Seattle Jazz Scene: Live Jazz Previews for April & May

Photo Credit: Jim Levitt

Underground Sounds with Thomas Marriott, Rick Mandyck, Jeff Johnson & John Bishop

Tue Apr 2, 9, 16, 23, 30, 8 PM / Underbelly- 119 First Av S.

Underbelly, the quaint cellar bar on First Avenue in Pioneer Square sits directly across the street from what was the New Orleans club, a former hub of local Seattle jazz. That vibe lives on Tuesday nights in the former burlesque venue, with four of the city’s top jazz musicians colliding in an explosive chordless quartet that at times has been known as “Free Fall.” This is an opportunity to witness great jazz in an informal environment with no cover. 

Trumpeter Thomas Marriott leads this band of long time mates with a strong intuitive connection. The author of fourteen albums as a leader and a recent inductee into the Seattle Jazz Hall of Fame is joined by the incomparable duo of bassist Jeff Johnson and drummer John Bishop. Saxophonist Rick Mandyck has switched to alto, but bears the sound and approach of some of the great tenor players in jazz. The band plays originals from Marriott, Mandyck and Johnson, along with a few standards. The vibe in the room is relaxed, the drinks are first class and there is a very cute puppy in the house to add to the charm. The house screens classic films and cartoons as well! A highly recommended hang on Tuesday nights.

Photo Credit: Jim Levitt

Thomas Marriott Quartet

Thu Apr 18, 7:30 PM / Seattle Jazz Fellowship- 109 S. Main St.

Trumpeter Thomas Marriott has been moving the needle more than anyone on the Seattle jazz scene over the past fifteen years and more–and this is true even before he founded the Seattle Jazz Fellowship. The author of fourteen albums as a leader and many more as a sideman, Marriott has been electrifying the scene with his live performances from the New Orleans and Tula’s era to the new SJF digs in Pioneer Square. In that time, he has been recognized as one of the finest trumpet players in jazz.

His bandleading skills inlude the wisdom to hire a band to play his original tunes and stick with them, creating chemistry and intimate knowledge of the music. Pianist Tim Kennedy has been behind the piano in Marriott’s Seattle quartet for some time now. Bassist Trevor Ford‘s style fits well with Marriott’s tunes that can push the edges while swinging hard. New York transplant Stefan Schatz is a drummer steeped in the jazz tradition that is new to the band. This is one not to miss. https://seattlejazzfellowship.org/events

Stanley Clarke

Thu Apr 18 – Sun Apr 21, 7:30 & 9:30 PM / Jazz Alley

Electric bass virtuoso, and NEA Jazz Master Stanley Clarke has been lighting it up for fifty years. Brought to national attention as a member of Return to Forever with Chick Corea, Clarke has gone on to become a jazz fusion pioneer and living legend through his recordings and performances as a leader.

Clark hits Jazz Alley in trio mode, in collective spirit with Dave Weckl on drums and piano / keyboard ace Beka Gochiashvili. Weckl is to fusion drumming what Clark is to the electric bass– a true match made in heaven. These shows amount to fusion royalty present in Seattle. https://www.jazzalley.com/www-home/artist.jsp?shownum=7539

Photo Credit: Lisa Hagen Glynn

Jun Iida Quintet

Fri & Sat Apr 19 – 20, 7:30 PM / Seattle Jazz Fellowship- 109 S. Main St.

Trumpeter Jun Iida hits the Fellowship for a two night residency on the heels of his new release on Origin Records, Evergreen. Iida has a fluid and full trumpet sound. Having four sets over two nights gives the band a chance to reallyn dig into his tunes, with the help of this well put together band. Pianist Dylan Hayes, guitarist Martin Budde, bassist Michael Glynn and drummer Xavier Lecouturier represent a formidable gathering for Iida to work his magic. Always good for a trumpet player to have a band stocked with skilled soloists. For the audience, it presents a diversity of sound across the board over a weekend residency that makes attending both nights an excellent option. https://seattlejazzfellowship.org/events

Photo Credit: Lisa Hagen Glynn

The Racer Sessions: James Falzone

Sun Apr 21, 7 PM / Gallery 1412- 1412 18th Ave

The Racer Sessions are an iconic series of performances that feature artists in exploration mode. There is a wide variance in the performances depending on the participating artist, but all are strong in the art of improvisation. The tradition began at the old Cafe Racer on the edge of the University District, when it was a hip coffee bar. The sessions moved to the current incarnation of Racer on Capitol Hill, but have moved once again to the intimate room at Gallery 1412.

Clarinetist James Falzone is a world class musician, and a master of both classical and improvised forms. For his Fellowship date, he plays clarinet and piano in duo with Seattle-based dancer Giordana Falzone. G. Falzone is an accomplished movement artist, and the daughter of the noted clarinetist. https://www.racersessions.com/

Photo Credit: Daniel Sheehan

Ann Reynolds Quartet

with Tobi Stone, Heather Chriscaden & Evan Woodle

Ian Hughes Quartet

Thu Apr 25, 7:30 PM / Seattle Jazz Fellowship – 109 S. Main St.

Pianist Ann Reynolds has been featuring the compositions of female composers in her recent performances, including those of the great Mary Lou Williams. Her skillful arrangements have raised awareness of these “new standards” for her audiences. Reynolds is supported by the solid rhythm section of bassist Heather Chriscaden and drummer Evan Woodle. Her beautifully harmonic support elevates the soaring, bold sound of tenor saxophonist Tobi Stone, who acts as the lead voice of this well formed quartet. 

Photo Credit: knkx

Guitarist Ian Hughes makes his Fellowship debut, leading a band that includes drummer Chris Patin, alto saxophonist Michael Jedynak, and bassist Marina Christopher. Hughes is known around Seattle for his work with the band Freudian Slurp among others projects. He is a tradition based player, with branches that extend into funk and adventurous original compositions. For this performance, he offers compositions inspired by nature, written during the pandemic to channel joy into times of despair. https://seattlejazzfellowship.org/events

Photo Credit: KNKX

Julio Jauregui

Fri Apr 26, 7 PM / Seattle Jazz Fellowship- 109 S. Main St.

Nobody embodies the spirit of Latin jazz in Seattle, better than talented pianist Julio Jauregui. The Mexico City native is an excellent jazz pianist who has pushed the limits of Latin music through a number of musical associations. He founded the band Tumbao with vocalist Carlos Cascante in 2001, and has been thrilling jazz and latin audiences with that combo ever since. Many of Jauregui’s performances are outside the orbit of local jazz programming. It’s satisfying to see him on the SJF schedule, giving the audience there the opportunity to witness his artistry and virtuosity. Band TBA https://seattlejazzfellowship.org/events

Photo Credit: Lisa Hagen Glynn

Dylan Hayes Trio with Jeff Johnson & Xavier Lecouturier

Sat Apr 27, 7:30 PM / Seattle Jazz Fellowship- 109 S. Main St.

Dylan Hayes is a highly skilled pianist, composer and arranger who moves around the Seattle jazz scene in a wide ranging sort of way. He is the curator of the legacy of conmposer Jim Knapp, and co-leads The Jim Knapp Orchestra with Jay Thomas. As a member of the collective ensemble, Meridian Odyssey, he is challenged in all facets of his skillset. For this performance, he strips it all down to the studs, performing in the traditional jazz piano trio format. It will be fun to see how the composer / arranger side of him interacts with the jazz pianist.

Hayes has chosen excellent partners for this trio venture. Bassist Jeff Johnson has been blazing a new trail through trio configurations for decades with the likes of Hal Galper, Jessica Williams, Chano Dominguez and Bill Anschell. Drummer Xavier Lecouturier has been Hayes’ musical partner since high school days in California, and shares a collective spirit with the pianist. https://seattlejazzfellowship.org/events

Willie Jones III Sextet

Tue Apr 30 – Wed May 1, 7:30 PM / Jazz Alley

Drummer Willie Jones III is touring in support of his new album Fallen Heroes, an homage to a long list of his mentors that include Roy Hargrove, Larry Willis and Jimmy Heath. Speaking of Hargrove, Jones has Justin Robinson on alto, a veteran of the late trumpeter’s quintet. Young trumpeter Giveton Gelin is on the gig as well, a rising star in jazz who appeared recently in Seattle at Langston. Vocalist Christie Dashiell adds a different dimension to the proceedings, with pianist Keith Brown and bassist Gerald Cannon rounding out this stellar assemblage of talent. This is one that has “fly under the radar” written all over it, and could well be one of the best hits of the year at Jazz Alley. https://www.jazzalley.com/www-home/artist.jsp?shownum=7527

Chris McCarthy Quintet

Wed May 1, 7:30 PM / Royal Room

Chris McCarthy is a Seattle born and raised pianist based in New York City. His style rests on the edge of straight ahead modern jazz and modern improvised music. His articulate, probing playing does not delineate a particular style in the jazz world, and possesses a refreshing openness and clarity. He is joined by the dynamic front line of Japanese born trumpeter Takuya Kuroda and dedicated baritone saxophonist Eden Bareket. Both bassist Sam Minaie and drummer Steven Crammer are adventurous spirits in the post-bop tradition that have a penchant for producing elasticity in their approach to rhythmic aspects of a given tune. 

This date will tend to slip under the radar, due to the Royal Room’s outdated and puzzling approach to publicity. Don’t allow that to deter you from venturing to Columbia City and welcoming home a brilliant Seattle artist who is making his mark in New York. https://theroyalroomseattle.com/event/chris-mccarthy-quintet-feat-takuya-kuroda/

Trombonasaurus Wrecks

Thu May 2, 7:30 PM / Seattle Jazz Fellowship- 109 Main St.

Veteran trombonist Dan Marcus has been a major voice on the Seattle music scene for decades. His work includes highly visible gigs with SRJO and a variety of small bands in the area’s best clubs. His playing is also heard in show bands around town at the city’s showcase theaters. His musical personality is bold and virtuosic. Trombonasaurus Wrecks is his statement as a proud, unabashed trombonist living in a trumpet and saxophone dominated world. For good measure, he brings along a cadre of the city’s best trombonists, including the brilliant David Marriott, Jr.. Add relative newcomers Beserat Tafesse and Audrey Stangland, and you have a low toned wall of sound that ascends to trombone heaven. With pianist John Hansen and bassist Greg Feingold or Heather Chriscaden in tow in the rhythm section, this band is sure to vibrate the foundation of the intimate room at 109 S. Main. https://seattlejazzfellowship.org/events

Photo Credit: Matt Jorgensen

Matt Jorgensen Quintet

Fri & Sat May 3 – 4, 7:30 PM / Seattle Jazz Fellowship- 109 S. Main St.

Drummer/composer Matt Jorgensen is the author of eleven albums as a leader or co-leader, including his modern jazz band, +451. He has co-led the ensembles Chamber 3, Human Spirit with Thomas Marriott and Mark Taylor, and NYC with Gary Versace. He is co-principal of Origin Records, the highly regarded Seattle based label.

Jorgensen has a way of measuring the pulse of the Seattle scene and assembling a band that best interprets his original compositions. For this iteration of his quintet, he teams with his longtime ally Mark Taylor on alto saxophone, joined in the front line by young tenor saxophonist Jackson Cotugno. Pianist Dylan Hayes has been making a name for himself as a composer/arranger, as well as an up and coming voice on piano. Bassist Kelsey Mines has become a highly visible presence on the scene, performing in a wide-ranging array of gigs that covers a broad spectrum of the jazz idiom. Jorgensen’s two night residency presents him with an opportunity to reach out over his two plus decade career as a composer, and dig deep into the sound. https://seattlejazzfellowship.org/events

Photo Credit: Jim Levitt

Free Fall with Jeff Johnson

Thu May 9, 7:30 PM / Seattle Jazz Fellowship- 109 S. Main St.

Free Fall is a chord-less quartet that in rare appearances over the years, has gained a reputation as a free spooling affair with four of the best jazz musicians this city has produced historically. The core of the band’s history goes back to a weekly gig in Ballard in the 1990’s, when bassist Jeff Johnson, drummer John Bishop and saxophonist Rick Mandyck led a trio gig that would every so often add a fourth member. That fourth member now is trumpeter Thomas Marriott, adding a different dynamic to the band. 

The quartet performs original compositions, many of which are open ended, freedom seeking scores written by Johnson and Mandyck. Marriott adds his tunes as well, selecting those that very well may have been incubated in this harmony liberated environment. Johnson’s trailblazing style on bass, and Bishop’s orchestral sound on drums tends to bring the best out of Marriott and Mandyck. One not to miss on the May calendar. https://seattlejazzfellowship.org/events

Photo Credit: Jim Levitt

Marina Albero Trio / Quartet

Fri & Sat May 10 – 11, 7:30 PM / Seattle Jazz Fellowship- 109 S. Main St.

It’s now been ten years since pianist Marina Albero arrived in Seattle from her native Barcelona. The daughter of iconic Catalan musician / composer Marian Albero has created a style that reflects the many different directions her musical journey has taken her. A four month sabbatical in New Orleans is the latest journey taken by Albero, an immersion into her music while surrounded by the multiplicity of musical influences that encompass the crescent city. Albero hits SJF upon her return from that real life deep dive into the melting pot of American music, for a two night residency that features two different bands.

Albero breaks things down into the classic trio format on the first night, joining in conversation with bassist Kelsey Mines and drummer D’Vonne Lewis. Saturday night will feature a quartet with drummer Xavier Lecouturier, bassist Trevor Ford and tenor saxophonist Jackson Cotugno. With a different band and different tunes each night, attending both nights is a great option. https://seattlejazzfellowship.org/events

Photo Credit: Jim Levitt

Johnaye Kendrick

Fri & Sat May 17-18, 7:30 PM / Seattle Jazz Fellowship- 109 S. Main St.

Now with a Grammy in tow from her work in the vocal quartet, saje, vocal artist Johnaye Kendrick returns home to the SJF for two sets of original music and selected standards. A professorship at Cornish brought her to us in Seattle, and we have reaped the benefits of her artistry ever since. The author of two solo albums with a long list of finely crafted original tunes, Kendrick will be working up some new tunes to be included in her next album. An original board member of the Seattle Jazz Fellowship, Kendrick thrilled the audience on the opening weekend of the new Pioneer Square digs. She is joined in her return by bassist Chris Symer, pianist Dylan Hayes and drummer Byron Vannoy.  Another stellar two night residency by SJF with one of the true gems of the Seattle and international jazz scene. https://seattlejazzfellowship.org/events

Jory Tindall: Left Coast

Thur May 23, 7:30 PM / Seattle Jazz Fellowship- 109 S. Main St

Saxophonist Jory Tindall has put together a band to celebrate the West Coast style, with a non-chordal quartet in the spirit of Lee Konitz, Lennie Tristano and Chet Baker. The band will present original music inspired by the west coast movement, though nuanced by Tindall’s hard bop DNA. Driven by bassist Greg Feingold and drummer Stefan Schatz, Tindall is joined on the front line by trumpeter Jun Iida. Feingold is a bold presence on double bass, and a perfect fit for this assemblage. Plenty of room here for melodic improvisation from the front line. https://seattlejazzfellowship.org/events

Photo Credit: Lisa Hagen Glynn

Ray Vega Quartet

Fri & Sat May 24 – 25, 7:30 PM / Seattle Jazz Fellowship- 109 S. Main St.

Trumpeter Ray Vega is a native of the Bronx, NY, and a veteran of the bands of Tito Puente, Ray Barretto, Mongo Santamaria, Johnny Pacheco and many, many more. He is also a master practitioner of bebop. Vega met a young Thomas Marriott in Seattle while on a tour stop at Jazz Alley, and became a close friend of the young trumpeter and his family. Their friendship became a musical partnership under the banner of “East-West Trumpet Summit,” resulting in three albums on the Origin Records label and accompanying live performances. 

This time around, Vega performs in quartet mode with three of Seattle’s finest. Pianist Eric Verlinde is a perfect match for the trumpeter’s personal musical journey. He is a master jazz pianist with a special affection for Latin jazz. Bassist Michael Glynn is a first call Seattle player with the acute musical flexibility to interact with a wide range of approaches to the jazz lexicon. He appeared on the latest East-West Trumpet Summit album, Coast to Coast (Origin, 2022). Drummer John Bishop is an iconic Seattle performer acclaimed on an international scale. He has been one of the leading voices in the Seattle jazz community for forty years as a drummer, record label owner, graphic designer and festival presenter. He has appeared on over 100 albums and has recorded and toured with the likes of Hal Galper, Jessica Williams, Sonny Fortune and Ernestine Anderson to name but a few. He was elected to the Seattle Jazz Hall of Fame in 2008. 

Vega is a genuine soul and a bright light in the music world. Get there early for this one, it should fill up quickly. https://seattlejazzfellowship.org/events

Photo Credit: Anthony Dean

Victor North

Thu May 30, 7:30 PM / Seattle Jazz Fellowship- 109 S. Main St.

Philadelphia based tenor saxophonist Victor North has roots in Seattle and Alaska, moving to Philly some twenty five years ago after attending Rutgers University. In that time, he has established himself as a prominent voice on the fertile Philly scene, performing with the late Joey DeFancesco, Orrin Evans’ Captain Black Big Band, Charles Fambrough, Terrell Stafford and a variety of others. North is a powerful presence on the tenor, a straight ahead player with an eclectic view of the music. He doesn’t perform in Seattle all that often, take advantage of this opportunity. Band TBA https://seattlejazzfellowship.org/events

Photo Credit: Lisa Hagen Glynn

Machado Mijiga Trio

Fri & Sat May 31 – Jun 1, 7:30 PM / Seattle Jazz Fellowship- 109 S. Main St.

Machado Mijiga is a Portland based drummer / composer who has a close connection to the new wave of young jazz artists in Seattle. Making his second SJF appearance, Mijiga will perform in trio mode with one of those Seattle players in pianist Dylan Hayes. Veteran first-call bassist Michael Glynn completes the trio, in an environment where listeners will be able to witness his elegance as a soloist in ample portions. Mijiga’s style is intricate in form, polyrhythmic at times and nuanced in pure energy. At this point in his career, he is stylistically diverse, still in search of a true voice as he well should be. All of that musical gathering will be pared down to the moment at hand in trio mode, with Hayes’ harmonic imagination creating shapes for bass and drums to interact with. The date ends an active and broad ranging month of programming at the Seattle Jazz Fellowship. https://seattlejazzfellowship.org/events

Opinion/Editorial: The Time to Act is Now to Support Local Seattle Jazz

“Our mission is to build community, provide access to the mentorship cycle, incentivize excellence and to lower the barriers to access jazz for both performers and listeners.”

This quote from the original mission statement of the Seattle Jazz Fellowship states in no uncertain terms, the focus of the Seattle 401(c) 3 non-profit that has guided its journey from its point of inception in October 2021. This was when the fellowship initiated its “Fellowship Wednesdays” weekly affair at Vermillion Art Bar on Capitol Hill. While the non-profit has engaged in a variety of special events, the Wednesday series has presented live jazz featuring Seattle resident musicians with occasional out of town guests now for more than two years. It has provided a stage for Seattle jazz musicians to perform original music for an appreciative listening audience and be paid respectfully. While only one night a week, it has been a beacon of hope for the Seattle jazz scene that has lost its collective mainstages largely due to gentrification. The business model that guided jazz dinner clubs like the New Orleans Creole Restaurant in Pioneer Square and the iconic Tula’s Jazz Club in Belltown became obsolete. The price tag for the consumer became sky high, while the numbers needed to manage a successful business became impossible. An alternative was needed if the resident jazz scene in Seattle was to survive.

On Tuesday November 21, SJF founder Thomas Marriott announced that the December 6 edition of Fellowship Wednesdays would be the last staged at Vermillion, as the fellowship would be moving into its own space in Pioneer Square beginning in late January of 2024. The venue will be a pop-up affair in the historic Globe building near the intersection of First Avenue and Main St., smack dab in the middle of the neighborhood that not long ago was the heartbeat of Seattle nightlife. Programming will increase to “several” nights a week according to Marriott, increasing employment opportunities for musicians, and live jazz access for listeners. The non-profit’s logical next step is a large one, and will require a significant increase in support from the Seattle music community at large. Most importantly, it will require an “all in” support network from Seattle jazz musicians themselves. In an interview I conducted with Marriott that culminated in an All About Jazz article in February 2022, he stated, “It takes everybody showing up. It takes people getting off the bench and off the sidelines and saying,’I’m going to show up to this person’s gig because it’s good for all of us.’” 

Photo Credit: Jim Levitt

In essence, this is a calling to step up to the plate and hit it out of the park. The time is NOW. What is required is not a burden, but an act of love and respect for jazz music in Seattle, and the artists that provide the sounds. It is a call to the jazz audience to not only support the music with your dollars, but to show up and join in the fellowship and broad sense of community this music provides. 

Photo Credit: Lisa Hagen Glynn

You can purchase a membership using the link below. If your personal income allows you to make a donation beyond standard membership, now is the time to do so. If your working life puts you in contact with personal and/or corporate entities that are possibly willing to support this venture, now is the time to begin that conversation. We can create something beautiful and long-lasting if we so wish–it’s up to us as a community. Do we want local, fair paying gigs in an inclusive environment that welcomes the public without typical financial barriers to access? The answer is definitely yes. It is now officially in our hands.

Buy a membership, volunteer your time, make a donation, show up–this is what is required of you. The exploding moment we have all been waiting for is here. Nobody is going to show up and be the savior of the local Seattle jazz scene–we are collectively just that. Marriott has set the foundation. It’s “go time” to take it from there and build our community. https://seattlejazzfellowship.org/membership

Photo Credit: Jim Levitt
Photo Credit: Lisa Hagen Glynn
Photo Credit: Jim Levitt

Seattle Jazz Fellowship Presents: Orrin Evans & The Captain Black Big Band

“While the nonprofit has been acknowledged for providing a place for the resident Seattle jazz to thrive, it is equally important to note the Fellowship’s work in caring for the music itself.”

The Seattle Jazz Fellowship, a 501(c)(3) nonprofit founded by trumpeter Thomas Marriott, was created in response to the loss of viable jazz stages showcasing the vibrant resident jazz scene in Seattle. While local jazz musicians and fans alike mourned the downfall of longtime resident haunts such as the New Orleans club and Tula’s Jazz Club, Marriott and a supportive group of like-minded community members sought an alternative to the traditional jazz supper club personified by the aforementioned institutions. Gentrification of the downtown core of the city had driven rents to such a level that sustaining a club that could also serve as a community hub had become difficult at best. Food and liquor sales became the life blood of these attempts, driving up the price of access to jazz fans, while wages for musicians hung at early 1980’s levels. Worse yet, musicians had to rely on the door or ticket receipts to be paid at all. Like many jazz scenes around the country not based in New York City, the best musicians had to leave town to have any hope of earning a living as a professional jazz musician. The story of the Seattle Jazz Fellowship (SJF) and its guiding principles first appeared in All About Jazz in February, 2022, in the article Seattle Jazz Fellowship: A New Beginning For Live Resident Jazz . To continue reading, click here https://www.allaboutjazz.com/seattle-jazz-fellowship-presents-orrin-evans-and-the-captain-black-big-band-captain-black-big-band

Seattle Jazz Fellowship Photo Gallery: Alex Claffy Quintet and The Fellowship ‘Ceptet at the Royal Room

The Seattle Jazz Fellowship, the city’s 501 (c) (3) jazz non-profit, has taken a hiatus from their weekly dates at Vermillion until April 20, when the Wednesday night program will re-ignite for another six week run. In the meantime, the organization founded by Thomas Marriott has turned its focus to presenting performances featuring the Fellowship ‘Ceptet, a rotating gathering of the best of the Seattle jazz scene. The seven piece ensemble opened for New York based bassist Alex Claffy and his quintet on Tuesday, February 8 at the Royal Room in Columbia City. 

The ‘Ceptet performed compositions by trumpeter Marriott, along with a Thelonious Monk classic. Marriott was joined by a front line of altoist Alex Dugdale, tenorist Jackson Cotugno and trombonist David Marriott, Jr.. Pianist Marina Albero, bassist Trevor Ford and drummer D’Vonne Lewis held down the rhythm section.

Claffy’s quintet featured Portland born and raised tenorist Nicole Glover, and trumpeter Benny Benack III. The New York based band was all in on the hang in Seattle as well, attending both the Monday night jam at the Royal Room, and the Tuesday night jam at the Owl ‘n Thistle. 

Photographers Jim Levitt and Lisa Hagen Glynn were there to document the event with their stellar photographic skill sets. Enjoy the results! To further explore the goings on with the Seattle Jazz Fellowship, visit their website at https://seattlejazzfellowship.org/

Photo Credit:
Lisa Hagen Glynn
Photo Credit: Lisa Hagen Glynn
Saxophonist Jackson Cotugno
Photo Credit:
Lisa Hagen Glynn
l to r: Alex Dugdale, Thomas Marriott, Jackson Cotugno, David Marriott
Photo Credit: Lisa Hagen Glynn
l to r: Nicole Glover, Alex Claffy
Photo Credit:
Lisa Hagen Glynn
Bassist Alex Claffy
Photo Credit:
Lisa Hagen Glynn
pianist Marina Albero
Photo Credit: Lisa Hagen Glynn
Trunmpeter Benny Benack III
Photo Credit:
Lisa Hagen Glynn
Photo Credit:
Lisa Hagen Glynn
Guest drummer Ted Poor
Photo Credit:
Jim Levitt
Drummer D’Vonne Lewis
Photo Credit: Jim Levitt
Pianist Marina Albero
Photo Credit:
Jim Levitt
Trumpeter and SJF founder Thomas Marriott