalley.com/www-home/artist.jsp?shownum=5245

Tuesday Night Jams at the Owl

Tuesday Nights- 9:30 PM/ Owl ‘n Thistle

26 years in, the Owl jam has evolved into the social center of the jazz scene in Seattle. Coming out of the Covid-19 shutdown, the importance of the late Tuesday night session became that much more important. This summer has seen the session feature such Seattle jazz luminaries as Thomas Marriott, Hans Teuber, Eric Verlinde, Jared Hall, Matt Jorgensen, John Bishop, Marina Albero and Rick Mandyck to scratch the surface. An absolute must to feel the pulse of jazz in Seattle. Once touring bands begin to frequent the city, drop ins may again be the norm, having seen Wynton Marsalis, Roy Hargrove and Nicholas Payton among others who have spontaneously sat in with the host band. Pianist Eric Verlinde, who has hosted the session since 2005, keeps the vibe celebratory and upbeat. https://www.facebook.com/search/top?q=tuesday%20night%20jams%20at%20the%20owl.


The Beaver Sessions

Sunday Nights- 9 PM/ The Angry Beaver

There is no overestimating the importance of the neighborhood jam session in the jazz lineage. This is true, even when that session is held in a hockey bar that is otherwise unattached to live music in the north end Greenwood neighborhood. 

The session has long been the domain of the 200 Trio, featuring guitarist Cole Schuster, bassist Greg Feingold and drummer Max Holmberg. The evening begins with a host band of rotating musicians that include Jean Chamont, Kareem Kandi, Reuel Lubag Brian Kirk and the aforementioned members of the 200 Trio. The turnout is not quite as massive as the Tuesday night session at the Owl, but that contributes to the comfortable and fun vibe. The session is attended well, and the music beginning with the hosts is very good. A bit out of the way for south enders, but the #5 metro bus does take you practically to the doorstep of the classic hockey bar. This is one yours truly is going to pay more attention to going forward, after all–Seattle is now part of the NHL family! https://beaversessions.com/


Royal Room Opening Night: Piano Starts Here

Wed 9/15, 7:30 PM/ Royal Room

Columbia City will come just a little bit more to life this particular evening, as The Royal Room swings into action with perhaps its most noble undertaking– “Piano Starts Here.” The interpretive program features area pianists engaging with historic jazz pianists, in many ways defining the mission statement of the club on this, its opening night celebration. For this installment, KNKX and Abe Beeson will present the music of Earl Hines, Teddy Wilson, Duke Ellington, Carla Bley and Cole Porter, interpreted by Jose Gonzales, Alex Guilbert, Darrius Willrich, Ann Reynolds and Ray Skjelbred.

“I think ‘Piano Starts Here’ represents the best of the Royal Room. It’s local, it’s great music, and it’s also curatorial,” says Wayne Horvitz. He will play his own compositions and essentially interpret himself, an idea hatched by Guilbert, the event’s host.

The Royal Room’s presence on the scene will be that much more vital with the loss of several venues over the past few years. https://theroyalroomseattle.com/event/knkx-presents-piano-starts-here-re-opening-night-mc-knkxs-abe-beeson/?instance_id=2495

photo courtesy of salon.com

Pat Metheny Side Eye

9/16-19, 7:30 & 9:30 PM/ Jazz Alley

Seeing guitar great Pat Metheny in the intimate confines of Jazz Alley is a rare chance to witness genius close up. The eclectic guitarist/composer is more commonly seen around town at venues like The Paramount, The Moore and McCaw Hall. This time around, Metheny features a trio featuring two of the most exciting young stars in jazz- keyboardist/pianist James Francies and New Orleans drummer, Joe Dyson.

Side-Eye is a project matching Metheny up with an array of young, intrepid voices that have included Anwar Marshall, Eric Harland and Marcus Gilmore. Francies and Dyson continue this progression. Metheny has always been unpredictable in terms of his recording history and his ambitious touring adventures. For more than forty years we have seen the iconic Pat Metheny Group, a number of trios and the Unity Band with Antonio Sanchez and Chris Potter. Seeing him work from the intimate sight lines of Jazz Alley is a special opportunity in a special time. 

 “I wanted to create an ongoing platform to host a rotating cast of the newer generations of musicians who have particularly caught my interest along the way. From my earliest days in Kansas City onward, I was the beneficiary of so many older musicians hiring me, which gave me a chance to develop through the prism of their experiences and the particular demands of what their music implied.”- Pat Metheny https://www.jazzalley.com/www-home/artist.jsp?shownum=5206

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Entremundos Quarteto with Adriana Giordano

9/17. 8PM/ North City Bistro

Blending Brazilian and traditional jazz forms, vocalist Adriana Giordano and pianist Eric Verlinde lead Entremundos into NCB for a dinner performance. Seattle’s go-to electric bassist Dean Schmidt, and all-world drummer/percussionist Jeff Busch complete this quartet that now has an extensive history together. Whether accompanying Giordano, or playing as a trio, this rhythm section that performs together in Verlinde’s projects as well, has marvelous chemistry and musical intuition. The diversity of musical styles that cross during an Entremundos performance are a reflection of the band members and their divergent separate paths. Their performances at the north end bistro have helped establish the tradition of live music at NCB. https://northcitybistro.com/

Douglas Kirkland photo

Herbie Hancock

9/21- 7:30 PM/ Paramount Theatre

To claim that pianist/keyboardist/composer Herbie Hancock is an icon of American music is a safe assumption. From his early days with Miles Davis’ second great quintet, to his fusion persona via Mwandishi and The Headhunters, Hancock has viewed innovation as an elemental aspect of his music. Now 80 years old, his prowess as a musician and composer is undiminished in terms of imagination, execution and innovation. This tour celebrates a performing career that has now touched seven decades. Though the band to this point has not been announced, it is generally assumed that he will be accompanied by drummer Vinnie Colaiuta, bassist James Genus, guitarist Lionel Loueke and keyboardist/saxophonist Terrace Martin. 

Aside from his historic impact on jazz piano and composition, Hancock has had great success in such divergent activities as film scoring, but most importantly, his embrace of generational musicians who have followed in his footsteps have received the benefit of his wisdom and grace. He, along with Wayne Shorter, represent the very best of humanity, casting a guiding light for generations of musicians and fans alike. His performances are generally a highlight reel of his entire career, with the compositions that fall into line performed in new and innovative fashion. This is one not to be missed. Watch out for the ticket sharks, and purchase your tickets through STG/Ticketmaster from the link below.  https://www.stgpresents.org/calendar/6798/herbie-hancock

The Cookers

9/21-22, 7:30 PM/ Jazz Alley

The hard hitting septet returns to Seattle featuring some of the all time great figures in modern jazz history. Pianist George Cables is one of the great pianists as well as one of the truly transcendent people in jazz. Bassist Cecil McBee and drummer Billy Hart hold down the backline as they have since their younger days paying their dues in the bands of Miles Davis, Wes Montgomery, Alice Coltrane, McCoy Tyner, Jimmy Smith, Herbie Hancock and Joanne Brackeen to name a few.

Trumpeters David Weiss and Eddie Henderson have emerged from a similar pedigree, and along with burning tenor giant Billy Harper and New Orleans born and bred altoist Donald Harrison, form a historic front line unmatched in jazz today. 

Assembling an all-star cast does not guarantee a grandiose result. In the case of The Cookers, the assemblage is one of music, friendship and love. That much is obvious at any one of their performances. It is rare to witness a working band of this quality in any genre, much less in jazz, a musical world often embraced by genius. An absolute can’t miss two nights at the Alley. https://www.jazzalley.com/www-home/artist.jsp?shownum=5241

William Kitchings photo

Julian Lage

Tue 9/21, 7:30 PM/ Neumo’s

Julian Lage comes to Seattle in celebration of his new album, Squint. The guitarist has been playing with the legendary Charles Lloyd from his early days as a Northern California guitar prodigy, and that aesthetic is clearly expressed in his work. The trio features bassist Jorge Roeder and drummer Eric Doob in a format that finds three musicians revolving around a common center, allowing the sparks to fly as they may. 

Squint is Lage’s first recording as a leader on the prestigious BlueNote label. He is clearly humbled by that designation and attachment to a legendary history of recordings. 

“I felt like this was an opportunity to present new music born out of the Blue Note tradition as I’ve interpreted it,” explains Lage, who previously recorded for the label with The Nels Cline 4’s Currents, Constellations and Charles Lloyd’s celebratory 8: Kindred Spirits.

A master class is being planned as well, so keep an eye out for that. This performance will be at Neumo’s, which holds the possibility of listening being more difficult outside of the traditional trappings of a jazz audience. The dynamics of the trio tend to be soft, precise and ethereal, requiring an audience that can take to that vibe.  https://www.stgpresents.org/calendar/event/3968

Jovino Santos Neto Quinteto

9/24, 8PM/ North City Bistro

Creeping just over the city line, the north end venue continues its support of jazz, in this case, Brazilian Jazz, by bringing in the Brazilian piano legend Jovino Santos Neto and his longtime, sure-fire quintet. The band features Seattle bass legend Chuck Deardorf, drummer Mark Ivester, percussionist Jeff Busch and vibraphonist Ben Thomas. 

The quinteto is as close to a sure thing as there is on the Seattle music scene. The music incorporates the jazz tradition into Jovino’s music that grew from the pianist’s many years playing in the band of Brazilian music icon, Hermeto Pascoal. The music is a pure release of joy and celebration, enhanced by the pure artistry of this top shelf band. This is a sit down dinner club, so come prepared for good food, fine wine and a grand performance. If you enjoy dancing to Brazilian music, this is not the venue. As a concert performance, the quinteto will make you dance inside! https://northcitybistro.com/

Jim Levitt photo

Monday Night Jam at The Royal Room with Thomas Marriott

Mondays beginning 9/20- 9PM 

Monday nights will find two jam sessions bookending the weekly performance of The Royal Room Collective Music Ensemble at the Columbia City nightspot. Saxophonist Stuart MacDonald will host a late afternoon jam session for younger players, featuring musicians from the area’s celebrated school music programs. Trumpeter Thomas Marriott will follow RRCME with an open jam session that will begin with a short set from host musicians at 9 PM. 

The addition of the south end jam is now the third weekly session in Seattle, following the Beaver Sessions on Sundays in Greenwood, and the iconic Owl Jam in Pioneer Square. All three are in the hands of musicians that will no doubt skillfully curate these community sessions. More opportunities for music and fellowship is always a positive. There is a huge backline advantage for this session, especially with the club’s resident Steinway B.  https://theroyalroomseattle.com/

Paquito D’Rivera

9/28-29, 7:30 PM/ Jazz Alley

Cuban born alto saxophonist, clarinetist and composer Paquito D’Rivera is a historic presence in the world of Latin jazz. A frequent visitor to Seattle, D’Rivera always plays with focused joy and virtuosity. He is joined by pianist Alex Brown, bassist Oscar Stagnaro, trumpeter Diego Urcola, and drummer Mark Walker. 

D’Rivera’s music is a reflection of his wide ranging musical interests that can often move towards the eclectic side. This is especially true in his work as a composer. The artist and his current lineup have the chops to explore all of the aspects of the leader’s musical persona.  https://www.jazzalley.com/www-home/artist.jsp?shownum=5247

Seattle Trumpeter Jared Hall Drops New Album Seen on the Scene on Origin Records

The title Seen on the Scene in many ways encapsulates trumpeter Jared Hall’s story leading up to the studio session in 2018 that resulted in this, his sophomore release. The Spokane, Washington native arrived in Seattle in 2015 after completing studies with mercurial trumpet ace Brian Lynch, almost immediately scoring a residency at Tula’s, the city’s legendary jazz spot. Sporting new compositions and a new recording on Lynch’s Hollistic MusicWorks label, Hall went about establishing himself on the vibrant Seattle scene, establishing working and social relationships with such Emerald City stalwarts as pianist John Hansen, bassist Michael Glynn and drummer Matt Jorgensen. Jorgensen is, as well, a principal of the highly regarded Origin Records label. Hall in the process began to shake off the sediment of jazz education and chance upon his own original sound by playing and interacting socially with his new community via jam sessions and gigs as a sideman for a variety of resident artists in his new city. Becoming a new father in the process necessitated he be employed in education extensively, all the while grinding and performing his way towards the top of Seattle’s impressive roster of jazz elite. Continue reading at All About Jazz https://www.allaboutjazz.com/seen-on-the-scene-jared-hall-origin-records__16108


Tuesday Jazz

TULA’S JAZZ CLUB: Music Works Big Band

JAZZ ALLEY: Ed Reed and the Peck Allmond Quartet

NEW ORLEANS: Holotradband

EGAN’S BALLARD JAM HOUSE:
7pm – Boston to Austin, with Liz Stahler and Brianna Lane
9pm – Victor Noriega Trio Plus 2, with Victor Noriega (piano), Jay Thomas (horns), Mark Taylor (alto sax), Willie Blair (bass) and Kassa Overall (drums)

DEXTER AND HAYES: Tim Kennedy Trio

MARTIN’S ON MADISON: Karin Kajita

MIX: Don Mock, Steve Kim & Charlie Nordstrom

OWL ‘N THISTLE: Jam Session

Saturday Jazz

TULA’S JAZZ CLUB: Susan Pascal Quartet

JAZZ ALLEY: Earl Klugh

THE TRIPLE DOOR MUSICQUARIUM: Red Eye Flight

EGAN’S BALLARD JAM HOUSE:
7pm – Island Jazz Quintet, Maggie Laird (vocals/melodica), Richard Person (trumpet/flugelhorn), Tom Wilkins (piano), Todd Zimberg (drums), Todd Gowers (bass)
9pm – Steve Korn Group with Steve Korn (drums), Mark Taylor (sax), Marc Seales (piano) and John Hamar (bass)

CHAPEL PERFORMANCE SPACE: Ziggurat Ensemble 
Good Shepherd Center, 4649 Sunnyside Ave N, 8pm

SERAFINA: Leo Raymundo w/ Sue Nixon

GRAZIE: Michael Powers Group

BAKE’S PLACE: Kelley Johnson Quartet

SORRENTO HOTEL: Katy Bourne Trio

PAMPAS ROOM: Brian Nova w/ Stephanie Porter

Sunday Jazz

BUDDY CATLETT FUNDRAISER: The Pampas Room under El Gaucho.
5:00pm – 11:00pm. 90 Wall St., Belltown.

SEATTLE DRUM SCHOOL: Byron Vannoy’s Meridian
12510 15th Ave NE, Seattle, WA 98125, Tel:(206)364-8815

JAZZ ALLEY: Robben Ford

TULA’S JAZZ CLUB:
3:00pm: Jazz Police
8:00pm: Jim Cutler Jazz Orchestra

BAKE’S PLACE: Pearl Django

TRIPLE DOOR MUSICQUARIUM: Sunday Night Salsa: Fred Hoadley Trio

TUTTA BELLA WALLINGFORD: Casey McGill’s Blue 4 Trio

SERAFINA:
11am – 1:30pm: Jazz Brunch with the Conlin Roser Duo
6:30 – 9:00pm: Jerry Frank Solo Piano

La SPIGA: Gail Pettis Trio

Saturday Jazz

TULA’S JAZZ CLUB: Andrienne Wilson Farewell Concert

JAZZ ALLEY: Robben Ford

TRIPLE DOOR MUSICQUARIUM: The New Architects

BAKE’S PLACE: Karin Plato Quartet

EGAN’S BALLARD JAM HOUSE:
7pm – Student Loan. Julio Appling (bass/vocals), Liz Chibucos (guitar/violin/vocals), Mark Gerolami (banjo/guitar/vocals) and Chad Kimbler (mandolin/vocals)
9pm – Elise Kloter w/ Karin Kajita
11pm – Rachel Bade-McMurphy Quartet. Rachel Bade-McMurphy (vocals/sax/composer) and Brendan McMurphy (trumpet/drums)

SERAFINA: Jazzuhka

GRAZIE: Andre Thomas and Quiet Fire

PAMPAS ROOM: Brian Nova Quartet

Sunday Jazz

The Pony Boy Jazz Picnic is the biggest game in town today…sure hope you don’t need a last minute sub for those other gigs!

PONY BOY RECORDS 5TH ANNUAL JAZZ PICNIC: Noon-5pm
Sandpoint Magnuson Park Amphitheatre, 7400 Sandpoint Way, NE, Seattle. For more information visit the Pony Boy Records website. (See previous post.)

JAZZ ALLEY: Chuck Mangione

TULA’S JAZZ CLUB:
3:00pm: Reggie Goings / Hadley Caliman
8:00pm: Jim Cutler Jazz Orchestra

TRIPLE DOOR MAINSTAGE: Afrissippi

TUTTA BELLA WALLINGFORD: Casey McGill’s Blue 4 Trio

SERAFINA:
11am – 1:30pm: Jazz Brunch with the Conlin Roser Duo
6:30 – 9:00pm: Ann Reynolds / Tobi Stone Duo

La SPIGA: Makini and the Killer Bees

KWJZ JAZZ BRUNCH CRUISE: Susan Pascal Quartet, 12-2pm.
More info: 206-623-1445

Saturday Jazz

TULA’S JAZZ CLUB:
3:00 – Andrienne Wilson Vocal Showcase
8:30 – Greta Matassa Quartet

JAZZ ALLEY: Chuck Mangione

BAKE’S PLACE: Jeanie Bryson Quartet

SORRENTO HOTEL: Katy Bourne w/ Hans Brehmer and Chuck Kistler
900 Madison St., Seattle, 206-622-6400

TRIPLE DOOR MAINSTAGE: Jacqui Naylor
TRIPLE DOOR MUSICQUARIUM: Vunt Foom

EGAN’S BALLARD JAM HOUSE:
7pm and 9pm- Overton Berry Trio CD Release Party

SERAFINA: Leo Raymundo w/ Sue Nixon

GRAZIE: Blues Union

PAMPAS ROOM: Brian Nova Quartet w/ Stephanie Porter

Friday Jazz

TULA’S JAZZ CLUB: Katie King Quartet

JAZZ ALLEY: Chuck Mangione

TRIPLE DOOR MAINSTAGE: Cuchata and Nationbeat (world music)
TRIPLE DOOR MUSICQUARIUM: Joe Doria Trio

EGAN’S BALLARD JAM HOUSE:
7pm – Dylan Heaney Group, with Dylan Heaney (sax), Andy Coe (guitar), Keith Judelman (bass) and Phil Parisot (drums)
9pm – Like Minds, jazz guitar duo with Greg Glassman and Ron Peters

HIROSHI’S: Gene Argel / Jay Thomas / Greg Williamson

LATONA PUB: Phil Sparks / Leif Todasek

SERAFINA: Jose Gonzales Trio

GRAZIE: Blues Union

PAMPAS ROOM: Brian Nova Quartet

Thursday Jazz

TULA’S JAZZ CLUB: Greta Matassa Vocal Workshop

EGAN’S BALLARD JAM HOUSE:
7pm – Sunship, with Brian Heaney (guitar), Michael Monhart (saxophone), David Revelli (drums), Andrew Luthringer (bass) and Stuart Dempster (trombone)
9pm – Tom Baker Quartet, with Tom Baker (guitar and fretless guitar), Greg Cambell (drums), Jesse Canterbury (clarinet) and Brian Cobb (bass)

JAZZ ALLEY: Holly Cole

TRIPLE DOOR MUSICQUARIUM: Monarch Duo

NEW ORLEANS: The Ham Carson Quintet

ASTEROID CAFE: Tim Kennedy & Friends

THAIKU: Jon Alberts / Jeff Johnson / Tad Britton

LO-FI: The Teaching

MARTIN’S OFF MADISON: Karin Kajita

MAY: Hans Teuber Trio

Wednesday Jazz

JAZZ ALLEY: Umalali: The Garifuna Women’s Project

TRIPLE DOOR MUSICQUARIUM: Monarch Duo / Ramana Viera

TULA’S JAZZ CLUB: The Teaching w/ Jeremy Jones, Josh Rawlings, Evan Flory-Barnes

NEW ORLEANS: The Legend Band w/ Clarence Acox

GALLERY 1412: More Zero w/ Chris Stover, Jeff Norwood, Ben Thomas,  Matt Jorgensen, Stuart McDonald

THAIKU: Ron Weinstein Trio

EGAN’S BALLARD JAM HOUSE:
7pm – Beth Wulff (piano) and Jim Wulff (vocals/drums)
9pm – Vocal jazz jam session

WHISKEY BAR: Ronnie Pierce

Tuesday Jazz

JAZZ ALLEY: Phoebe Snow

TULA’S JAZZ CLUB: Jay Thomas Big Band

NEW ORLEANS: Holotradband

TRIPLE DOOR MUSICQUARIUM: PGM Trio

EGAN’S BALLARD JAM HOUSE:
7pm – Chuck Ogmund Quintet, with Hans Brehmer (piano), Chris Symer (bass), Patty Padden (drums) and Tony Rondolone (sax).

MIX: Don Mock, Steve Kim & Charlie Nordstrom

MARTIN’S OFF MADISON: Karin Kajita

Anything else? As always, send us a note and let us know!

Sunday Jazz

JAZZ ALLEY: Lee Ritenour and Friends with Patrice Rushen, Melvin Davis and Will Kennedy

TULA’S JAZZ CLUB:
3:00pm: Easy Street Jazz Band
8:00pm: Jim Cutler Jazz Orchestra

TRIPLE DOOR MUSICQUARIUM: Sunday Night Salsa: Rumbeggae

TUTTA BELLA WALLINGFORD: Casey McGill’s Blue 4 Trio

SERAFINA:
11am – 1:30pm: Jazz Brunch with the Conlin Roser Duo
6:30 – 9:00pm: Ann Reynolds / Tobi Stone Duo

La SPIGA: Gail Pettis Trio

BUMBERSHOOT: today and Monday. For more information, visit www.bumbershoot.org.

ANACORTES JAZZ FESTIVAL: today and Monday.
For more info, visit http://www.anacortes.org/jazz-08.cfm
11:30 – Pocket Change
1:00 – Clarenence Acox
2:30 – Jeanie Bryson
4:30 – Dr. Lonnie Smith
8:00- Anacortes Jazz Walk w/ Joe Doria, Fidalgo Swing, Bassic Sax

Saturday Jazz

Start early and get to at least one thing on this long list today!

JAZZ ALLEY: Lee Ritenour and Friends with Patrice Rushen, Melvin Davis and Will Kennedy

BAKE’S PLACE: Crossing Borders featuring Jennifer Scott and Kristen Strom

TRIPLE DOOR MUSICQUARIUM: Red Eye Flight

TULA’S JAZZ CLUB: Isabella du Graf Quartet

EGAN’S BALLARD JAM HOUSE:
7pm – Eric Apoe and Baby Gramps
9pm – Shauna Wu (vocals) and Randy Halberstadt (piano)
11pm – Gryphon, with Brian Murray on (vox/rhythm guitar), Ben “Mudslide” Davis (lead guitar), Jake Melius (bass) and Pax Allen on (drums)

SERAFINA: Jose Gonzales Trio

GRAZIE: Greta Matassa

PAMPAS ROOM: Brian Nova Quartet w/ Fred Radke

ANACORTES JAZZ FESTIVAL: today, Sunday and Monday.
For more info, visit http://www.anacortes.org/jazz-08.cfm
11:30 – Trish Hatley
1:00 – Doug Wamble and Bill Frisell
2:30 – SRJO
4:30 – Kevin Mahogany
6:00 – The Pony Boy All-Star Mini Big Band
9:00- Anacortes Jazz Walk w/ Dina Blade, Tom Marriott, Dan Heck, Ryan Burns, Lee Pence, Frankly Moanin’, Cambalache

Oh, and there’s that other big music festival this weekend. What was the name of that again? Right. Bumbershoot (www.bumbershoot.org)

Sunday Jazz

JAZZ ALLEY: Count Basie Orchestra

TRIPLE DOOR MUSICQUARIUM: Sunday Night Salsa: Salsariba

TULA’S JAZZ CLUB:
3:00pm: Fairly Honest Jazz Band
8:00pm: Jim Cutler Jazz Orchestra

TUTTA BELLA WALLINGFORD: Miss Rose and Her Rhythm Percolators

SERAFINA:
11am – 1:30pm: Jazz Brunch with the Conlin Roser Duo
6:30 – 9:00pm: Jerry Frank solo piano

La SPIGA: Eli Rosenblatt solo guitar 

Gallery 1412: Monsters of the Accordian, master class, 12:30pm

Saturday Jazz

It’s like the Jazz Olympics today.

TULA’S JAZZ CLUB: Kelley Johnson Quartet

JAZZ ALLEY: Count Basie Orchestra

TRIPLE DOOR MUSICQUARIUM: The Boogilistics

EGAN’S BALLARD JAM HOUSE:
7pm – Rupert Wates and Kate Graves
9pm – Vocal Jazz and Latin music from Finn Hill Jazz, featuring Kay Bailey, with Rob Silver (guitar), Peter Rockas (tenor sax), Jamael Nance (drums) and Will Stump (bass)
11pm – Jim Knodle and The Distract Band (plus special guests), with Jim Knodle (trumpet), Mike Dodge (tenor sax), Mike Owcharuk (piano), Nate Omdal (bass) and Don Berman (drums) [

SERAFINA: Voodoo Trio

GRAZIE: Michael Powers Group

BAKE’S PLACE: Amandah Jantzen Quartet

PAMPAS ROOM: Brian Nova w/Mike West

VERRAZANOS: Katy Bourne w/Randy Halberstadt and Doug Miller
28835 Pacific Highway S., Federal Way, 253-946-4122

GALLERY 1412: Unused Lexical Variable

SOUNDS OUTSIDE AT CAL ANDERSON PARK
1:00 Floss featuring Zachary Watkins
2:30 Reptet
4:00 Aram Shelton + Special O.P.S.
5:30 Ahamefule J. Oluo and the New seattle Brass Ensemble
7:00 The Wally Shoup Free Three

Cal Anderson Park
1635 11th Ave (bet. East Denny Way and East Pine St.)
http://www.soundsoutside.com/

Sunday Jazz

JAZZ ALLEY: Habib Koite and Bamada

TRIPLE DOOR MUSICQUARIUM: Sunday Night Salsa: Rhythm Syndicate

TULA’S JAZZ CLUB:
3:00pm: Jay Thomas Big Band
8:00pm: Jim Cutler Jazz Orchestra

TUTTA BELLA WALLINGFORD: Miss Rose and Her Rhythm Percolators

SERAFINA:
11am – 1:30pm: Jazz Brunch with the Conlin Roser Duo
6:30 – 9:00pm: Ann Reynolds and Tobi Stone

La SPIGA: Leif Totusek Duo

MT. HOOD JAZZ FESTIVAL: Matt Jorgensen +451
www.mthoodjazz.org, Gresham, Oregon. 2-3pm.

 

Saturday Jazz

Enjoy the 96 hours of summer!

TULA’S JAZZ CLUB: Hadley Caliman Quartet

JAZZ ALLEY: Habib Koite and Bamada

TRIPLE DOOR MUSICQUARIUM: The Jelly Rollers (Chicago Blues)

EGAN’S BALLARD JAM HOUSE:
7pm and 9pm – Cocoa Martini, with Karen Shivers, Mercedes Nicole and Kimberly Reason
11pm – The Rumptones, with Justin Tomsovic (drums), Nathan Spicer (organ), Paul Fisher (guitar) and Tracy Ferrara (sax).

SERAFINA: Leo Raymundo with Sue Nixon

GRAZIE: Poindexter Jazz Quartet

BAKE’S PLACE: Little Bill and the Bluenotes

PAMPAS ROOM: Brian Nova, Kiyoko Ami, Susan Pascal