Tula’s Jazz Club ended it’s vaunted 26 year run with two nights of music with old friends, and a late night hang not seen at the club in many years. It was a bittersweet time, in the end joyous in the form of the music that took place on the stage.
Photographer Lisa Hagen Glynn was there, not just as a photographer, but on the hang as she often is at Tula’s. She captured some poignant moments, that will serve as portraits of this place that the Seattle jazz scene called home for a quarter century. In that time, the best of the best in the Northwest played Tula’s, and as seen through the lens of Lisa, that standard was upheld to the end.
As the final week of Tula’s remarkable 26 year run approaches, we as jazz fans are witness to the final performances of the club’s foundational talent, of those artists who made live, resident based jazz thrive in Belltown. Artists such as vocalist Greta Matassa,pianists Marc Seales and Bill Anschell, vibraphonist Susan Pascal, and trumpeter Thomas Marriott have all left their mark on the city’s jazz legacy from the stage at Tula’s.
Photographer Jim Levitt has been as integral as anybody in terms of documenting the inspired jazz scene in Seattle over the last quarter century. While photographic documentation of historic Seattle jazz rooms such as the Black & Tan, Parnell’s, and Jazz Alley’s former home on University Way is scant at best, enthusiastic photographers such as Levitt, Daniel Sheehan, and Lisa Hagen Glynn have provided in depth imagery of Tula’s storied run.
Mr. Levitt recently shared some photographs of Thomas Marriott’s last gig as a leader at Tula’s on September 14. Marriott has been playing at Tula’s since he was a teenager in a band with his brother, trombonist David Marriott, Jr.. Taking quality photographs in the dimly lit confines of the club is no easy task. These were too exceptional not to share- many thanks to our brother and noted jazz foot soldier, Jim Levitt!
The Ballard Jazz Festival spreads out over 4 days in 11 different locations, making it a logistical challenge in many ways. Traversing and documenting the festival’s four events as a photographer begins in the tight, brick lined confines of Conor Byrne Pub, moves to the spacious Nordic Museum Auditorium, and ends with a ten venue jazz walk that covers a fair patch of ground in itself.
The festival has been extremely fortunate over the years to have jazz photographer Jim Levitt on the scene, and the 17th edition was no exception. For the second year running, he was joined by Lisa Hagen Glynn who has been doing great work around the Seattle music scene, in and out of jazz. Levitt’s knack for finding special moments in time seems to have passed on to Hagen Glynn, with both contributing images that define the soul of the festival.
Lisa Hagen Glynn has been doing some great work out on the music scene in Seattle, photographing performances. These were taken on May 10, during a riveting duo performance by Hans Teuber and Jeff Johnson. The performance was part of the Art of Jazz series at SAM, presented by Earshot Jazz. Thanks to Lisa for the wonderful shots!
Louis Hayes and the Cannonball Legacy Band featuring Vincent Herring, Jeremy Pelt, Rick Germanson, and Michael Glynn, performing earlier this week at Boxley’s. They will be performing at Jazz Alley on Monday, September 28 … and it is only $10!
The Steve Wilson Quintet featuring Steve Wilson (saxophone), Thomas Marriott (trumpet), Marc Seales (piano), Michael Glynn (bass) and Matt Jorgensen (drums) performing at Tula’s Jazz Club on Friday, July 17.
The group will be back at Tula’s tonight, Saturday, July 18 starting at 7:30pm. Reservations: 206-443-4221.
Saxophonist Santosh Sharma, a junior in the powerhouse Roosevelt High School jazz program, led a qu
artet at Tula’s, opening for the Spike Wilner Trio. Santosh was selected for the 2015 Grammy Jazz Band. Joining him on guitar was Lucas Winter, a Roosevelt graduate now studying at Cornish. Drummer Luke Woodle, a Roosevelt senior, will be studying at USC in the fall. Bassist Michael Glynn rounded out the band.
The Spike Wilner Trio performs at Tula’s Jazz Club in Seattle. Pianist Spike Wilner runs two New York jazz clubs, Small’s and Mezzrow.Spike Wilner, piano;Michael Glynn, bass;Matt Jorgensen, drums (and Thomas Marriott, trumpet, joins at the end of the set)
The Seattle Women’s Jazz Orchestra, featuring Grace Kelly, performed at The Triple Door as part of the Earshot Festival. The concert drew a standing room audience. Grace Kelly played saxophone, and sang. The concert featured two world-premiere performances, pieces written by the winners of the orchestra’s second annual competition for women jazz composers.
Photos from the Bellingham show which concluded the Kendra Shank/John Stowell West Coast tour supporting the release of their “New York Conversations” recording on TCB.
This show, at the Bellingham Arts Academy for Youth, was part of the Jazz Project “Art of Jazz” series. Kendra (vocals and looper) and John (guitars) performed the first set as a duo. In the second set, they were joined by Jeff Johnson on bass, and Jud Sherwood on drums.
Kendra and John kicked off their East Coast tour with a show at Roulette, in Brooklyn, on Sunday, May 4th.
The Anton Schwartz Quintet has been on tour, supporting the release of Anton’s new recording, “FlashMob.” The Seattle stop featured the band that made the album, with one change: Eric Reed on piano, in place of Taylor Eigsti. The group also featured trumpeter Dominick Farinacci, who flew in from Doha, Qatar, where he has been working with the Jazz at Lincoln Center outpost there.
Sunday night at Cornish, Earshot Jazz Festival presented The “hard-edged and audacious” (NY Jazz Record) duo of drummer Chris Icasiano and saxophonist Neil Welch opened, performing all original compositions, with live loops and pedals, opening for Chris Speed, Dave King & Chris Tordini Trio.