Roxy Coss Interview

Seattle born and bred, New York based saxophonist Roxy Coss has seen her star ascend in recent years. From 2012-2014 she gained international visibility touring with trumpeter Jeremy Pelt. She has been on a torrid recording pace as well, with the objective of releasing an album a year. Her past two releases Restless Idealism (Origin, 2016), and Chasing the Unicorn (Posi-Tone, 2017) have established her place in the upper echelon of saxophonists in jazz today.

Coss has also played a major role in the fight for gender equality in jazz, forming the organization Women In jazz Organization (WIJO). You can check out their website here: http://wearewijo.org/

On March 30, Coss will release a new album on the Posi-Tone label that expresses both her ardent musicality, and activism. Entitled The Future Is Female, the album stands as an important statement in support of modern feminism, and most specifically, to gender equality in jazz. In November 2017, just after she recorded the record, I had the opportunity to interview her while she was in town for the Earshot Jazz Festival. The result was compelling.

All About Jazz: You have recently released a new CD, Chasing the Unicorn (Posi-Tone, 2017), just a year after the release of Restless Idealism (Origin, 2016). Albums are like a snapshot of a timeframe, how has that musical image changed in a year?

Roxy Coss: More back story is it was recorded more than a year apart, even though they were released a year apart, so there was actually more time between recordings, almost two years. When I worked with Jeremy Pelt, he taught me a lot about the industry. His release schedule is every year, and I saw that really work for him, so that’s my goal right now, to continue now that I have the momentum going. From my experience, I’ve seen how important it is to keep getting contact out there, regardless of what it is. The more stuff you put out there, the more chances of someone hearing you.

read the entire interview here at All About Jazz: https://www.allaboutjazz.com/roxy-coss-standing-out-roxy-coss-by-paul-rauch.php

 

Dawn Clement Interview

Dawn Clement is like a primal force of nature. From being the mother of three young children, to her professorship at Cornish College of the Arts, to her performing career as a touring and recording artist, she maintains a musical standard of excellence achieved by very few. Her piano style is strong and versatile, whether she is playing at the most intense tempo, or in more tender and vulnerable moments colored in alluring sincerity.

On February 20th, she officially released her new CD Tandem on Origin Records. The album is a series of duo performances with some of her closest musical collaborators over the past 20 years. The project was celebrated in earnest that evening at Tula’s, with Clement performing in duo, trio, quartet, and full quintet with Dr. Julian Priester, Johnaye Kendrick, Mark Taylor, Michael Glynn and Byron Vannoy. The audience was populated heavily with many of the top jazz musicians in town, a gesture of great respect for the artist Clement has become, and has been throughout this new century. The performance was inspired, memorable, the vibe in the room during the performance and after hang, warm and welcoming.

Dawn Clement is a voice in jazz that needs to be heard.  Read the full interview at All About Jazz here:

https://www.allaboutjazz.com/dawn-clement-here-in-the-moment-dawn-clement-by-paul-rauch.php

 

 

Seattle Jazz Scene Update

Over the course of the next few weeks, I will be in full exploration mode here at seattlejazzscene.com. The aim is to bring the page up to date in terms of jazz calendar, feature articles and reviews chronicling jazz music in Seattle, festival and event previews, and all things relevant to highlighting the music and its performers. Just for fun, I plan to go full on guerilla mode at times, publishing directly from jazz events in the area.

I want the vibe to be welcoming to the entire jazz and improvised music community. The growth and overall health of the scene is dependent on participation and a true sense of community between musicians, fans, writers, promoters, club owners, record companies, radio stations, and all of those who love the music and sees it as a vibrant part of our culture.

Once fully integrated, jazz fans in Seattle will be able to enter the site and learn who is playing around town on a daily basis, and stay up to date on what is happening in and around the scene.

If you are interested in submitting articles, reviews, photographs, calendar entries, etc, contact me per email at email hidden; JavaScript is required. Please no self promotions.

And so the journey begins.

Paul Rauch